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Explore AI generated designs, images, art and prompts by top community artists and designers.
picture of a sexy girl , in alace Corset lace Tops sheer , perfect face , satin translucent micro skirt sheer , star trek Enterprise micro dress , red stiletto high heels tan , thigh high stockings , symmetrical eyes , legs open , A spunky vivacious young woman , on deck of the starship enterprise , leaning on the captain's chair both hands looking back at camera , is a junior officer , with curly bouncy long blond hair , with body of , Megan Fox , in white satin translucent micro mini sheer , star trek Enterprise micro mini dress , red stiletto high heels tan thigh high stockings , symmetrical eyes , legs open , beautiful symmetrical face , revealing chest open sheer translucent low cut silk shirt , cherry red full lips sheer short translucent silk sheer micro mini dress , with slit on both sides , full body shot , , Photorealistic portrait of a beautiful woman. Photograph , Hyper realistic , Photorealistic , Photorealism , body symmetrical anatomy.zoomed out , full body portrait , photorealistic skin , Persian hauntingly beautiful symmetrical face with hypnotic deep dark blue eyes , f 5.6 85mm , extremely detailed , maximum texture , maximum details , dramatic clair obscur , ultra-realistic , soft shadows RHADS , low angle shot fan cam , cinematic lighting , epic cinematic angle , visual clarity , 85mm , UHD , 32k , 16k , 8k , 3D shading , Tone Mapping , Ray Tracing Global Illumination , Diffraction Grating , Crystalline , Lumen Reflections , Super-Resolution , gigapixel , color grading , retouch , enhanced , PBR , Blender , V-ray , Procreate , zBrush , Unreal Engine 5 , Cinema 4D , ROMM RGB , Adobe After Effects , 3DCG , VFX , SFX , FXAA , SSAO , 3D , high fantasy , cinematic lighting , romantic--ar3:2 --v 4 --q 2 full body shot ,
a real photo: fine skin texture and pores , natural hair detail at the hairline , realistic specular highlights on the forehead and nose , consistent shadows under the chin and collar that match the light direction , and a natural depth-of-field falloff in the background. The patterned shirt shows coherent weave and fold behavior with no obvious repeating tile artifacts. The glasses reflect irregular , smudged highlights and show slight asymmetry you’d expect from real reflections. Possible minor issues (likely JPEG/compression or small retouching) include a faint halo/soft edge around parts of the hair and a small jagged edge where the glasses’ temple meets the hair/ear , but these are subtle and typical of image compression or modest editing rather than generative-model artifacts ,
historical portrait of Roxana (Roxane) , the Bactrian/Sogdian wife of Alexander the Great , ancient Persian-Central Asian noblewoman , wearing elegant Achaemenid-inspired royal garments , jeweled headpiece and veil , intricate gold jewelry , standing in a palace with Persian columns and colorful textiles , classical painting style , soft warm lighting , highly detailed , realistic historical art ,
Upper body to hip illustration , eye-level camera , character standing centered facing the viewer directly at slight three-quarter angle. The framing captures from the top of the head down to the hip area. Soft warm interior lighting. The background shows an elegant interior — decorative wallpaper with subtle damask or floral pattern , and the edge of a large ornate gold-framed painting or mirror visible on the left side. POSE: Character stands upright facing the viewer at slight three-quarter angle , body positioned slightly right of center. Her arms are both positioned at her sides or slightly in front — both arms relaxed and close to her body , hands at hip level or slightly raised near her waist. Her upper body is composed and still. Her head faces the viewer directly , slightly tilted or level , with a cool , reserved , slightly self-conscious expression — eyes open and looking at the viewer with a calm but slightly uncertain or guarded gaze , eyebrows very slightly furrowed , lips firmly closed. Cheeks lightly flushed. Prominent bust visible within the white dress with natural fabric tension , with the sides of the bust visibly protruding from both armhole openings. PIECE ONE — WHITE SLEEVELESS DRESS: A fitted sleeveless dress in bright white — clean structured bodice with no straps , a straight or slightly curved neckline. The dress is form-fitting at the chest and torso showing prominent bust with natural fabric tension. The sleeveless armhole openings are wide and cut deep on both sides — the outer sides of the bust are visible from both left and right edges of the wide armhole openings , with the fabric only covering the front center panel and leaving the outer sides of the chest exposed through the wide deep armhole cuts. The bust protrudes naturally and visibly from both sides of the garment through the armhole openings — the larger the bust , the more pronounced the side exposure. White ruffled trim or small frilled detail decorates the upper edge of the armhole opening on both sides , creating a delicate decorative ruffle border framing the exposed sides. The dress has a slightly structured fantasy or formal quality with subtle seam and fabric tension detail. PIECE TWO — NAVY AND GOLD NECK RIBBON/CRAVAT: A dramatic decorative neck piece — a wide navy blue ribbon or cravat with gold trim border running along the edges. The ribbon is tied or arranged at the neck in a long hanging style — the navy fabric hangs down the center front of the chest in a wide panel or tied bow shape. A small gold cross or diamond-shaped brooch or clasp is pinned at the upper center of the neck ribbon where it meets the collar. The ribbon has a slightly stiff or structured quality with visible gold border trim. PIECE THREE — PURPLE COLLAR/CHOKER: A thin purple or lavender collar or choker visible at the base of the neck beneath the navy ribbon — a delicate colored band. BACKGROUND: Elegant interior room — soft warm lighting. The wall behind the character has decorative cream or light grey wallpaper with a subtle damask or ornate floral repeat pattern. A large ornate painting or mirror with a thick gold frame is partially visible at the left edge of the frame. Another gold frame edge is partially visible at the right. The background is from mid-wall upward. ARTISTIC STYLE — MANDATORY: Render this illustration in the style of a premium Japanese light novel or doujinshi cover illustration. The linework must have visible variation in stroke weight , thicker lines on outer contours and thinner lines on interior details. Skin shading must use warm ambient occlusion with subtle color shifts toward peach and rose in the shadows rather than pure gray. Hair must be rendered with individual strand clusters showing clear highlight ribbons and deep shadow pools , not uniform gradients. Fabric must show micro-wrinkle detail and textile grain. The color palette must feel slightly desaturated and warm , reminiscent of physical print media — not digital neon. Eyes must have complex multi-layered iris detail with warm reflected light. Overall the image should feel like it was painted by a skilled Japanese illustrator such as the art style seen in Fate Grand Order , Sword Art Online or Re:Zero light novel illustrations — detailed , warm , slightly imperfect , full of artistic intentionality. Absolutely avoid: plastic glossy skin , perfectly uniform smooth gradients , oversaturated colors , symmetrical cookie-cutter faces , flat digital airbrushing. HAIR IDENTITY LOCK — ABSOLUTE MAXIMUM PRIORITY: Hair , hairstyle , hair length , hair accessories and everything on the head MUST be an EXACT 1-to-1 COPY of the uploaded waifu reference image. Do NOT change hair in ANY way. Do NOT shorten , lengthen , reshape or change silhouette , volume or flow. Do NOT change bangs , part or framing. Do NOT change any braid , twist , plait or strand details. Do NOT add or remove any side strands or loose strands. Do NOT add , remove or replace any hair accessories. All head accessories must be IDENTICAL to uploaded reference — same position , color , size and design. Hair in final image must be PERFECT IDENTICAL COPY in every detail. Any single deviation from original hair or head is CRITICAL FAILURE. Treat entire head and hairstyle as completely locked , unchangeable element. COLOR PALETTE LOCK — ABSOLUTE CRITICAL PRIORITY: Extract and preserve the exact color palette directly from the uploaded CHARACTER REFERENCE IMAGE. The final image MUST match the hair color , eye color , skin tone and overall color identity of the uploaded character reference with zero deviation. Do NOT adopt colors from this style reference image. Every color in the final output must be traceable to the original reference image. BUST SIZE LOCK: Preserve the exact prominent bust size and proportions from the waifu reference image. The wider and more prominent the bust , the more the sides of the chest will be naturally visible through the wide armhole openings of the dress. Do NOT reduce or minimize the bust size. Do NOT add any head accessories not present in the original waifu reference image. Do NOT add masks , face coverings , or any object placed on or covering the face or head. Character face must remain fully visible and uncovered at all times. Remove all text , letters , logos and watermarks. No realistic style , no 3D render , no photorealistic , no distorted anatomy , no bad hands , no low quality , no blurry output. ,
In a sleek , futuristic kitchen with gleaming white tiled walls and a polished concrete floor , a young female chef wears her chef's hat proudly. Clad in a crisp white chef's jacket and black apron , she expertly prepares vibrant dishes in silver rectangular pans arranged on an immaculate stainless steel counter. The scene is enhanced by the striking design elements of molecular gastronomy , where creativity meets elegance. A green trash bin stands prominently equipped with a sleek horizontally digital scanner mounted on a small pole directly facing from the back at corner. The food waste is showing in the bin. This image captures the passion and artistry of cooking in a space that inspires both innovation and style. ,
ultra close-up black and white portrait of a woman partially obscured by a grid of out-of-focus printed photographs placed between the camera and the subject. The camera focuses sharply on a single exposed eye and the center of the face , revealing detailed skin texture , fine wrinkles , light stubble , and intense gaze. The foreground photographs form vertical and horizontal blurred bars that slice the frame into fragmented panels , creating a layered voyeuristic effect. Background is soft and indistinct , with shallow depth of field isolating the eye. High contrast monochrome tones , cinematic lighting from the side , dramatic shadows , documentary realism , 85mm lens , f/1.8 aperture , strong bokeh , tactile skin detail , sharp focal plane on the eye , blurred foreground obstruction , intimate psychological mood , fine grain , gallery photography aesthetic. ,
A rustic still life of weathered tools and a half-finished oversaturated Blacksmith hammer , metal head and wooden handle , sculpture on a rough-hewn workbench. Thick , impasto oil paint is used , with visible brushstrokes creating texture and depth. The lighting is dramatic , casting long shadows and highlighting the tactile quality of the materials. The style is akin to Dutch Masters still life paintings , emphasizing materiality and slow creation. ,
A rustic still life of weathered tools and a half-finished horse wooden sculpture on a rough-hewn workbench. Thick , impasto oil paint is used , with visible brushstrokes creating texture and depth. The lighting is dramatic , casting long shadows and highlighting the tactile quality of the materials. The style is akin to Dutch Masters still life paintings , emphasizing materiality and slow creation. ,
à un tournant de haie , un champ de blé magnifique , saccagé , fauché , raviné par la pluie et la grêle , croisait par terre dans tous les sens ses tiges brisées. Les épis lourds et mûrs s’égrenaient dans la boue , et des volées de petits oiseaux s’abattaient sur cette moisson perdue , sautant dans ces ravins de paille humide et faisant voler le blé tout autour. En plein soleil , sous le ciel pur , c’était sinistre , ce pillage… Debout devant son champ ruiné , un grand paysan long , voûté , vêtu à la mode de la vieille Alsace , regardait cela silencieusement. Il y avait une vraie douleur sur sa figure , mais en même temps quelque chose de résigné et de calme , je ne sais quel espoir vague , comme s’il s’était dit que sous les épis couchés sa terre lui restait toujours , vivante , fertile , fidèle , et que , tant que la terre est là , il ne faut pas désespérer. ,
Full-body editorial fashion photography of a sophisticated woman crouching in a graceful , architectural pose. She is wearing a minimalist , sleek black jumpsuit with wide-leg trousers and thin spaghetti straps , paired with classic black pointed-toe stiletto heels. Her hair is styled in a 'wet look' slicked-back bob , and her makeup is dewy and natural with a soft mauve lip. She is resting her chin on her crossed forearms , looking directly at the camera with a calm , intense expression. The background is a solid , vibrant magenta-red matte studio backdrop. The lighting is high-contrast fashion lighting , creating sharp highlights on her skin and deep shadows that define the silhouette. Shot on 85mm lens , 8k resolution , cinematic color grading , high-end magazine aesthetic." ,
surreal environmental scene where a human arm rises naturally upward from the ground , arm extended vertically and wrist gently bent so the palm faces horizontally like a landscape plateau , the palm fully transformed into natural terrain , skin seamlessly becoming soil , moss , roots and vegetation , a tree growing from the center as if planted in fertile earth , fingers reshaped into hills and landforms rather than recognizable fingers , total organic fusion between hand and ecosystem , the hand elevated but clearly attached to a real arm and body below frame , not floating , photorealistic textures , cinematic lighting , soft natural atmosphere , environmental concept art , magical realism , ultra detailed , wide shot , depth , 8k ,
Crea una infografía ilustrada con viñetas tipo periódico / cómic educativo , organizada en [6] escenas. Tema general: [La formación del plural en inglés] Formato: [TAMAÑO A4 Orientación vertical] Público: [5 primaria] Cada viñeta debe: Representar una escena educativa realista relacionada con los niños de Stranger Things. Incluir personajes infantiles o juveniles interactuando. Mostrar acciones claras (explicaciones). Tener un título corto numerado (ej. "1...."'"2...."). Incluir bocadillos de diálogo con frases breves y naturales que refuercen el aprendizaje. Estructura de las viñetas: Viñeta 1: La Regla Normal (The General Rule) · Fuente: Stranger Things · Escena: Pasillo del colegio. "Mike" señala un Demogordon salir a través de la pared. · Acción: El chico enseña a la "Eleven" la diferencia entre uno y varios. · Texto Visual (Cartel/Pizarra): + S · Diálogo (Bocadillos): o Chico: "Look! One Demogordon." (Señala un demogordon). o Chico: "Now , two Demogordons. Just add S!" o Narrador (Cajetín): "Normalmente , añadimos una S al sustantivo." Viñeta 2: Los Sonidos Sibilantes (The Hissing Endings) · Fuente: Stranger Things · Escena: En el aula de ciencias. Hay cajas de mudanza o material escolar. · Acción: Dustin intenta levantar una caja pesada marcada con una "X" , mientras otro señala una pila de cajas. · Texto Visual: S , CH , SH , X , Z --> + ES · Diálogo (Bocadillos): o Dustin: "This box (X) is heavy..." o Lucas: "Imagine carrying all those boxes! Add ES!" o Nota al pie: "Para terminaciones en S , CH , SH , X , Z." Viñeta 3: La Transformación de la F (The 'F' Mystery) · Fuente: Stranger Things · Escena: Biblioteca oscura. Mike , Eleven , Dustin y Lucas miran un libro de monstruos o animales. · Acción: La linterna ilumina el dibujo de un lobo. · Texto Visual: F / FE --> VES · Diálogo (Bocadillos): o Eleven: "Is that a wolf?" o Mike con linterna: "No , it's a pack of wolves! The F changes to VES." o Narrador: "Si acaba en F o FE , ¡cambia a VES!" Viñeta 4: El Dilema de la Y (The Tricky Y) · Fuente: Stranger Things · Escena: La cafetería. Están compartiendo dulces de Halloween. · Acción: Max tiene un caramelo y Lucas tiene un montón. · Texto Visual: Vocal + Y = S vs Consonante + Y = IES · Diálogo (Bocadillos): o Max: "One boy , two boys. Easy!" (Señala a sus amigos) o Lucas: "But look at the candy... One candy , two candies! Consonant + Y becomes IES." Viñeta 5: El Final en 'O' (The Hero's Rule) · Fuente: Stranger Things · Escena: Sala de audiovisuales (AV Club). Viendo una película en una TV antigua. · Acción: En la pantalla se ve un superhéroe. · Texto Visual: Vocal+O = S | Consonante+O = ES · Diálogo (Bocadillos): o Mike: "I love this video. Do you have more videos?" (Vocal + O) o Eleven: "Yes! It's about a hero. Or rather , many heroes (+ES)!" (Consonante + O) Viñeta 6: Los Irregulares (The Strange Ones) · Fuente: Stranger Things · Escena: Pasillo con taquillas. Un ratón corre por el suelo (guiño a la serie). · Acción: Los niños Will y Max se asustan y saltan. · Texto Visual: IRREGULARS: MEMORIZE! · Diálogo (Bocadillos): o Will asustado: "IRREGULARS: MEMORIZE! o Max con poderes: "Child → Children , Man , → Men , Woman → Women...)" Estilo visual: Ilustración tipo cómic educativo / periódico ilustrado Colores [TIPO DE COLORES: suaves] Trazos limpios , expresivos y amables Fondo contextual (aula y patio y escenario) Resultado esperado: Una infografía visual , narrativa y atractiva , que explique el contenido a través de escenas ilustradas , como una página de periódico educativo. ,
Extreme close-up of weathered , mosaic-art ceramic on a traditional styles Smoking pipe , head with golden ring , dissolving into sparkling smokes. Tiny fissures catch the golden-light , revealing layers of subtle color and texture beneath the surface. The focus is on the delicate interplay of light and shadow across the granular surface , highlighting imperfections. Photo-realistic rendering with macro photography aesthetic , emphasizing tactile surface detail. ,
create a wide 45°-degree ISOMETRIC top-down (and 20°-degree right horz) view of a DIN-standard exact , precise , intricate , detailed color 3D model in the style of a professional intricate historical scale 3D model , from the scene with all details in the provided photos or drawings. Vollmer model buildings style , six-color PLA or painted plastic palette with muted reds , blues , creams , and grays , low-to-mid poly miniature planes with simplified architectural shapes , alternating matte and semi-gloss finishes for material hierarchy , subtle reflective highlights on smooth surfaces , layered gradient planes creating perception of miniature volumetric depth , soft diffuse ambient lighting enhancing curvature , gentle volumetric shadows accentuating raised planes , fine micro-gradient detailing across painted or plastic surfaces , smooth transitions across stacked planes , layered tonal modulation enhancing tactile perception , visually clean layered planes for readability , alternating smooth and textured microplanes for realistic material suggestion , layered volumetric cues emphasizing elevation , soft highlights accentuating planar curvature , harmonious balance of muted base colors with bright accents , subtle ambient reflection enhancing miniature spatial clarity , smooth layered gradient washes emphasizing surface curvature , layered visual rhythm emphasizing miniature architectural coherence. ,
A Whispering Woodlands where the Industrial Revolution didn’t poison rivers but created symbiotic steam-ecologies—biomes of moss , fungi , and gear-driven fauna.Inside an abandoned radio factoryst , overtaken by nature overgrown with vines and plants. Hyperrealistic and vibrant colors. Femenine Subject of The Last of Us film is in the middle , warm light beams illuminate the foliage , Broken spotlights hang from the ceiling , vines twist around old microphones , rusted cameras and tangled cables lie under a carpet of moss and wildflowers. Ferns grow through cracked floor tiles. Sunbeams filter through shattered glass panels , illuminating dust and drifting pollen. Grain film , A hauntingly beautiful atmosphere — time stands still as nature broadcasts her own quiet signal. corruption , entropy , decay , resilient , toxic)) , ((dark green , rusted brown , yellow greenish)) , ((deep wiew)) , photographic , ultra high resolution , hyperdetailed , masterpiece.Cinematic lighting , ultra-detailed , photorealistic textures , 8K render , moody and nostalgic cool matte tone. ,
A horizontal , 3D topographic sculpture of a mountains landscape , crafted in minimalist style , features layered , leaves-like porcelain and textured glowing particles. Organic , flowing layers stack to create profound shadows through deep ambient occlusion , yielding a tactile , deeply textured form. Ancient Pueblo cliff dwellings of Mesa Verde , carved into a colossal sandstone alcove. Sun-drenched warm ochre and rust-colored stone , meticulously stacked mortarless blocks forming multi-story structures with small , dark doorways and Kivas. Sparse desert shrubs clinging to the cliff face , the landscape's edges create ample negative space , characteristic of liu bai. panoramic views of a vast , golden mesa under a clear , azure sky dotted with wispy cirrus clouds ,
A horizontal , 3D topographic sculpture of a Himalayan mountains landscape , crafted in minimalist style , features layered , blue-like porcelain and textured ice-cubes. Organic , flowing layers stack to create profound shadows through deep ambient occlusion , yielding a tactile , deeply textured form. A floating island , suspended in a sea of clouds , worn monument of a giant frozen Cliff lord Shiva face sculpted to resemble. The monument's visage , depicting a guardian , dissolves into the clouds. Softly fading into a spiritual symbol "ॐ" , the landscape's edges create ample negative space , characteristic of liu bai. Ultra-detailed textures and studio lighting accentuate the intricate form. space background. ,
A vertical composition 3D topographic layered sculpture of a Guizhou Province landscape. The style is Chinese minimalism. Countless flowing , organic layers of semi-translucent jade-like porcelain and textured paper stack. Deep ambient occlusion creates soft , profound shadows between the layers , giving incredible depth and tactile quality. The beautiful highway in Guizhou Province , surrounded with Seven steps waterfalls , with its strange-shaped pillars , hidden valleys , shimmering mist of cloud , and limestone caves. The edges of the landscape fade softly into a pure black background with ample negative space (liu bai) at the top. Studio lighting , ultra-detailed , intricate textures. ,
A vertical composition 3D topographic layered sculpture of a grand Chinese landscape. The style is Neo-Chinese minimalism. Countless flowing , organic layers of semi-translucent jade-like porcelain and textured paper stack. Deep ambient occlusion creates soft , profound shadows between the layers , giving incredible depth and tactile quality. Peacock in dance pose , fluorescent black ripples of the wide open feathers , surrealism Fractal Symphony of northern lights , with intricate , repeating patterns and a sense of harmony. The edges of the landscape fade softly into a pure black background with ample negative space (liu bai) at the top. Studio lighting , ultra-detailed , intricate textures. ,
A vertical composition 3D topographic layered sculpture of a grand Chinese landscape. The style is Neo-Chinese minimalism. Countless flowing , organic layers of semi-translucent jade-like porcelain and textured paper stack to form rolling mountains and rivers , translucent bird fly through intricate coral formations. Deep ambient occlusion creates soft , profound shadows between the layers , giving incredible depth and tactile quality. The colors are inspired by traditional Chinese mineral painting: muted cyan , mineral green , ochre , and cream. realistic image of a magnificent and majestic pink cherry blossom tree in a mountain landscape , like a bonsai tree , with a large trunk. Show the entire tree. Depict it in an early winter setting. The edges of the landscape fade softly into a pure black background with ample negative space (liu bai) at the top. Studio lighting , ultra-detailed , intricate textures. ,
Ultra-high-definition photorealistic 34-year-old , very beautiful girl , with long , wavy and curly hair , wearing a blue lace dress and smiling confidently at the camera. Her skin is radiant and natural with a warm , approachable expression , smart make-up and a golden heavy necklace. (fine shiny patterned chiffon dress:4.0) , (insanely detailed , bloom:3.0) full body , in a large Olive garden in Toscana , dressed in refined body squatting with a balanced and composed posture , a detailed fine fishnet tank shirt body clothing and a fine silk and fine floral patterned black , transparent dress , black stockings , red stilettos. The lighting is bright and even , emphasizing her features and the friendly tone of the image. ,
A cozy room where the Christmas tree near wall looks like a giant paper illustration , flat ink lines and watercolor washes , yet a corner of the “paper wall” is peeled back , revealing a fully 3D city street behind it. The peeled edge curls outward like thick card-stock , casting a real shadow on the illustrated surface. The illusion: the 2D drawn objects (a drawn lamp , drawn shelf) cast realistic 3D shadows , while the 3D street casts faint “ink” shadows as if it’s becoming a drawing. A man wearing a classic Santa Claus outfit , with a red velvet coat with white trim , a wide black belt , and a Christmas hat , holds a heavy , full red sack of presents walk half-in , half-out: front paws in 3D street road , back body form , seamlessly blended. Soft morning light , gentle pastel palette , tactile paper fibers visible , high detail , whimsical but believable “mixed-dimension” realism. ,