Search Results for plan
Explore AI generated designs, images, art and prompts by top community artists and designers.
Retrato hiperrealista de una mujer latina de 28 años con cabello negro largo y peinado juvenil , vistiendo una blusa roja elegante que refleja profesionalismo. Está sentada en un entorno moderno y bien iluminado , como una oficina profesional con iluminación ambiental cálida , muebles modernos , plantas y decoraciones artísticas. Su expresión es confiada , cálida y sonriente , mirando directamente a la cámara. La composición es cinematográfica , con una profundidad de campo reducida que enfoca nítidamente al sujeto mientras mantiene un fondo suave y atmosférico. La imagen captura detalles finos como la textura de la piel , reflejos de luz y realismo en la vestimenta ,
A beautiful , mysterious girl with long flowing hair and a skin-hugging magical garment that seems woven from light and mist. She stands in an enchanted forest filled with glowing plants , floating fireflies , and pastel fog. Her pose is strong yet serene. The color scheme blends blue , lilac , and silver. Ethereal atmosphere , ArtStation style. ,
A man in futuristic armor stands amidst a vibrant , otherworldly cityscape. The scene is painted in a stylized , impressionistic manner , with a mix of deep greens , yellows , and oranges , evoking a sunset or sunrise over a distant alien planet. Floating structures , resembling ancient spaceships or massive platforms , hover above a landscape of jagged , rocky terrain , with futuristic skyscrapers rising in the background. The buildings are sleek and metallic with a futuristic design. The man's face is strong and determined , with short dark hair , a serious expression , and a well-groomed beard. He wears dark , metallic armor with red accents and glowing details. The overall aesthetic is a blend of sci-fi and fantasy , reminiscent of a video game environment , with emphasis on vibrant colors and strong silhouettes. A large , golden-yellow moon or large planet dominates one area of the horizon. The style is bold , yet evocative , and the lighting creates strong shadows and highlights. ,
Figure of a post-apocalyptic soldier with its feet planted firmly on the base , exhibiting a rugged appearance with worn-out armor and improvised technology. Sharp , makeshift spikes adorn the soldier's gear. The soldier stares forward with a determined expression , ready to face the harsh realities of a devastated world. This lone warrior has no allies. On the base , a puddle of radioactive substance represents the toxic environment they navigate instead of a safe haven. ,
Figure of an orc dragon with its feet planted firmly on the base , exhibiting an orc-like appearance with greenish skin and bone-colored features. Sharp , bone-like spikes adorn its head and wings. The dragon stares forward with an aggressive expression , baring its teeth filled with sharp fangs. This untamable beast has no rider. On the base , a puddle of greenish substance represents the green acid it spits instead of fire. ,
A black-and-white ink-style drawing of Sisyphus pushing a perfectly round boulder uphill on a cleanly drawn inclined plane. The illustration should be in the style of classical figure studies or academic sketching , similar to anatomical etchings and Greco-Roman sculpture drawings. Sisyphus should be tall , lean , and elegant — with elongated limbs and graceful , naturalistic proportions , not bulky or overly muscular. His posture must convey real physical effort: one leg bent forward pressing against the slope , the other extended behind for balance. His arms are extended with palms pushing the boulder , shoulders tensed , and torso slightly leaning forward. His face should be expressive but composed — resembling a noble Greco-Roman statue , with curly hair (like a laurel-crowned athlete) , a straight nose , and a strong , clean jawline. Avoid cartoonish or exaggerated facial features. The boulder should be about twice the height of Sisyphus , perfectly circular , and dominate the top right of the composition. There should be no shadows , no background — only clean lines and subtle crosshatching to indicate form and tension. The style should be reminiscent of an old physics textbook sketch or an academic draft for a marble sculpture — anatomical , clean , intellectual , slightly idealized. ,
Ilustración estilo editorial profesional , con tono dramático pero realista. Un hombre o mujer de oficina (traje formal , expresión cansada) mirando hacia un ascensor corporativo donde se ve la silueta de dos personas celebrando con copas de vino (símbolo del 'amiguismo'). A sus pies , un letrero roto que dice 'MERITOCRACIA'. Al fondo , una ventana con un atardecer melancólico y un reloj de pared marcando las 6 PM (hora de irse). Estilo: mezcla de ilustración digital y fotorealismo , paleta de colores fríos (azules , grises) con toques de rojo en el ascensor (peligro). Incluir detalles simbólicos: un portafolios abandonado , un gráfico de rendimiento roto y una planta seca en un rincón." Claves para que la imagen genere engagement: Contraste visual: El protagonista (solo , estático) vs. el ascensor (movimiento , colores cálidos). Símbolos reconocibles: Copas de vino = corrupción , reloj = tiempo perdido , planta seca = ambiente tóxico. Emoción: Expresión facial ambigua (entre resignación y decisión) , para que el espectador proyecte su experiencia. 📌 Alternativas si la plataforma no permite prompts largos: "Fotografía de oficina corporativa oscura , empleado frustrado mirando un ascensor donde dos ejecutivos celebran , estilo cine noir , tonos azules y rojos." "Ilustración minimalista: escalera corporativa rota , con personas subiendo por una cuerda de 'amistad' en vez de peldaños , fondo abstracto." ,
mode hiperrealista cinematografico Visual: Un primer plano muestra los clavos deslizándose lentamente , con un sonido metálico agudo. La cámara baja para enfocar el cuerpo de Jesús cayendo con gravedad al suelo. Sus heridas son completamente visibles , y la sangre , intensa y viva , deja marcas en la tierra. Iluminación: Un brillo cálido comienza a envolverlo lentamente desde el horizonte , insinuando la intervención divina. ,
modo cinematografico director cinematografico profesional hiperrealista Escena 1: Jesús en la Cruz crucificado Visual: Cámara lenta , plano medio de Jesús en la cruz. Sus heridas están visibles y frescas , con sangre oscura goteando lentamente de sus manos y pies. La cámara hace un acercamiento a las palmas de sus manos , donde los clavos atraviesan con brutal claridad. Iluminación: Un haz de luz celestial desciende desde el cielo , destacando su figura contra un fondo oscuro y nublado. Relámpagos ocasionales iluminan los rostros de los ángeles en el cielo , alineados como guerreros , tensos y vigilantes. ,
Crea una imagen hiperrealista de una escena de la prehistoria. En ella , vemos a un grupo de hombres de las cavernas. Uno de ellos , de aspecto primitivo y cubierto de pelo , ofrece una rueda circular de piedra a otro hombre , pero éste rechaza la oferta con gestos. Un tercer hombre está cargando una caja llena de pesadas rocas , arrastrándola laboriosamente con una carretilla que , de manera cómica , tiene ruedas cuadradas. El hombre se muestra exhausto , sudando y haciendo un gran esfuerzo. El entorno es realista , con detalles como polvo , sombras y texturas en la ropa de los hombres y las rocas. La imagen debe transmitir la idea de la lucha por el progreso y la resistencia al cambio." Consideraciones adicionales: Estilo: Podrías especificar un estilo artístico (ej. , fotorrealismo , estilo de ilustración realista , etc.). Enfoque: Si quieres un enfoque específico (ej. , primer plano , plano general , etc.) para que la imagen transmita mejor el mensaje. Iluminación: Describe la iluminación para crear una atmósfera específica (ej. , luz solar directa , luz de antorchas , etc.). Detalles: Si quieres detalles específicos , como el material de las ruedas , las expresiones faciales , etc. , puedes agregarlos. La idea que quiero transmitir es en un mensaje del tipico inteligente que le da una ruedas a los otros dos que hacen el trabajo con una carreta sin ruedasm la estan cargando y ellos no aceptan la rueda porque estan trabajando dicen que estan ocupados ,
In the living room of this sleek and modern space ship , a large window takes up an entire wall , offering a breathtaking view of the earth below. The furniture is minimalist and sophisticated , with clean lines and a metallic finish. The centerpiece of the room is a comfortable , curved sofa that faces the window , allowing occupants to relax and enjoy the view. A few potted plants add a touch of greenery , and a futuristic light fixture hovers above the sofa , casting a warm glow over the room ,
A young woman in a teal bikini relaxes in a white wicker chair on a patio. The image is photorealistic , capturing the sunlight and shadows on her skin. The woman has long , dark brown hair , and her pose is relaxed and comfortable. The chair and the wall behind her are a pale gray. There are some green plants visible in the background. The teal bikini is a soft , slightly shiny fabric , and the skin is smooth and well-lit. The wicker chair is intricately woven and has a gentle , natural curve. Include a sense of warmth and comfort in the overall atmosphere. Include subtle highlights on the skin and the hair. ,
A young woman in a teal bikini relaxes in a white wicker chair on a patio. The image is photorealistic , capturing the sunlight and shadows on her skin. The woman has long , dark brown hair , and her pose is relaxed and comfortable. The chair and the wall behind her are a pale gray. There are some green plants visible in the background. The teal bikini is a soft , slightly shiny fabric , and the skin is smooth and well-lit. The wicker chair is intricately woven and has a gentle , natural curve. Include a sense of warmth and comfort in the overall atmosphere. Include subtle highlights on the skin and the hair. ,
Crea una imagen moderna y atractiva que muestre taza de cerámica negra con un diseño colorido y vibrante sublimado , una playera blanca con una impresión gráfica llamativa en el frente , y una gorra plana de color azul cielo con un impresión gráfica limpia y profesional. Coloca los productos en un fondo transparente. El estilo debe ser realista pero con un toque moderno y elegante , ideal para un sitio web profesional. De tener las siguientes medidas: ancho de 600px y una altura de 1800px. ,
A character fusion between Hulk and Predator , in his right hand is a menacing , blood-drenched battle axe that gleams ominously in the pale winter light standing near window. A breathtaking view of outside window a futuristic Underworld Realm , designed as a massive walls structure floating in the cosmos. The interior of the spacecraft reveals a meticulously planned city with lush green areas , shimmering small ponds (A battleship-shaped spaceship performs warp travel.:2.0) , (sf:2.0) , (A streamlined Underworld resembling the battleship:2.0) , emphasizing the scale and grandeur of the structure ,
A breathtaking view of outside window a futuristic Underworld Realm , designed as a massive walls structure floating in the cosmos. The interior of the spacecraft reveals a meticulously planned city with lush green areas , shimmering small ponds and A character fusion between Hulk and Predator , in his right hand is a menacing , blood-drenched battle axe that gleams ominously in the pale winter light standing near window. (A battleship-shaped spaceship performs warp travel.:2.0) , (sf:2.0) , (A streamlined Underworld resembling the battleship:2.0) , emphasizing the scale and grandeur of the structure ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,
imagen realista cinematografico y detallada la imagen Cristo en la cruz , ligeramente iluminado por un rayo de luz tenue desde arriba. Su rostro muestra dolor y serenidad , con la cabeza inclinada hacia la izquierda. Lilith aparece a la izquierda de Cristo , acercándose a él con movimientos suaves y seductores. Su piel es pálida , su cabello oscuro y sus ojos brillan con una luz inquietante. Con una mano , Lilith sostiene suavemente la barbilla de Cristo , mientras lame su mejilla izquierda con una expresión de curiosidad y provocación. Fondo: Un fondo completamente oscuro , sin detalles , para concentrar toda la atención en los dos personajes. Solo un tenue resplandor alrededor de Cristo y Lilith , creando un contraste dramático entre la luz y la sombra. Estilo: Realista y dramático , con un enfoque en las emociones y la tensión entre los dos personajes. Colores fríos (grises , negros y azules) con toques de luz dorada en Cristo. ,
realista cinematografico detallado Cristo en la cruz , ligeramente iluminado por un rayo de luz tenue desde arriba. Su rostro muestra dolor y serenidad , con la cabeza inclinada hacia la izquierda. Lilith aparece a la izquierda de Cristo , acercándose a él con movimientos suaves y seductores. Su piel es pálida , su cabello oscuro y sus ojos brillan con una luz inquietante. Con una mano , Lilith sostiene suavemente la barbilla de Cristo , mientras lame su mejilla izquierda con una expresión de curiosidad y provocación. Fondo: Un fondo completamente oscuro , sin detalles , para concentrar toda la atención en los dos personajes. Solo un tenue resplandor alrededor de Cristo y Lilith , creando un contraste dramático entre la luz y la sombra. Estilo: Realista y dramático , con un enfoque en las emociones y la tensión entre los dos personajes. Colores fríos (grises , negros y azules) con toques de luz dorada en Cristo. ,
Create a vibrant and modern 3D illustration for a marketing and advertising-themed banner. The image should include: 3D growth charts , upward-pointing arrows , a laptop with analytical data on the screen , chatbot characters in 3D , landing pages with interface elements , and ad banners. Add elements related to preparing for ad campaigns: 3D checklists , a notebook with a plan , a calendar , and analytical tools. Use bright colors like blue , orange , white , and green to convey professionalism , growth , and success. The style should be modern 3D rendering with soft shadows , realistic textures , and subtle neon glows for accents. The background should be minimalistic , with abstract 3D shapes or a gradient , ensuring it doesn’t distract from the main elements. Lighting should be soft , with a focus on the central objects. ,
Crea una imagen de una persona adulta , vestida con una polera de color rojo en su parte superior y celeste en su parte inferior , parada al costado de su automovil , un citycar. Orgulloso del trabajo que realiza utilizado el auto. Hazlo en un plano en que el fondo sea de un color solido color gris. ,
A hand-drawn collage-style illustration in soft pastel tones of pink and beige. The main focus is a young woman with long hair , peacefully knitting a cozy piece with knitting needles and yarn. Surrounding elements include a steaming cup of coffee , a potted plant with delicate flowers , and framed polaroid-style snapshots capturing moments of knitting and relaxation. The composition is artistic , textured , and whimsical , featuring bold black outlines and a warm , inviting aesthetic. ,