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Intricate black and grey drawing , highly detailed and semi-realistic , designed as an advanced preparatory sketch for a tattoo. Full composition for outer bicep and shoulder. Central figure: traditional Thai Buddha , seated with one knee raised , head gently tilted to the side , serene and enlightened expression. Elegant drapery on his robe , with soft fabric folds and subtle shadows. Behind him , a majestic Thai Naga: a serpentine dragon with multiple ornate horns , sharp fangs , long finned whiskers , richly detailed scales and textured coils. The Naga winds behind the Buddha in an S-curve , dynamic and flowing , with sense of spiritual protection. Background: a delicate , elegant three-tier Thai pagoda , visible over the Buddha’s shoulder , with ornate roof details , curved tips , and shaded wood textures. Floating throughout the composition: soft , drifting Japanese cherry blossom petals , bringing poetic movement and lightness. The composition is harmonious , flowing with anatomical curves of the bicep and shoulder. Clear visual hierarchy , deep contrast , strong shading to emphasize volumes and textures. Drawing style: black and grey ink sketch , with high-definition pencil-like linework , bold outlines mixed with soft shading. No color. Not a tattoo render — pure art drawing with anatomical logic , atmospheric depth and rich symbolic detail. --- 🐉 Bonus — description précise du Naga thaïlandais : > The Thai Naga is a mythical serpent-dragon hybrid. It has a long , sinuous body like a snake , but with a fierce dragon face , a crown-like horned crest , flame-like eyebrows , and flowing fin-like ears. Its body is covered in symmetrical , overlapping scales , often detailed like fish or dragon scales. It exudes motion and power , and often coils with flowing elegance. Unlike Chinese dragons , it has a more divine and protective presence , often associated with water and temple guardianship. ,