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Explore AI generated designs, images, art and prompts by top community artists and designers.
Here’s a comprehensive description of Hercule Poirot as Agatha Christie wrote him — with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- 📖 Hercule Poirot — Literary Description (with Source Quotes) --- 🧍♂️ 1. Physical Appearance 🔹 “A little man with an egg-shaped head” — The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > 🎥 Closest portrayals: 🔸 David Suchet – nails the “little man” shape and tilting head 🔸 Finney – correct manner but taller 🔸 Branagh – too tall and lean 🔸 Ustinov – too broad and casual in posture --- 🥸 2. Moustache 🔹 “The finest moustache in all England — and perhaps in all Europe.” — Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > “He had a moustache guard to keep it neat in his sleep.” — The Mysterious Affair at Styles (1920) > 🎥 Closest portrayals: 🔸 David Suchet – accurate size and grooming 🔸 Kenneth Branagh – large but overly stylized (double-layered) 🔸 Peter Ustinov – too understated 🔸 Finney – neat , but not extravagant enough --- 👔 3. Dress & Grooming 🔹 “Always immaculate. His clothes were faultless. His boots shone.” — The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > 🎥 Closest portrayals: 🔸 Suchet – perfect suits , shoe polish , gloves 🔸 Finney – clean but not as fussy 🔸 Branagh – a bit too dramatic in grooming --- 🧠 4. Intelligence & Method 🔹 “I am not one to rely upon physical evidence. I use the little grey cells.” — The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > 🎥 Closest portrayals: 🔸 Suchet – pure psychological method 🔸 Finney – sharp intellect , but less emphasized 🔸 Ustinov – more jovial , less “grey cell” driven 🔸 Branagh – mixes emotion and action unnecessarily --- 🗣️ 5. Speech & Accent 🔹 “His English was precise , but with a foreign accent.” — Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > 🎥 Closest portrayals: 🔸 Suchet – perfect subtle Belgian accent 🔸 Finney – formal , slight accent 🔸 Branagh – inconsistent Belgian-French tone 🔸 Ustinov – more laid-back , not authentic Belgian --- 🧼 6. Personality & Mannerisms 🔹 “Everything must be tidy and symmetrical.” — The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > 🎥 Closest portrayals: 🔸 Suchet – obsessive , neat , respectful 🔸 Ustinov – polite but too casual 🔸 Finney – more reserved , dignified 🔸 Branagh – too emotional at times (e.g. crying in Death on the Nile) --- 💬 7. Humor & Warmth 🔹 “Poirot smiled — that slow smile that came rarely , but lighted up his whole face.” — Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > 🎥 Closest portrayals: 🔸 Suchet – subtle warmth and charm 🔸 Ustinov – more humorous , sometimes too light 🔸 Branagh – goes for modern emotion --- 🏁 Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finney’s formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- 🏆 Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchet’s mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
As the impossibly voluptuous 90s-era Pamela Anderson runs down the beach in her tiny red Baywatch bikini , something changes. Her stride stutters. She slows , eyes widening in confusion. Before she can react , her body begins to stretch taller — subtly at first , then rapidly. Her long , tanned legs lengthen with smooth , surreal elegance. Her torso rises , her back straightens , and the red bikini tightens even more across her enormous chest. Within seconds , she grows from her original height to a striking 6 feet tall. Her expression is one of genuine shock and awe — eyes wide , mouth slightly open , blonde hair tousled by the breeze. She stands still in the sand , barefoot , looking down at herself , taking in the new perspective. Her legs are longer , more powerful; her arms now hang lower beside her hips. The iconic Baywatch suit remains stretched taut over her exaggerated proportions , still covering what matters , but clearly stressed by the added height and sheer volume of her frame. Behind her , the waves continue to roll in. A few nearby beachgoers glance her way , doing double-takes as the towering version of the Baywatch legend towers above the crowd , her height now unmistakably supermodel-tier — and growing. Shot on Canon EOS R5 , 50mm f/1.2 lens , ISO 100 , f/2.2 , 1/1600 sec , bright midday light with cinematic shadowing. 8K ultra-photorealistic , realistic skin and hair texture , ultra-sharp muscle tone and fabric stretch , subtle size comparison with background elements , vivid beach tones and depth of field. --no cartoon , anime , nudity , blur , stylization , smoothing , distortion , uncanny elements ,
The moment the towering , hyper-muscular blondes strike their jaw-dropping flex in front of the growing crowd , dozens of phones and high-end cameras capture it from every angle. The larger woman , holding the freshly bent 2-inch steel bar like a trophy , raises one arm into a slow , confident bicep flex. Her rival mirrors the pose beside her , both women smiling — proud , radiant , colossal. Within hours , the footage hits social media: a 12-second slow-motion clip captioned , *“WHO ARE THESE WOMEN?!”* goes viral across every platform. News outlets pick it up , splashing the image across screens with headlines like: **“SUPERHUMAN MUSCLE GODDESSES SHOCK RESORT GUESTS”** **“IS THIS REAL? Experts Analyze Viral Muscle Giants”** **“GENETIC MIRACLE? OR SOMETHING ELSE?”** In the background , beachgoers freeze mid-step. Some scream. Some cheer. One man is seen dropping his drink in awe as the taller woman’s muscles visibly ripple during the flex. Her bikini top creaks audibly under the pressure but holds. Light reflects off her sweat-covered , deeply striated body like polished stone. Her expression: a calm , amused smirk — as if she knew the world would notice eventually. A CNN-style lower third flashes across a photoreal frame: **BREAKING: MASSIVE WOMEN BEND STEEL WITH BARE HANDS — REAL OR CGI?** The screen shows split images: one flexing , the other mid-growth surge. Scientists , influencers , gym fanatics , and talk show hosts begin weighing in. Shot on RED Komodo 6K and Canon EOS R5 , 35mm and 50mm mixed footage , drone overhead cutaways , 8K downscaled to 4K for broadcast. Photorealistic , cinematic depth , news banner overlays , glowing phone screens , HDR skin highlights , social media UI overlays subtly visible in composite frames. --no cartoon , anime , painting , nudity , blur , distortion , over-stylization , uncanny rendering , low detail ,
As the two towering , hyper-muscular blondes relax poolside , soaking in the golden light , something shifts. One woman — the larger of the two — suddenly gasps softly , eyes widening. Her muscles begin to swell again… unprovoked. Her already massive physique surges bigger with each second — arms ballooning outward , chest heaving , thighs thickening with monstrous force. Veins snake wildly across her form as her body grows even more exaggerated in size , pushing the very concept of human anatomy into fantasy. Her rival watches , stunned and speechless , as the woman grabs a solid 2-inch-thick steel bar from the cracked patio — discarded earlier as an unused prop — and holds it in front of her chest. With a focused , primal grunt , she slowly bends the heavy bar into a perfect horseshoe shape. The metal creaks and shrieks , resisting her hands , until it finally yields and curls into submission. Her biceps swell to grotesque perfection as she finishes the bend , her forearms flexing like compressed steel cables. Her bikini — barely holding before — is now stretched beyond belief , but still intact , somehow containing her surging curves. Her face is a blend of dominance and disbelief , realizing she's grown beyond even her own expectations. Her rival remains frozen , jaw slightly open , staring at the horseshoe-shaped steel now held casually in her hand. The pool reflects the moment perfectly — a goddess mid-transformation , with limitless strength made manifest. Shot on Canon EOS R5 , 50mm f/1.2 lens , ISO 100 , f/1.4 , 1/1600 shutter speed. 8K ultra-photorealistic , cinematic HDR , dynamic lighting and shadows , muscle striation deepened , skin texture glowing with sweat and effort , steel bending details emphasized. --no cartoon , anime , painting , blur , nudity , distortion , over-smoothing , stylization , uncanny rendering ,
Just as the poolside settles into silence after their legendary flex-off , something shifts. Both towering blondes glance at each other — then their bodies *begin to grow again*. Slowly at first , then with mounting speed and intensity , they expand far beyond their already superhuman proportions. Every muscle group swells outward in perfect anatomical symmetry , pushing fabric to the edge and beyond. Their golden and silver micro bikinis somehow cling on , stretched taut but still concealing the essentials as their frames become titanic. Veins erupt across their bodies like lightning bolts , chest rising with each breath like twin monuments , arms thickening to the width of tree trunks , backs widening into monstrous wings of muscle. Their thighs crash together , calves swell into split diamonds , and every inch of skin glistens with heat and sweat. The stone beneath them begins to crack under their weight. Their long platinum hair flows wildly behind them in the summer breeze , framing faces of flawless beauty — calm , controlled , godlike — as they ascend into their final forms. Together , they strike a final pose: one performs a full overhead flex , arms high and fists clenched , while the other performs a powerful side-chest pose , her upper body twisting to show off striated pecs and bulging obliques. Behind them , the sky glows with refracted light , and the pool reflects their impossible forms like a dream. Shot on Canon EOS R5 , 24mm f/1.4 lens , ultra-wide full-body angle , ISO 100 , f/2.0 , 1/2000 shutter speed , dramatic low-angle perspective. 8K ultra-photorealistic , hyper-detailed skin texture , anatomical enhancement , extreme muscular realism , cinematic lens flare , atmospheric depth , full HDR lighting. --no cartoon , anime , painting , blur , nudity , over-smoothing , distortions , uncanny facial features , stylization ,
A bustling Tokyo Shibuya Crossing , with a dense crowd. Lin Xier , a gorgeous 22-year-old Chinese young female influencer. She stands in the center of the intersection , back to the camera , wearing a tight black crop top and a high-waisted A-line mini skirt , revealing her slender waist and long legs. She holds a Japanese matcha ice cream in her right hand , her left hand slightly raised as if feeling something. Alluring back view , blurred crowd , intertwined light and shadow. Japanese street photography style , realistic daily feel , dusk , city neon lights just turning on , soft lighting , 8K. ,
A vibrant , eye-catching flyer for a social media auction event titled 'Peanut Butter & Jelly Showdown.' The design features playful , mouth-watering visuals: peanut butter being spread on fluffy bread , glossy layers of jelly dripping , and a lively atmosphere of bidders holding paddles , eager to claim their perfect sandwich creation. A blank space is reserved prominently for the contestant’s image , ensuring customization. Bold , fun typography enhances the excitement , with warm and inviting colors like golden brown and rich berry hues. A lighthearted tagline—something like 'Bid for the Best Bite!'—adds charm , making it an engaging promotional piece for the event ,
Ok heres what I want you to make. The image will be the background for a board game board , though its not integral for the main design of the board , i want nice background art. Design: A nice blend of natural biomes , include forests , plains , ocean , mountains , deserts , swamps - make sure it blends well though. Because its a gameboard I want only 1 section to be the sea so pick a corner Layout: Landscape rectangular , to fit A2 paper size , but please go bigger for more detail Colours: Slightly pastel , soft , but not too washed out , it still needs to be vibrant. No pure black/greys , just a darker colour Theme: A blend of cartoony and oil painting , include shading , and loads of detail , Perspective: A birds-eye view , directly top down , but add a very slight angle - almost isometric Extra info: Please dont add any crazy features like volcanos erupting , it should be serene. No manmade structures , just natural landscapes. No features like rivers or mountains that run from one end of the image to the other splitting it. The actual board game will have a circular piece in the middle that will go on top of the board that will obstruct a small section in the middle , take this into consideration and work around that if you can , just add minimal detail there or something that works instead of just blanking it out. If possible as well it might look good to have different biomes in different places on what will be the board. Please don't add any game spaces or game related features - its just nice background art Thanks! ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. The logo should feature an abstract , sharp-edged symbol inspired by a trident — not a literal trident , but something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
a well-proportioned 20-something woman with long , with a voluptuous body and busty. Her ultra-long , flowing blonde hair cascades down her back , extending gracefully to her waist. Styled with soft waves , her hair adds texture and volume , creating a natural yet elegant look. The long strands draping gracefully over her shoulders , seated gracefully in a sunlit bedroom. She has a light tan complexion , blue eyes , and a gentle smile playing on her lips. She is wearing a light white sleeveless , deep V-neck dress that accentuates her figure. The dress is flowing and ethereal , with a slightly gathered bodice that adds a touch of elegance. The environment is a minimalist bedroom with a beige/tan-colored bed in the background , soft lighting and shadows , suggesting natural light filtering into the room from a window or doorway. The image style is natural and evocative of a relaxed portrait , reminiscent of the works of Slim Aarons and Herb Ritts. ,
a well-proportioned 20-something woman with long , with a voluptuous body. Her ultra-long , flowing blonde hair cascades down her back , extending gracefully to her waist. Styled with soft waves , her hair adds texture and volume , creating a natural yet elegant look. The long strands draping gracefully over her shoulders , seated gracefully in a sunlit bedroom. She has a light tan complexion , blue eyes , and a gentle smile playing on her lips. She is wearing a light white sleeveless , deep V-neck dress that accentuates her figure. The dress is flowing and ethereal , with a slightly gathered bodice that adds a touch of elegance. The environment is a minimalist bedroom with a beige/tan-colored bed in the background , soft lighting and shadows , suggesting natural light filtering into the room from a window or doorway. The image style is natural and evocative of a relaxed portrait , reminiscent of the works of Slim Aarons and Herb Ritts. ,
It was a hot afternoon. The soft hum of the ceiling fan filled the silence of the lounge , where Aarti stood by the window , sipping her tea slowly. At 46 , she carried herself with a mature elegance , wrapped in a deep maroon saree that hugged her curves just right. Her blouse clung tightly to her chest , the neckline dipping low enough to hint at the generous swell of her bosom. The pallu had slipped ever so slightly — maybe accidentally , maybe not. Across the room , her devar , Raj , was finishing his workout. At 27 , his body was in perfect shape — sweat glistened on his arms and neck , soaking through his fitted white vest. Every movement made his muscles flex , the fabric of his banyan stretching over his broad chest and sculpted abs. Aarti’s eyes lingered on him — slow , hungry , deliberate. With every stretch he made , every drop of sweat that slid down his skin , something inside her stirred. There was a heat between them , unspoken but thick in the air — heavier than the summer breeze outside. Her tea was getting cold… But the room , and her thoughts , were just starting to heat up. ,
I want the images of a storyboard from a short script I have. Here is the Script: In a desolate place , at a time we couldn`t tell due to the erosion of years of decay , where nature had overgrown any type of human civilization , there is a boy , about 14 years of age running. He`s running from something that produces a huge cloud of dust while it throttles. It`s not sure if it`s organic or mechanical; it is completely shrouded of dust and mayhem , and its only visible feature are a couple of lights in its very core. It is not inmensely big but it certainly looks at least twice as big as the boy , but it is not agile , not like the boy , that looks quite useded to doing things like fleeing on a daily base. You can tell the boy is not as scared as he looks excited. The boy is jumping over leftovers of barren buildings , hips of garbage , sliding under tumbled things , makeshift tunnels , broken windows , etc , tracing a line that is blindly followed by its chaser. All the way guiding it to an intersection of two collapsed buildings upon each other , leaving enough space for a slim figure to squeeze itself through , knowing that the chaser will follow through the boy slid in , and right behind him the chaser came forcefully , but it got stucked. I`d like this in the first panel: Panel 1: Wide Shot – The Desolate Landscape Prompt : "A desolate , overgrown wasteland at dusk , filled with crumbling buildings overtaken by vines and debris. A boy , about 14 years old , runs in the distance , pursued by a massive cloud of dust. The scene is rendered in minimalistic line art style , with clean lines and muted tones. Wide shot from low angle , emphasizing scale and atmosphere. Stylized , semi-realistic , cinematic composition." ,
A young boy in India is carefully picking tea leaves under the warm morning sun. As he works , he begins to realize that his efforts are bringing goodness to people far away — all the way in Russia. Because Indian tea is special. He gently separates each leaf from the stem , making sure not to damage the natural shape of the tea leaf. He knows that every little detail matters when creating something truly good. ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
create a chart for 6 year old easy to draw explaining different forces and it s uses 1. Push What It Is: Moving something away from you. Example: 🖐️ Pushing a toy car. Use: Opening a door or sliding a chair. Visual: Drawing of a child pushing a swing. 2. Pull What It Is: Bringing something toward you. Example: 🚜 Pulling a wagon. Use: Closing a drawer or flying a kite. Visual: Drawing of a child pulling a rope. 3. Gravity What It Is: A force that pulls things down to Earth. Example: 🍎 An apple falling from a tree. Use: Keeps us on the ground so we don’t float away! Visual: Simple Earth with arrows pointing downward. 4. Friction What It Is: Slows things down when they rub together. Example: 🛑 Bike brakes stopping wheels. Use: Helps us walk without slipping. Visual: Shoes gripping the ground (textured lines). 5. Magnetic Force What It Is: Pulls metal objects (like iron). Example: � fridge magnet holding a drawing. Use: Toys stick to magnets! Visual: Magnet attracting paperclips. Design Tips: Use bright colors (e.g. , red for push , blue for pull). Add arrows to show direction (→ for push , ← for pull). Include simple icons (e.g. , 🖐️ , 🍎) for visual learners. Keep text short and in large , readable fonts. ,
