Search Results for cut - Arthub.ai

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Search Results for cut

Explore AI generated designs, images, art and prompts by top community artists and designers.

Fantasy Characters Low Poly Sci Fi Furniture

Artstation , Drawing , Graphite , Charcoal Art , "She is a mature and captivating blues singer , her presence commanding attention. Her dark skin carries the subtle marks of time , adding depth to her already expressive features. Her long , dark dreadlocks are styled in a way that speaks to both tradition and modern flair , framing her face with an effortless elegance. Her eyes , striking with their reddish irises (similar to that of a vampire) , hold a depth of experience and a hint of melancholy , reflecting the soul of the blues. She wears a form-fitting dress that hints at sensuality without sacrificing the authenticity of her blues persona. The dress might be a modern take on a classic blues silhouette – perhaps a shimmering , sequined gown with a daring neckline , or a sleek , velvet number with strategic cutouts. She accessorizes with bold , statement jewelry – chunky gold necklaces , stacks of bracelets , and large hoop earrings – that add a touch of glamour to her look. Her overall style is a blend of classic blues aesthetics and contemporary fashion , reflecting her status as a timeless artist who remains relevant in the modern world. Her voice is her most powerful asset – a raw , soulful instrument that conveys the pain , passion , and resilience of the blues." ,

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milad.mortezapour

A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,

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milad.mortezapour

A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,

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The Three Little Pigs logo concept with an ATV General style: A dynamic , slightly cartoonish logo in bright , but not acidic colors. A combination of realistic ATV details with a friendly animation style of the characters. Composition: The central element is a stylized ATV (side view , slightly at a 3/4 angle) , taking up ~60% of the logo width. On the ATV are three little pigs in protective helmets and glasses , each in their own "zone": the first (in front) is steering , smiling; the second (behind the driver) is holding the handle , looking forward; the third (behind) is slightly raised , waving his hand. The text "Three Little Pigs" is placed under the ATV or along its bottom line. ATV details: clear contours of the wheels , suspension , steering wheel; Light shadows for volume; bright accents: red brake discs , yellow body elements. Piglets' style: rounded shapes , big eyes , cute faces; colors: light pink with beige spots; helmets and glasses in contrasting colors (blue , green , orange). Typography: font: rounded , sans serif , with a slight 3D effect (for example , similar to Comic Sans MS or KG Primary Penmanship); color: dark brown or burgundy; effect: thin white outline of letters for legibility on any background. Color palette: main background: light gray or gradient from blue to white (imitation of the sky); ATV: orange/yellow + black details; piglets: soft pink + colored accessories; text: dark brown + white outline. Dimensions and proportions: logo aspect ratio: 4x3; ATV height: ~40% of the total height; text size: ~15% of the logo height. Logo text: ATV Club "Three Bows" ,

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Here’s the **complete top-down layout and floor organization** of the Unsilenced Clocktower — integrating your new **Herbalist Greenhouse** and **Training Chamber** while keeping visual , architectural , and thematic consistency. It’s structured for easy translation into a map or illustration prompt. --- # 🕰 **The Unsilenced Clocktower – Structural Blueprint** ### **Architectural Style** Black-iron framework with brass support columns , gear-driven lifts , crystal illumination , and alchemic energy conduits linking all levels. Vertical balance: **industrial base → residential middle → arcane summit.** All spaces connected via a central spiral stair and a teleport-lift running on the Eye of Hours’ pulse. --- ## **LEVEL 1 – Ground Floor: Reception & Archives** * **Purpose:** Guild entry , civilian interface , recordkeeping. * **Design:** * Tall iron-framed doors leading to **Butler’s reception desk**. * **Civic archives** in brass filing cabinets , stamped with the seal of the Unsilenced. * Elevator cage and spiral stairs in the center. * Discreet door to **vault access** beneath the floor. * **Ambience:** Lamplit , orderly , faint hum of machinery underfoot. --- ## **LEVEL 2 – Guild Quarters & Workshop** * **Purpose:** Living space , repair , everyday operations. * **Features:** * **Workbenches** with open runic blueprints. * **Dorm alcoves** curtained with embroidered sigils for privacy. * Compact **kitchen and communal table** for late-night work sessions. * Tool racks , gears , pulleys , and mechanical prosthetics in progress. * **Lighting:** Warm brass sconces and crystal lamps. --- ## **LEVEL 3 – Training Chamber (Arcane Defense Hall)** * **Purpose:** Testing and tempering of artifacts and spells. * **Features:** * **Circular containment arena** with concentric obsidian runes. * Pivoting mirrors and magic-absorption conduits in walls. * Elevated **balcony** for observers and Orwen’s control console. * Equipment racks with enchanted weapons , armor , and focus tools. * Side alcove with **first aid and spell dampeners.** * **Lighting:** Alternating blue-white flashes , residual sparks , energy hum. --- ## **LEVEL 4 – Greenhouse Conservatory** * **Purpose:** Potioncraft , herb cultivation , magical flora study. * **Design:** * Glass dome roof with brass ribs , filled with lush plants glowing in warm mist. * **Alchemy benches** , hanging glass terrariums , and self-watering copper pipes. * Spiral stair leading to upper deck catwalks. * Containment terrarium for volatile plants under runic seals. * Connection door to the laboratory above via runic elevator. * **Lighting:** Natural light filtered through golden-tinted glass; ambient mist sparkle. --- ## **LEVEL 5 – Research Deck / Teleportation Dock** * **Purpose:** Central hub for Disc resonance studies. * **Features:** * **Resonator Table** at center (Disc analysis). * Floating quills and holographic projectors. * Side alcoves with teleport pads and sigil calibrators. * Window ring providing view of Trielta skyline. * Ladder access to observatory above. * **Lighting:** Cold white magical glow , subtle runic shimmer. --- ## **LEVEL 6 – Eye of Hours Observatory** * **Purpose:** Observation , navigation , and planar alignment. * **Design:** * Vast **crystal lens** suspended in clock-armature overhead. * Star charts , orreries , and arcane instruments scattered across floor. * A narrow catwalk circles the chamber , open to the skyline. * Viewport allows visual connection to distant ley-line convergence points. * **Lighting:** Moonlight refracted through rotating crystal , cool blues and golds. --- ### **STRUCTURAL EXTRAS** * **Vault (Sublevel):** Secure storage for Discs and relics , protected by Silence Ward. * **Exterior Balcony (adjacent to Greenhouse):** Overlooks Oldhut rooftops; used for sky readings and cooling brews. * **Hidden Lift Shaft:** connects levels 1 → 6 , running through the tower’s core , powered by Orwen’s leywheel. --- ### **Image Prompt for Top-Down Cutaway Map** > *A detailed fantasy cutaway illustration of a six-level clocktower headquarters , * blending **arcane architecture and steampunk design.** > Each level distinct: > > * reception hall (desks , ledgers , gears) , > * living workshop (bunks , tools , warmth) , > * training arena (obsidian rings , magical sparks) , > * greenhouse (glass dome , glowing plants , mist) , > * research lab (Resonator Table , runes , floating quills) , > * observatory (rotating crystal lens , starlight). > Include spiral stair and central lift through all floors. > Brass , iron , and crystal dominate the color palette; **golden light below , cool silver above.** > *Style:* semi-realistic digital painting , cinematic , highly detailed , slightly cutaway side view. ,

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Sketch furry adoptable cute and colorfull ,

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Sketch furry adoptable cute and colorfull ,

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archstanton5031

Resident Evil 6 , Sherry Birkin as an action figure on a diorama.DescriptionCharacter Name: Sherry BirkinAge/Appearance: An adult woman , 26 (appearing in her late teens/early 20s due to the G-virus remnants) , 5' 5" (165 cm) tall.Physical Features: Short , blonde , bob-cut hair (shorter than her RE2 appearance) , and blue eyes.Hospital Gown and Attire DetailsGarment: A white patient/hospital gown. It is a simple , standard-issue test subject uniform.Style: It appears to be a back-tie or wrap-around style gown , somewhat loose-fitting , designed for a lab/medical setting rather than a fashionable piece of clothing. It is noted for being one of her less conservative outfits in the game , in contrast to her main campaign clothes.Color/Material: Plain white , likely a light , inexpensive fabric like cotton or a synthetic blend typical of institutional wear.Additional elements: She has no shoes or socks in this specific lab setting. There are no additional accessories , weapons , or gear. She may have some dirt/wounds or appear sweaty/wet depending on the specific moment being The scene is a sterile , dimly lit laboratory or containment area within a Neo-Umbrella facility in Lanshiang , China. This context can help the AI set the "A 3D render of Sherry Birkin from the video game Resident Evil 6 , an adult woman with short blonde bob-cut hair and blue eyes , wearing a plain white , back-tie hospital gown that is slightly loose-fitting. She is standing in a sterile , dimly lit laboratory. The image should capture her determined expression while looking vulnerable. Full body shot , realistic , high detail , video game character art , Capcom style , horror game atmosphere." ,

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very big , tall and thick smiling blonde first grade schoolgirl with cute tiny head , very broad shoulders , big tall body and big very long legs , much bigger than any other girl ,

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A Resident Evil , zombie but very cute and sexy in a Glitch Art Urban Decay , combining digital distortions with gritty , decaying cityscapes. Utilize a desaturated color palette of rust orange and olive green to highlight the dystopian feel --ar 2:3 --v 7.0 ,

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3d fluffy pumpkin , Halloween. closeup cute and adorable , cute big circular reflective eyes , long fuzzy fur , Pixar render , unreal engine cinematic smooth , intricate detail , cinematic ,

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archstanton5031

Ada wong from Resident Evil , zombified but very cute and sexy ,

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archstanton5031

Ada wong from Resident Evil , zombified but very cute and sexy ,

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Generate a dark-skinned , pointy face African-American woman , gorgeous female boss , bimbo , hourglass body , abnormally massive female bodybuilder , gorgeous , close up , full lips , big booty , black hair , Mohawk braided design hair , bald on the side , feminine silhouette , too big breast , big booty , sexy thighs abs , silhouette , up close , flexing biceps , beautiful light-hazel eyes , legs are iconic and defining physical feature , both visually and in terms of combat ability.wearing an outfit that is a striking blend of elegance , power , and femininity , designed to command attention in any room. outfit in this image is a modern , giving it both structure and a touch of relaxed style. highlighting her curves while keeping the look balanced and versatile. Its neutral tone contrasts nicely against the blue denim , keeping the ensemble cohesive without overpowering the statement of the.Completing the polished and fashionable. Together , the outfit blends everyday comfort with bold , confident styling. This is the kind of ensemble that speaks to ambition , sophistication , and personal style—ideal for someone who thrives in positions of influence but insists on expressing her individuality with bold elegance. It’s not just clothing—it’s a statement of power wrapped in grace. The outfit is a vibrant lime-green lace bodysuit with a bold , intricate floral pattern that clings tightly to the body , accentuating every curve. It features a one-shoulder asymmetrical neckline and is semi-sheer , blending sensuality with a tropical , summery vibe. The high-cut leg design elongates the silhouette , while the delicate lace texture adds a touch of elegance and playfulness. Paired with a natural outdoor backdrop of lush greenery , the look is striking , confident , and unapologetically eye-catching. ,

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A picture of a long-haired person from behind. The person's face is not visible , only the ears , the neck , and the hair. The hair is a long faux mohawk dragon braid , styled in the shape of a snail's shell. The braid's colors are shimmery metallic blue , green , magenta , red , gold , silver , violet , and graphite gray. The braid is interwoven with thin silver , copper , and platinum chains. The hairstyle has an undercut design with spirals and runes. ,

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A picture of a long-haired person from behind. The person's face is not visible , only the ears , the neck , and the hair. The hair is a long faux mohawk dragon braid. The braid's colors are shimmery metallic blue , green , magenta , red , gold , silver , violet , and graphite gray. The braid is woven with thin silver chains. The hairstyle has an undercut design with spirals and runes. ,

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A picture of a long-haired person from the side and behind. The person's face is not visible , only the ears , the neck , and the hair. The hair is a long faux mohawk dragon braid. The braid's colors are metallic blue , green , magenta , red , gold , silver , violet , and graphite gray. The braid is decorated with viking style metallic hairpins. The hairstyle has an undercut design with spirals and runes. ,

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Cute plush figures of the Buffy the Vampire Slayer characters: Buffy , Spike , Willow , Xander , Cordelia , Giles , Oz , Tara , Anya , Angel , Dawn , and Miss Calendar. The background is the library from Sunnydale High in seasons 1-3. ,

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Generate a statement makeup on a deep black skinned female model with bald head. The black skin has a metallic light shimmer. The lipstick is metallic ombre magenta and red. The eyebrows are replaced by tiny light blue pearl crescent moons. The eyeshadow is a matte Indian yellow cut crease design. The eyeliner is glossy royal blue , with double wings. The inner corner of the eyes are highlighted with frosty silver eyeshadow. The model has a long neck with rows of gold color faux pearl covering it up till the chin. Her huge drop earrings are the shape of icicles , they are transparent and have tiny silver glitters in them. ,

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A hyperrealistic , high-contrast cyber-noir illustration of a lone biker astride a sleek , futuristic sport bike , cutting through a rain-soaked metropolis at dusk. The rider , clad in a form-fitting , high-tech riding suit with a reflective visor helmet , leans forward in intense focus , embodying a perfect blend of solitude and raw power. The bike’s aerodynamic design gleams under the neon glow of holographic billboards and towering skyscrapers , their glass facades reflecting fractured light onto the wet asphalt below. The street shimmers with rainwater , creating a mirror-like surface that distorts the vibrant reflections of streetlamps , flickering neon signs , and the pulsing glow of cybernetic advertisements. The city skyline looms in the background—a dense forest of illuminated high-rises , their windows twinkling like stars against the deep indigo and violet hues of the twilight sky. Moody shadows stretch across the scene , accentuating the sharp angles of the bike and rider , while streaks of motion blur hint at the biker’s speed. The composition is cinematic , with a dynamic low-angle perspective that emphasizes the rider’s dominance over the urban landscape. The lighting is dramatic , casting harsh contrasts between the bright neon highlights and the inky darkness of the alleyways. Every detail—from the intricate textures of the rider’s gear to the intricate reflections in the puddles—is rendered with meticulous precision , evoking a sense of hyperrealism that borders on photorealism. The overall aesthetic is a fusion of cyberpunk grit and noir mystery , where technology and humanity collide in a visually stunning , emotionally charged moment. , cinematic lighting , cinematic angle , soft light , color detail , backlighting , Depth of field , long exposure , light steps , intricate colors , vibrant colors ,

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Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,

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