Search Results for collar
Explore AI generated designs, images, art and prompts by top community artists and designers.
A hauntingly beautiful close-up photograph of a woman submerged in obsidian water , her porcelain skin veiled by a delicate lattice of ivy vines and floating gardenia petals. One elegant hand breaches the surface , fingertips tenderly suspending a single Japanese maple leaf over the tub's weathered edge , its crimson veins backlit by an eerie neon-blue glow that fractures like shattered cobalt glass across the water's surface. The ethereal illumination casts duotone shadows of lavender and pearl that ripple across her half-submerged face , catching on the dewdrops clinging to her parted lips and the tiny oxygen bubbles nesting in her eyelashes like liquid constellations. Beneath the surface , her hair drifts in weightless arabesques , strands catching the ambient glow like copper filaments in oil , while submerged magnolia blossoms slowly unfurl in the darkness. The extreme shallow focus (f/0.95) renders the antique clawfoot tub's details into impressionistic orbs of emerald and mercury , the bokeh distorting like stained glass underwater. Cinematic chiaroscuro lighting reveals microscopic textures—the leaf's translucent capillaries , the water's meniscus trembling at her collarbone , the way the neon refraction warps her fingertips into fleeting violet specters. A contemporary Ophelia suspended between drowning and epiphany , bathed in the electric hum of a bioluminescent moon , her surrender to the water captured in the moment it becomes impossible to tell if the vines are embracing her or dragging her under. The composition thrums with quiet metamorphosis—petals becoming scales , breath becoming bubbles , light becoming liquid. Shot on large format film with a vintage 58mm lens to render every detail with haunting hyperrealism , this image exists in the liminal space where beauty and melancholy share the same bloodstream. ,
Ultra-detailed close-up macro photography of the upper section of a navvy blue formal dress shirt , showing half of the shirt collar and top button area. The shirt is made of premium navvy blue oxford cotton fabric with extremely realistic textile texture , visible fine woven fibers , subtle fabric noise , natural creases , and soft highlights created by studio lighting. The fabric surface looks tactile and high-end , with true-to-life cloth depth and thread definition. On the pocket area , a bold red embroidered text reads "HELIOS" is stitched directly into the fabric using dense tatami embroidery technique. The stitching shows clear thread layering , directional stitch patterns , realistic embroidery thickness , and slight thread shine. The embroidery follows the natural movement of the fabric , appearing firmly embedded into the shirt rather than printed. Below it , a smaller white embroidered text reads “SOLUTIONS” , stitched cleanly with consistent tension , sharp edges , and realistic thread density , maintaining a refined handcrafted look. Surrounding the outer edges of the embroidered text , several extremely small miniature 3D cartoon-style human figures are placed only along the perimeter of the embroidered strokes , never overlapping or covering the text. The mini figures appear tiny compared to the stitches , emphasizing scale , as if they are microscopic workers interacting with the embroidery threads. They are positioned standing , kneeling , or leaning against the raised embroidered edges , subtly interacting with the stitching. Although stylized and animated in character design , the mini figures have realistic physical presence: accurate scale , soft shadows cast onto the fabric , natural contact points with the threads , believable lighting interaction , and realistic material rendering , making them feel like real miniature figurines placed on a real embroidered shirt. Soft overhead studio lighting enhances the depth of the embroidery , the realism of the fabric fibers , and the tiny shadows created by the miniature figures. Shallow depth of field , sharp focus on embroidery texture , premium commercial fashion photography style , clean composition , no background elements. ,
Create a watercolor-style illustration of a happy couple embracing in a natural setting. The man has short , dark brown hair and a light beard. He is smiling broadly , displaying an expression of joy and amusement. He is wearing a beige knitted sweater with a cable knit pattern and a plaid shirt underneath , visible through the collar. The woman has long , straight , dark brown hair. She is also smiling , gazing at the man with a tender and happy expression. She is wearing a white sweater with a cable knit pattern similar to the man's. The man is holding her legs as she hugs him from behind , her face close to his. The background features trees and soft light filtering through the leaves , creating a warm , autumnal atmosphere. The focus should be on the couple's emotions , conveying a sense of intimacy and love. The colors should be soft and warm , with diffused yellows , oranges , and greens in the background. The outlines of the figures should be soft and blurred , as if painted with watercolors. ,
20s ish human monkHis eyes Are Green iridescent , like a June bug. Dark long eyelashes and a natural winged eyeliner His hair is a soft golden honey brown with heavy wavy locks that he keeps cut currently into a Mohawk.His skin is a dark olive Mediterranean tone.6’2” , 175 , very trim but pronounced muscles like an Olympic swimmer.Even though he has striking features like a strong jawline and high cheek bones , He wears silk monk robes in the burnt orange with blue with floral burnt orange silk liner that shows on his lapel , collar , arm holes , and leggings. He wears a yellow silk belt with a wood beaded rope that is actually a whip , pouches , and ordimental jewelry of his monastery and from his family; such as earrings , necklaces , bracelets , ankle bracelets , and rings ,
20s ish human monk His eyes Are Green iridescent , like a June bug. Dark long eyelashes and a natural winged eyeliner His hair is a soft golden honey brown with heavy wavy locks that he keeps cut currently into a Mohawk. His skin is a dark olive Mediterranean tone. 6’2” , 175 , very trim but pronounced muscles like an Olympic swimmer. Even though he has striking features like a strong jawline and high cheek bones , He wears silk monk robes in the burnt orange with blue with floral burnt orange silk liner that shows on his lapel , collar , arm holes , and leggings. He wears a yellow silk belt with a wood beaded rope that is actually a whip , pouches , and ordimental jewelry of his monastery and from his family; such as earrings , necklaces , bracelets , ankle bracelets , and rings ,
Hyperrealistic 8k photorealistic portrait of a mature woman standing on a sunlit Balinese veranda at golden hour , oval face , almond-shaped dark brown eyes , small flat rounded nose , high cheekbones , full lips , warm bronze skin , long unkempt black hair falling in loose waves over her shoulders , adult woman , confident strong posture , slight forward tilt , gaze meeting the viewer with serene intensity , three-quarter body shot from mid-thigh up , medium wide-angle lens , shallow depth of field , bokeh from distant tropical foliage. Clothing: white linen button-down tank top with wide shoulder straps , snug fit around the torso with light bust shaping , top two buttons left unfastened to reveal modest , natural cleavage while remaining fully clothed , fabric texture visible with fine weave and subtle creases , waist wrapped in an authentic batik sarong with deep indigo and maroon parang motifs tied in a traditional style , no head covering , culturally authentic Indonesian styling. Physique: curvaceous and voluptuous yet athletic , toned abs and defined obliques visible under the linen , sculpted feminine muscles , prominent collarbones , visible ribcage contours and taut abdomen suggesting regular physical discipline , healthy vibrant skin with subtle sheen , faint visible veins along forearms , confident grounded stance. Setting details: carved teak pillars , woven bamboo screens , a low incense smoke haze drifting in warm breeze , palm fronds casting delicate dappled shadows , distant volcanic silhouette and calm sea reflecting sunset , scattered frangipani blossoms on the veranda floor. Lighting: cinematic chiaroscuro with warm golden rim light from behind , soft warm key light from camera-left illuminating face and torso , cool fill from right creating gentle contrast , volumetric shafts of light and subtle rim highlights on hair and shoulder , specular highlights on linen and skin. Color palette: warm bronze and saffron , deep indigo and maroon batik accents , soft creamy whites , tropical greens , muted ocean blues , cinematic teal-orange grading. Composition and framing: vertically oriented medium full-body composition , subject placed on right third , eyes on upper third , slight negative space to left showing veranda and seascape , low camera angle for empowering presence , subtle Dutch tilt for dynamic tension. Artistic style and techniques: ultra-detailed hyperrealism with painterly filmic mood , textures emphasized—skin pores , fine hair strands , linen weave , batik thread details—soft cinematic grain , inspired by high-end fashion photography and contemporary portrait painters , delicate Art Nouveau line influences in the drape of fabric , rendered with Octane Render and photoreal shaders , volumetric lighting , gentle filmic bloom , ethereal serene atmosphere , glowing iridescent highlights on jewelry and wet wood , ultra-detailed finishing , post-processed color grading for depth and warmth. ,
descends the private jet stairs with effortless poise , long waves catching the breeze as runway lights glow behind her , highlighting the drama of the moment. Luxury and elegance radiate from every detail of the scene. Hair: Long , effortless yet polished waves , softly lifted by wind. Subtle movement and layered highlights enhance realism , with strands gently framing the face. Outfit: Floor-length black blouse with golden embroidery paired with a flowing white lehenga richly decorated with golden designs with a thigh-high slit , smiling gracefully while holding colorful dandiya sticks , adorned with dripping Cartier diamonds. white lehenga flows naturally , catching runway and jet lights , showing subtle folds , sheen , and texture. Props/Textures: Oversized designer sunglasses reflecting ambient light , vintage Louis Vuitton travel trunk at the side. Runway lights and jet stairs polished , reflecting softly onto fabric and jewelry. Skin & Face Texture: Ultra-realistic cinematic detail. Visible pores , natural highlights along cheekbones , nose , collarbones , and shoulders from spotlight and runway reflections. Lips soft satin sheen; eyes sharp beneath designer sunglasses reflecting subtle light. Micro-expression conveys effortless confidence. Camera & Lens: Canon EOS R5 , wide-angle lens. Wide cinematic framing emphasizing her full figure , white lehenga flow , and the stairs with runway lights. Angle: Slight low-angle to accentuate presence , luxury , and upward motion from stairs , capturing both movement of gown and sparkling diamonds. Lighting: Spotlights combined with ambient jet and runway lights. Highlights sculpt skin , gown , and diamonds while shadows add cinematic depth. Vibe: Grandiose , high-fashion luxury — cinematic editorial capturing the moment of stepping into ultimate glamour and sophistication. ,
Full-body shot from a drone’s perspective. Palette: Aurora Green + Arctic Blue + Soft Lilac. High-fashion headshot of a a 36 years old Indian woman of sublime sensuality , wearing a silk Saree , draped in a luxurious fur sweater with long braids dyed in aurora gradients; each braid threaded with tiny ice-petals that refract arctic-blue light and cast soft lilac reflections on skin. Wardrobe: minimal translucent collar to showcase braids. Background: faint polar twilight. Camera: 85mm , f/1.8 , 1/200s , ISO 100; tight head-and-shoulders , slight over-the-shoulder pose. Lighting: cool polar key (arctic blue) , aurora green side glow , lilac hairlight. Post: crisp editorial retouch , cool cinematic grade with jewel-tones , sparkles on ice-petals. Mood: ethereal voyager — cold beauty. ,
Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,
Head Shape: Oval with softly rounded cheeks tapering gently to a narrow , rounded chin. Balanced proportions between upper and lower face. • Hairline: Even curve across the forehead , no widow’s peak. Hair parted slightly to one side , smooth texture with subtle layering near the jawline. • Eyebrows: Medium thickness , smooth arch above the brow ridge , tapering slightly at the outer ends. Space between brows equals roughly one eye width. • Eyes: Almond-shaped , slightly angled upward at the outer corners. Iris visible completely (no drooping lids). Suggest green or light hazel tone. Eyelashes moderately long. • Nose: Straight bridge , medium width; gentle curve from bridge to softly rounded tip. Nostrils are small and symmetrical , base of the nose sits halfway between eyes and chin. • Lips: Full , even shape with a clearly defined Cupid’s bow; top lip slightly thinner than the bottom. Corners of mouth sit aligned with the inner edge of the irises. • Ears: Partially visible through hair , top of the ear aligned with eyebrow height , lower edge with nose base. • Jawline & Chin: Smoothly curved jawline with no sharp angles; chin softly rounded and proportionate. • Neck: Medium length and proportionate width; visible collarbones. • Skin Tone: Medium-light brown with warm undertones (suggest a blend of golden and rose hues for realism). ,
A close-up shot focusing on a Turkish woman's décolletage area as a man forcefully kisses her exposed skin. She wears a simple , plain hijab that frames her face but leaves her neckline bare , drawing immediate attention to the vulnerable curve where collarbone meets chest. The man's rough hand grips her shoulder for leverage , his lips pressed aggressively against her skin while her body tenses visibly—muscles taut beneath the fabric. Her plain , modest clothing contrasts sharply with the intrusion: a high-necked dress in muted earth tones , now slightly disheveled near the neckline. Soft light highlights the intimacy of the violation , with shallow depth of field blurring the background to emphasize the tension in her clenched jaw and the man's possessive posture. ,
funny caricature , exaggerated cartoon human , male , 40 years old , wild-haired , big-nosed , toothy , impossibly wide grin , bulging eyes , elongated face with prominent features , lanky body type , enormous teeth , bulbous nose , wild hair , maniacal expression , caricature , the cartoon human is wearing a partially visible striped shirt , accessorized with a visible collar , head-only pose , blurred interior background with picture frames ,
*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIR THE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM. AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG #PAUL" IN RED. REINFORCING THE IDENTITY THEME. THE YOUNG MAN'S ATTIRE , A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN COLLAR , ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET , WHILE THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES , CREATING A COHESIVE , HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY. PHOTOREALISTIC , SHALLOW DEPTH OF FIELD , HIGH-RESOLUTION DSLR QUALITY , HASSELBLAD X2D 100C , SHALLOW DEPTH OF FIELD , SHARPLY FOCUSED ON ME. 4:5 ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC , HYPER DETAILED* ,
*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIR THE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM. AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG #PAUL" IN RED. REINFORCING THE IDENTITY THEME. THE YOUNG MAN'S ATTIRE , A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN COLLAR , ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET , WHILE THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES , CREATING A COHESIVE , HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY. PHOTOREALISTIC , SHALLOW DEPTH OF FIELD , HIGH-RESOLUTION DSLR QUALITY , HASSELBLAD X2D 100C , SHALLOW DEPTH OF FIELD , SHARPLY FOCUSED ON ME. 4:5 ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC , HYPER DETAILED* ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , leaning against chair back smiling at viewer at dinner table , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky , soft even lighting , date , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , she is sitting and smiling at viewer at dinner table , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky , soft even lighting , date , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , in hotel room , a Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , ((long white hair wthi large white head band)) , , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SpECTACLES} , she does not wear spectacles) , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,
NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , leaning against office desk , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , ((long white hair wthi large white head band)) , , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SpECTACLES} , she does not wear spectacles) , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , leaning against chair back smiling at viewer at dinner table , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky , soft even lighting , date , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , leaning against office desk , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , long white hair in a beehive 60's style , leaning against office desk , Glass of champagne in her hand. She is smilling at the man takiing pictures directlybin front and below her (she does not wear spectacles) , perky ,