Explore AI generated designs, images, art and prompts by top community artists and designers.

An image in the style of the 1992 movie Bram Stoker's Dracula (starring Gary Oldman , Keanu Reeves). An ornate glass cup contains absynthe green liquid. There are two sugar cubes next to the cup on the table , and two teaspoons. There is a candle with dim light on the table. The sugar cubes each have a drop of red stain on one of their corners. The tablecloth is dark crimson velvet. There is a Victorian paravan in the background. Use brown , dark yellow , and red colors for the paravan. ,

Ultra-realistic cinematic 8K HDR scene inspired by the movie "Poltergeist" (1982) a small girl kneeling in front of an old 1980s television set glowing with white static noise she wears a light nightgown or pajamas , her long blonde hair illuminated by the cold bluish glow of the TV both hands gently touching the screen , creating a faint reflection and subtle distortion of her silhouette the dark living room around her is filled with shadows and faint outlines of furniture , toys scattered on the carpet soft volumetric light rays from the static flicker through the air , dust particles floating , faint ghostly glow emanating from the TV atmosphere eerie , silent , and supernatural , a sense of mystery and dread cinematic depth of field , ultra-detailed 3D photorealistic textures of hair , static light , and fabric IMAX-level realism , Unreal Engine 5 rendering , HDR color contrast , Canon EOS R5 35mm f/1.4 lens , masterpiece horror composition , haunting and iconic --ar 16:9 --raw --stylize 750 --v 6 ,

Crea un guion cinematográfico de 30 segundos con estilo western moderno y tono épico mexicano. Escena 1 (5s): La cámara enfoca el cielo despejado sobre las montañas. Se escucha el viento. De pronto , las nubes se tornan oscuras y una tormenta eléctrica se aproxima. El sonido del trueno anuncia un cambio. Escena 2 (10s): Transición suave al atardecer. Dos hombres están sentados bajo un árbol , frente a una mesa de madera. Sobre la mesa hay un mapa viejo con líneas rojas y una botella de tequila. Comparten un trago en silencio. Escena 3 (10s): El hombre de la camisa clara se levanta con enojo y apunta al mapa donde se lee “Ciudad de México”. Golpea la mesa con fuerza. El viento levanta polvo. Escena 4 (5s): Ambos hombres se miran con determinación y chocan los vasos de tequila. Una voz en off grave dice: “Por la tierra , por la libertad… por México.” Termina con un fundido al negro y la frase en pantalla: “La soberanía no se negocia.” ,

Crea un guion cinematográfico de 30 segundos con estilo western moderno y tono épico mexicano. Escena 1 (5s): La cámara enfoca el cielo despejado sobre las montañas. Se escucha el viento. De pronto , las nubes se tornan oscuras y una tormenta eléctrica se aproxima. El sonido del trueno anuncia un cambio. Escena 2 (10s): Transición suave al atardecer. Dos hombres están sentados bajo un árbol , frente a una mesa de madera. Sobre la mesa hay un mapa viejo con líneas rojas y una botella de tequila. Comparten un trago en silencio. Escena 3 (10s): El hombre de la camisa clara se levanta con enojo y apunta al mapa donde se lee “Ciudad de México”. Golpea la mesa con fuerza. El viento levanta polvo. Escena 4 (5s): Ambos hombres se miran con determinación y chocan los vasos de tequila. Una voz en off grave dice: “Por la tierra , por la libertad… por México.” Termina con un fundido al negro y la frase en pantalla: “La soberanía no se negocia.” Créalo como si fuera una caricatura ,

Crea un guion cinematográfico de 30 segundos con estilo western moderno y tono épico mexicano. Escena 1 (5s): La cámara enfoca el cielo despejado sobre las montañas. Se escucha el viento. De pronto , las nubes se tornan oscuras y una tormenta eléctrica se aproxima. El sonido del trueno anuncia un cambio. Escena 2 (10s): Transición suave al atardecer. Dos hombres están sentados bajo un árbol , frente a una mesa de madera. Sobre la mesa hay un mapa viejo con líneas rojas y una botella de tequila. Comparten un trago en silencio. Escena 3 (10s): El hombre de la camisa clara se levanta con enojo y apunta al mapa donde se lee “Ciudad de México”. Golpea la mesa con fuerza. El viento levanta polvo. Escena 4 (5s): Ambos hombres se miran con determinación y chocan los vasos de tequila. Una voz en off grave dice: “Por la tierra , por la libertad… por México.” Termina con un fundido al negro y la frase en pantalla: “La soberanía no se negocia.” Créalo como si fuera una caricatura ,

Fotografía de cuerpo entero de un militar del ejército mexicano , uniformado , rostro simétrico perfecto , accesorios de Estado Mayor , vestido militar tradicional hecho a mano , líder armado dirigiendo a sus tropas , ambiente urbano , paisaje de la ciudad de mexico ultra realista , arte conceptual , elegante , intrincado , muy detallado , profundidad de campo , gradación de color profesional , 8k , arte de artgerm , greg rutkowski y alphonse mucha , 4k , limpio , rostro realista , ojos realistas , la más alta calidad , manos realistas , tendencia en artstation , obra maestra , NSFW , cinco dedos ,

Nippur in 2000 BCE , sacred Sumerian city on the Euphrates plain , towering E-kur ziggurat amid canals and palms , sunset glow with dust haze after rain , late summer , Style: hyperrealistic with a painterly texture , reminiscent of historical reconstruction art , detailed and atmospheric with subtle depth of field , Wide view , Side View , 4K. ,

Eridu in 3000 BCE , walking through narrow mudbrick streets along canals , E-abzu temple rising ahead , people moving about , livestock nearby , Style: hyperrealistic with a painterly texture , reminiscent of historical reconstruction art , detailed and atmospheric , Eye-level view , Full scene , 4K ,

First-person perspective , ultra-wide 14mm lens , handheld DSLR realism. Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the giant statue of lord shivs under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A old female Hindu monk’s praying extends naturally from the bottom of the frame , she wearing a traditional orange Saree (visible texture , realistic folds , true skin tone) , aligned precisely with the real crater in the background. ,

First-person perspective , ultra-wide 14mm lens , handheld DSLR realism. Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the giant statue of lord shivs under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A woman’s praying extends naturally from the bottom of the frame , wearing a traditional orange Saree (visible texture , realistic folds , true skin tone) , aligned precisely with the real crater in the background. ,

Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the real Heaven Lake under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A woman’s left hand extends naturally from the bottom of the frame , wearing a traditional Saree (visible texture , realistic folds , true skin tone). She holds a detailed miniature model of Himalaya Mountain with statue of lord Shiva , aligned precisely with the real crater in the background. ,

A majestic , vintage-style **steam locomotive** emerges dramatically from a swirling , **luminous magical portal** , its edges crackling with arcane energy and glowing in hues of **electric blue , violet , and gold**. The train’s **front boasts an ornate , oversized clock face** , its brass hands frozen in time , adding an air of mystery and timelessness. The locomotive itself is **richly detailed** , with polished brass accents , riveted steel plating , and billowing steam that swirls into the air as it charges forward. The **portal** is a **vortex of shimmering light** , with intricate runes and celestial patterns spinning along its edges , suggesting a gateway between dimensions. Sparks of magic dance around the train as it crosses the threshold , leaving behind a faint trail of **glowing embers**. The scene is set in a **misty , otherworldly landscape**—perhaps a forgotten railway station overgrown with vines , or a floating island suspended in a twilight sky. The background is **moody and atmospheric** , with soft gradients of **deep purples , blues , and warm golden light** , enhancing the contrast between the **mechanical grandeur of the train** and the **ethereal glow of the portal**. The **art style** blends **steampunk intricacy with fantasy surrealism**—**highly detailed linework** for the train’s mechanics , **soft , glowing gradients** for the portal’s magic , and a **cinematic composition** that draws the viewer’s eye toward the train as it bursts into this new realm. The lighting is **dramatic** , with the portal casting an **unearthly glow** on the train’s surface , while shadows stretch long and deep , adding depth and mystery. The overall mood is **epic , adventurous , and slightly mysterious** , as if the train carries secrets from another world. ,

Angelica , a confident powerhouse with gleaming biceps , strikes a fierce muscle-flexing pose while gracefully removing her tailored blazer to reveal an iridescent Swarovski-crystal-adorned rainbow string bikini that refracts prismatic sparks across her sculpted physique. Daring Christian Louboutin stilettos anchor her amid swirling inferno blossoms – blazing chrysanthemums of sapphire , crimson , and gold flames erupting behind her like a phoenix rebirth. Dramatic chiaroscuro lighting sculpts her form , spotlighting crystal facets against volcanic glow; captured in dynamic mid-action through a low-angle wide shot , radiating unapologetic glamour and elemental energy. ,

Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,

A man on a surf board waiting for a wave , suddenly a colossal , 3D architectural rendering of a futuristic and sustainable real estate project in a modern African city built entirely on the back of a giant , resembling a cosmic Jellyfish made of dots. The style is a blend of dark fantasy concept art and epic space opera , with a focus on awe-inspiring scale and ethereal beauty. ,

A vibrant cartoon-style album cover featuring a dark-skinned woman with a large afro showing her tits , looking nasty sexy. She is surrounded by fluffy pink cotton candy clouds and floating chocolate bars. She's holding a big cotton candy in one hand. The background is a colorful mix of pastel pink , blue , and purple , The overall style is playful , retro , and inspired by 70s funk and street art. ,

A vibrant cartoon-style album cover featuring a dark-skinned woman with a large afro showing her tits , looking nasty sexy. She is surrounded by fluffy pink cotton candy clouds and floating chocolate bars. She's holding a big cotton candy in one hand. The background is a colorful mix of pastel pink , blue , and purple , The overall style is playful , retro , and inspired by 70s funk and street art. ,

A vibrant cartoon-style album cover featuring a dark-skinned woman with a large afro showing her tits , looking nasty sexy. She is surrounded by fluffy pink cotton candy clouds and floating chocolate bars. She's holding a big cotton candy in one hand. The background is a colorful mix of pastel pink , blue , and purple , with bold graffiti-style text that reads “TOTICO DE FRESA” in dripping pink and purple letters. The overall style is playful , retro , and inspired by 70s funk and street art. with no BH showing her tits , ,