Search Results for bridge
Explore AI generated designs, images, art and prompts by top community artists and designers.
Captain James T. Kirk of the USS Enterprise NCC 1701 sits , on his chair on the bridge. Spock is standing next to him talking. Captain Kirk is wearing the uniform used , in the movie "First Contact" , and has 4 pips on his collar. Spock has pointed ears , and is a blue tunic with 4 pips on his collar for a commanding officer. ,
A futuristic city with flying cars and holographic displays , connected by spiral bridges over an ethereal ocean. The sky is a clear blue , and the buildings have metallic textures. In one corner of the scene , there is a large floating structure resembling the torus symbol , glowing in shades of a white to light blue gradient. A drone flies above it , capturing its majestic presence against the backdrop of the distant planet. --s 750 --v 6.0 ,
"Within the avatar's frame , a white knight emerges , their armor a harmonious blend of medieval and futuristic elements. The centerpiece is the helmet , a stunning masterpiece that demands attention. The front of the helmet is pristine white , gleaming with a polished finish that reflects the light. As the eye traces towards the back , it transitions seamlessly to a deep black , adding an air of mystery. The helmet boasts a unique V-shaped design that encompasses both the front and back sections. The front , reminiscent of a knight's visor , has a sleek and angular shape that evokes modern sophistication. Enhanced with a heads-up display , the visor provides crucial information and tactical insights to the knight. As the helmet extends towards the back , it transforms into a sweeping curve of obsidian black. The black surface features subtle engravings that pay homage to medieval craftsmanship. The contrasting colors and shapes symbolize the knight's ability to bridge the past and the future. Set against a backdrop of vibrant red and white , this avatar captivates with its futuristic yet medieval aesthetic. The combination of the white front and black V-shaped back of the helmet , along with the harmonious color palette , conveys a sense of strength , elegance , and enigmatic allure." ,
Vibrant mountain village scene , Little turtle without shell , A little turtle without a shell , a magical bridge in the sky , located on the top of a mountain , sky bridge , silhouette , disney , zootopia , octane render , cinematic lighting , volumetric light , sharp focus , FXAA , CGI , post processing , full-HD , 8k --ar 2:3 --test --creative --stylize 1250 , 3D ,
Zhao Liying , with long black hair , sweet and charming , wearing black stockings , standing upright in full body view , with a large chest and long legs , captured by a Sony camera. The close-up shot showcases her exquisite facial features against the backdrop of a sunset , on a bridge. She has a pear-shaped figure , and all of this is captured in high definition. ,
A tiny fairy village cottage made of small pebbles and a forest around it , with a stream , an arched stone bridge across the stream , art by greg rutkowski and Alphonse Mucha and artgerm , realistic matte painting , digital illustration , cinematic , dynamic lighting , conceptart , concept art , soft lighting ,
A spunky vivacious young woman , on deck of the starship enterprise , with curly bouncy long blond hair , with body of Daphne Bridgerton , hauntingly beautiful symmetrical face with hypnotic deep dark blue eyes , in translucent micro sheer skirt , star trek Enterprise , red stiletto high heels thigh high stockings , symmetrical eyes , legs open , beautiful symmetrical face , revealing chest open sheer translucent shirt , cherry red full lips + sheer short translucent shear micro mini skirt with open sides , Photorealistic of a beautiful woman. Photograph , Hyper realistic , Photorealistic , Photorealism , body symmetrical anatomy.zoomed out , full body , photorealistic skin f 5.6 + 85mm , extremely detailed , maximum texture , maximum details , dramatic clair obscur , ultra-realistic , soft shadows RHADS , low angle shot , cinematic lighting , epic cinematic angle , visual clarity , 200mm , UHD , 32k , 16k , 8k , 3D shading , Tone Mapping , Ray Tracing Global Illumination , Diffraction Grating , Crystalline , Lumen Reflections , Super-Resolution , gigapixel , color grading , retouch , enhanced , PBR , Blender , V-ray , Procreate , zBrush , 360 3d view , Unreal Engine 5 , Cinema 4D , ROMM RGB , Adobe After Effects , 3DCG , VFX , SFX , FXAA , SSAO , 3D , high fantasy , cinematic lighting , fantasy style - v4 --upbeta--test --creative - , 3D , Cartoon , 3D ,
"Within the avatar's frame , a white knight emerges , their armor a harmonious blend of medieval and futuristic elements. The centerpiece is the helmet , a stunning masterpiece that demands attention. The front of the helmet is pristine white , gleaming with a polished finish that reflects the light. As the eye traces towards the back , it transitions seamlessly to a deep black , adding an air of mystery. The helmet boasts a unique V-shaped design that encompasses both the front and back sections. The front , reminiscent of a knight's visor , has a sleek and angular shape that evokes modern sophistication. Enhanced with a heads-up display , the visor provides crucial information and tactical insights to the knight. As the helmet extends towards the back , it transforms into a sweeping curve of obsidian black. The black surface features subtle engravings that pay homage to medieval craftsmanship. The contrasting colors and shapes symbolize the knight's ability to bridge the past and the future. Set against a backdrop of vibrant red and white , this avatar captivates with its futuristic yet medieval aesthetic. The combination of the white front and black V-shaped back of the helmet , along with the harmonious color palette , conveys a sense of strength , elegance , and enigmatic allure." ,
3.Bridge Configuration 1.The bridge may cross the valley at any elevation from the high water level that you can assume to 24 meters above the high water level. 2.If the elevation of the bridge is below 24 meters , excavation of the river banks will be required to achieve the correct highway elevation. 3.To provide clearance for overhead power lines (shown above) , the highest point on the bridge may not exceed an elevation 32.5 meters above the high water level (8.5 meters above the top of the river banks). 4.The bridge may consist of either standard (simple supports) or (arch supports). If necessary , the bridge may also use one intermediate , located near the centre of the valley. If necessary , the bridge may also use cable , located 8 meters behind one or both abutments. 5.Each main truss can have no more than 100 and no more than 200 . 6.The bridge will have a flat , reinforced deck. Two types of concrete are available: 1.Medium-strength concrete requires a deck thickness of 23 centimetres (0.23 metres). 2.High-strength concrete requires a deck thickness of 15 centimetres (0.15 meter). 7.In either case , the deck will be supported by transverse spaced at 4 metre intervals. To accommodate these floor beams , your must have a row of joints spaced 4 meters apart at the level of the deck. These joints are created automatically when you begin a new design. 8.The bridge deck will be 10 meters wide , such that it can accommodate two lanes of traffic. 4.Member Properties •Materials. Each member of the truss will be made of either carbon steel , high-strength low-alloy steel , or quenched and tempered steel. •. The members of the truss can be either solid bars or hollow tubes. Both types of cross-sections are square. •Member Size. Both cross-sections are available in a variety of standard sizes. 5.Loads The bridge must be capable of safely carrying the following loads: •Weight of the deck. •Weight of a 5-cm thick , which might be applied at some time in the future. •Weight of the steel floor beams and supplemental bracing members (assumed to be 12.0 applied at each deck-level joint). •Weight of the main trusses. •Either of two possible truck loadings: Weight of one standard H25 truck loading per lane , including appropriate allowance for the dynamic effects of the moving load. (Since the bridge carries two lanes of traffic , each main truss must safely carry one H25 vehicle , placed anywhere along the length of the deck.) Weight of a single 480 kN Permit Loading , including appropriate allowance for the dynamic effects of the moving load. (Since the Permit Loading is assumed to be cantered laterally , each main truss must safely carry one-half of the total vehicle weight , placed anywhere along the length of the deck.) ,
a dragon flying over medieval hobbit homes , ornate , beautiful , atmosphere , vibe , mist , smoke , chimney , rain , well , wet , pristine , puddles , waterfall , clear stream , bridge , orange , green , stained glass , forest , flowers , concept art illustration , color page , 4 k , tone mapping , doll , akihiko yoshida , james jean , andrei riabovitchev , marc simonetti , yoshitaka amano , digital illustration , greg rutowski , volumetric lighting , sunbeams , particles , rembrandt ,
Create A breathtaking , cinematic 3D render of a futuristic steampunk starship that masterfully fuses elements of converted 1974 Winnebago into the starship's bridge , and a G'Quan Class Heavy Battle Cruiser from Babylon 5 , for the in between part of the starship , and the soul of a sneaker. The bridge is in the top center of the starship This starship has a rustic orange , and cherry red , and lime green , for its colors. The massive spacecraft is in space orbiting a mesmerizing Giant Mercury-like planet with a vibrant multicolored surface creating a stunning visual effect. The starry cosmos in the background is filled with additional starships , each gracefully interacting in space. , 3D , 3D ,
a dragon flying over medieval hobbit homes , ornate , beautiful , atmosphere , vibe , mist , smoke , chimney , rain , well , wet , pristine , puddles , waterfall , clear stream , bridge , orange , green , stained glass , forest , flowers , concept art illustration , color page , 4 k , tone mapping , doll , akihiko yoshida , james jean , andrei riabovitchev , marc simonetti , yoshitaka amano , digital illustration , greg rutowski , volumetric lighting , sunbeams , particles , rembrandt ,
