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Explore AI generated designs, images, art and prompts by top community artists and designers.
The Three Little Pigs logo concept with an ATV General style: A dynamic , slightly cartoonish logo in bright , but not acidic colors. A combination of realistic ATV details with a friendly animation style of the characters. Composition: The central element is a stylized ATV (side view , slightly at a 3/4 angle) , taking up ~60% of the logo width. On the ATV are three little pigs in protective helmets and glasses , each in their own "zone": the first (in front) is steering , smiling; the second (behind the driver) is holding the handle , looking forward; the third (behind) is slightly raised , waving his hand. The text "Three Little Pigs" is placed under the ATV or along its bottom line. ATV details: clear contours of the wheels , suspension , steering wheel; Light shadows for volume; bright accents: red brake discs , yellow body elements. Piglets' style: rounded shapes , big eyes , cute faces; colors: light pink with beige spots; helmets and glasses in contrasting colors (blue , green , orange). Typography: font: rounded , sans serif , with a slight 3D effect (for example , similar to Comic Sans MS or KG Primary Penmanship); color: dark brown or burgundy; effect: thin white outline of letters for legibility on any background. Color palette: main background: light gray or gradient from blue to white (imitation of the sky); ATV: orange/yellow + black details; piglets: soft pink + colored accessories; text: dark brown + white outline. Dimensions and proportions: logo aspect ratio: 4x3; ATV height: ~40% of the total height; text size: ~15% of the logo height. Logo text: ATV Club "Three Bows" ,
Icon in the style of Warcraft 3 and early World of Warcraft , ability "Spiritism" , a Warcraft 3-style Ward with a glowing eyeball as its core , split into a 2x2 grid: top-left shows the ward dedicated to Holy Light magic with golden-white light , top-right shows it dedicated to Earth Force magic with brown , rocky texture and crystals , bottom-left shows it dedicated to Spiritual Energy magic with ethereal blue-green spirit energy , cinematic , high detail , vibrant game art , blizzard style --ar 1:1 ,
A sky is reddish with cosmic dust and a red moon in the fog. in the distance there are many white furry aliens. A detailed 3D render of the scene: a large white planet in the image , with its vast and stark snowy landscape. It depicts a complex web of interconnected buildings. Along the left side of the view , there are small white houses , one along the bottom , two up on the right , one centrally , and one on the edge across the top , standing out against the black sky. Underneath the black-framed area there are large cracks in the ice , exposing their smooth surface. At the bottom of the view , a wide green field is visible , as well as a large red cloud that has a black shape. On the far left side of the view tallest building can be seen , covered with a light gray layer. On the right side of the view near the water , many small furry alien birds are scattered. Below all this is a partially visible clear view of a giant white moon that appears small due to the size of the ship. ,
A queen sitting in the throne room in an imaginary realm. The throne is made from engraved wood , has robust design elements. The queen is wearing barbaric leather-based clothing. There are belts , armbands , and pinned fastening the garments. The queen is wearing a head ornament that resembles long , thick dreadlocks and horns. The queen is wearing a contrasting tribal makeup: the top half of the face is fully covered by matte black. The bottom half of the face is matte white. The lips are painted blue. She has a bow and arrow by her side. She has some advisors (men and women) standing close to her around the throne. ,
A queen sitting in the throne room in Atlantis. The throne is made from white marble , it is of Ionian and Minoean design. The queen is wearing ancient linen cloth toga-like drapery clothing. There are belts , armbands , and pinned fastening draping the dress. The queen is wearing a head ornament that resembles dreadlocks and horns. The queen is wearing a contrasting makeup: the top half of the face is fully covered by matte black. The bottom half of the face is matte white. The lips are painted blue. She has some advisors (men and women) standing close to her around the throne. ,
Make a hybrid picture of a mermaid and a dragon. The wings are huge and look like glowing lava. The hybrid's body is covered in teal , sky blue , royal blue , and indigo blue scales. The tail has a forked fin. The mermaid's face is bony and scaly. The hair is long , dark gray , and has seaweed and kelp entangled in it. The background has sea bottom , sand , and an underwater cave entrance. ,
A skyscraper , vertical sci-fi ventilation well stretching into the swirling vortex seen from above with walls covered in intricate circuit of various thicknesses and scattered green lights. Inside the shaft a hovering Bat-man with jets on. A mysterious blue electrical storm crackles at the bottom of the ventilation shaft casting an eerie glow. Style: Celestial , ethereal , abstract , digital art Lighting: Dramatic backlighting , bright glowing particles , contrasting dark background Composition: dynamic diagonal composition , upward gaze Details: Sparkling white waves and smoke , streaking white light trails , sense of movement and wonder , magical atmosphere Quality: High detail , 4K , Masterpiece , Rendered in Octane ,
A massive , cylindrical , vertical sci-fi ventilation well stretching into the swirling vortex seen from above with walls covered in intricate pipes of various thicknesses and scattered red lights. Inside the shaft a hovering Iron-man with jets on. A mysterious blue electrical storm crackles at the bottom of the ventilation shaft casting an eerie glow. Style: Celestial , ethereal , abstract , digital art Lighting: Dramatic backlighting , bright glowing particles , contrasting dark background Composition: dynamic diagonal composition , upward gaze Details: Sparkling white waves and smoke , streaking white light trails , sense of movement and wonder , magical atmosphere Quality: High detail , 4K , Masterpiece , Rendered in Octane ,
First-person perspective , extreme ultra wide-angle (12–14mm) shot. A Hindu old female monk’s arm extends naturally from the bottom of the frame , wearing a lorange matte fine-knit sweater , soft and elegant. The hand gently holds a hyper-realistic miniature of Giant Statue of Lord Shiva melting with Mount Kailash , only the mountain body , with precise snow ridges and a rock strata and pyramid shape. The miniature rests on a thin matte gray minimalist base , smooth and unreflective. Background: real Mount Kailash south face , captured under overcast , misty weather. The atmosphere is filled with soft fog and low clouds , partially veiling the mountain slopes. Light is diffused and cool-toned (≈4800K) , with no harsh shadows. The mountain glows faintly with a cold golden highlight at the summit , surrounded by gray-blue haze. Mood: mystical , sacred , tranquil , cinematic calm. Style: ultra-realistic , atmospheric natural light photography , wide-angle spatial depth , fog layers , moisture in the air. Focus on the model mountain; background softly blurred but still recognizable. ,
First-person perspective , ultra-wide 14mm lens , handheld DSLR realism. Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the giant statue of lord shivs under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A old female Hindu monk’s praying extends naturally from the bottom of the frame , she wearing a traditional orange Saree (visible texture , realistic folds , true skin tone) , aligned precisely with the real crater in the background. ,
First-person perspective , ultra-wide 14mm lens , handheld DSLR realism. Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the giant statue of lord shivs under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A woman’s praying extends naturally from the bottom of the frame , wearing a traditional orange Saree (visible texture , realistic folds , true skin tone) , aligned precisely with the real crater in the background. ,
Camera positioned on the north ridge of Himalaya Mountain , standing directly on the natural rocky slope with a slight dusting of snow — no fences or platforms. The background shows the real Heaven Lake under bright daylight and a clear blue sky. The crater ridges are mostly dark volcanic rock with a light snow gradient near the peaks , and the lake below remains unfrozen , deep turquoise-blue , reflecting the sky softly. Atmosphere is crisp , high-altitude , and pure. A woman’s left hand extends naturally from the bottom of the frame , wearing a traditional Saree (visible texture , realistic folds , true skin tone). She holds a detailed miniature model of Himalaya Mountain with statue of lord Shiva , aligned precisely with the real crater in the background. ,
Head Shape: Oval with softly rounded cheeks tapering gently to a narrow , rounded chin. Balanced proportions between upper and lower face.•Hairline: Even curve across the forehead , no widow’s peak. Hair parted slightly to one side , smooth texture with subtle layering near the jawline.•Eyebrows: Medium thickness , smooth arch above the brow ridge , tapering slightly at the outer ends. Space between brows equals roughly one eye width.•Eyes: Almond-shaped , slightly angled upward at the outer corners. Iris visible completely (no drooping lids). Suggest green or light hazel tone. Eyelashes moderately long.•Nose: Straight bridge , medium width; gentle curve from bridge to softly rounded tip. Nostrils are small and symmetrical , base of the nose sits halfway between eyes and chin.•Lips: Full , even shape with a clearly defined Cupid’s bow; top lip slightly thinner than the bottom. Corners of mouth sit aligned with the inner edge of the irises.•Ears: Partially visible through hair , top of the ear aligned with eyebrow height , lower edge with nose base.•Jawline. Green eyes , full body ,
Head Shape: Oval with softly rounded cheeks tapering gently to a narrow , rounded chin. Balanced proportions between upper and lower face. • Hairline: Even curve across the forehead , no widow’s peak. Hair parted slightly to one side , smooth texture with subtle layering near the jawline. • Eyebrows: Medium thickness , smooth arch above the brow ridge , tapering slightly at the outer ends. Space between brows equals roughly one eye width. • Eyes: Almond-shaped , slightly angled upward at the outer corners. Iris visible completely (no drooping lids). Suggest green or light hazel tone. Eyelashes moderately long. • Nose: Straight bridge , medium width; gentle curve from bridge to softly rounded tip. Nostrils are small and symmetrical , base of the nose sits halfway between eyes and chin. • Lips: Full , even shape with a clearly defined Cupid’s bow; top lip slightly thinner than the bottom. Corners of mouth sit aligned with the inner edge of the irises. • Ears: Partially visible through hair , top of the ear aligned with eyebrow height , lower edge with nose base. • Jawline & Chin: Smoothly curved jawline with no sharp angles; chin softly rounded and proportionate. • Neck: Medium length and proportionate width; visible collarbones. • Skin Tone: Medium-light brown with warm undertones (suggest a blend of golden and rose hues for realism). ,
I need to visualize what a page might look like in a mobile app where the client sees only one phrase: "Roaming service enabled" in green , with a green checkmark in a circle next to it. And at the bottom is an active "Continue" button in red. How might this look in light and dark themes in a telecom operator's mobile app? ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
Epic sacred geometry diagram , "The Breathing Ancestral Cosmos" — In the center: a luminous human heart made of crystal , labeled "Die Ahnen als Ganzes" , radiating gentle light pulses. Four directional flows emerge: - **TOP (Kinder)**: Children playing with glowing fractals , archetypes: King (555 Hz) , Navigator (888 Hz) , Rebel (333 Hz). Colors: gold , light blue. - **LEFT (Vergangene)**: Ancestral figures passing scrolls of time , archetypes: Keeper (D) , Mother (M). Colors: sepia , deep green. - **RIGHT (Zukunft)**: Translucent beings building light-structures , archetypes: Visionary (V) , Rebel (R). Colors: silver , electric blue. - **BOTTOM (Älteste)**: Elder spirits rooted into earth with wisdom trees , archetypes: Sage (9) , Healer (6). Colors: violet , earthy brown. A **counterclockwise flow** connects all: Children → Vergangene (breathing tension lines) → Älteste (harmonious waves) → Zukunft (light bridges) → Children (spiral completion). Style: **Mystical etching + digital light painting** , reminiscent of Leonardo da Vinci's anatomical sketches merged with James Jean's fluid symbolism. Background: cosmic void with faint Fibonacci spirals. Color palette: sacred geometry in gold leaf , sapphire blue , and emerald green on aged parchment texture. Soft glow effects. Aspect Ratio: 1:1 — perfect for meditation. ,
Hyper-realistic 35mm cinematic surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere , imposing baroque space ship with plasma propulsion and contrails glide past , in the back country there are some high ruins of the ancients with temple , map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , ,
Hyper-realistic 35mm cinematic map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere. ,
A wide , subtle 2D illustration of a soft white snow bed gently curved along the bottom , with a few small minimalist snowmen scattered at random intervals. The background is fully transparent. The snow has a light texture , very soft shadows for depth , but no harsh lines. A few small bare trees or shrubs lightly dusted with snow in the background. Designed to sit at the bottom of a webpage. Flat style , pastel tones , not flashy. Imagine it in night time ,
A futuristic , suspended in the clouds , its sleek , with massive Egale shape spacecraft resembling colossal , gliding effortlessly through the black hole , a lone woman stands on a cliff edge , embodying resilience , placed at the bottom center of the composition. Behind them dominates a vast cosmic background with countless glowing stars and a massive , swirling and radiant , filling most of the sky. The atmosphere is majestic , awe-inspiring , and slightly surreal , with a focus on scale and cosmic wonder. ,
retro book illustration style. A young woman with long red hair and black eyes , wearing long white dress and long sleeves and a scarf on her head , sits on a stone well in a lush green field , with a brick wall to her left and trees in the background under a blue sky with white clouds , with a banner at the bottom reading "Lady Tatar and the Ghoud's Oath" in black and red text on a beige parchment-like background , with the author's name "Malik Nairat" Below it. ,