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Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical organic etching combined with digital light painting by Leonardo da Vinci and James Jean , a sacred circular diagram of ancestral energy flows: at the center a luminous crystalline heart radiating soft pulses , four directional streams emerging - top: children figures playing with glowing fractal seeds , left: ancestral silhouettes passing ethereal scrolls of time , right: translucent future beings weaving light structures , bottom: elder spirits rooted into earth with wisdom trees , all connected by a gentle counterclockwise flow of energy , cosmic background with subtle fibonacci spirals , gold leaf and deep emerald green color palette on textured parchment , soft volumetric lighting , circular composition , masterpiece , intricate details , symbolic storytelling without text ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
mystical etching with digital light painting by Leonardo da Vinci and James Jean , a sacred geometry diagram showing "The Breathing Ancestral Cosmos" with crystalline heart center labeled "Die Ahnen als Ganzes" , four directional flows with children playing with fractals (top) , ancestral figures passing scrolls (left) , translucent future beings building light-structures (right) , elder spirits rooted with wisdom trees (bottom) , counterclockwise connecting energy flow , cosmic void background with faint Fibonacci spirals , gold leaf and sapphire blue color palette on aged parchment , dramatic volumetric lighting , circular composition , masterpiece , best quality , high resolution , highly detailed , professional etching style ,
Epic sacred geometry diagram , "The Breathing Ancestral Cosmos" — In the center: a luminous human heart made of crystal , labeled "Die Ahnen als Ganzes" , radiating gentle light pulses. Four directional flows emerge: - **TOP (Kinder)**: Children playing with glowing fractals , archetypes: King (555 Hz) , Navigator (888 Hz) , Rebel (333 Hz). Colors: gold , light blue. - **LEFT (Vergangene)**: Ancestral figures passing scrolls of time , archetypes: Keeper (D) , Mother (M). Colors: sepia , deep green. - **RIGHT (Zukunft)**: Translucent beings building light-structures , archetypes: Visionary (V) , Rebel (R). Colors: silver , electric blue. - **BOTTOM (Älteste)**: Elder spirits rooted into earth with wisdom trees , archetypes: Sage (9) , Healer (6). Colors: violet , earthy brown. A **counterclockwise flow** connects all: Children → Vergangene (breathing tension lines) → Älteste (harmonious waves) → Zukunft (light bridges) → Children (spiral completion). Style: **Mystical etching + digital light painting** , reminiscent of Leonardo da Vinci's anatomical sketches merged with James Jean's fluid symbolism. Background: cosmic void with faint Fibonacci spirals. Color palette: sacred geometry in gold leaf , sapphire blue , and emerald green on aged parchment texture. Soft glow effects. Aspect Ratio: 1:1 — perfect for meditation. ,
Hyper-realistic 35mm cinematic surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere , imposing baroque space ship with plasma propulsion and contrails glide past , in the back country there are some high ruins of the ancients with temple , map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , ,
Hyper-realistic 35mm cinematic map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere. ,
A wide , subtle 2D illustration of a soft white snow bed gently curved along the bottom , with a few small minimalist snowmen scattered at random intervals. The background is fully transparent. The snow has a light texture , very soft shadows for depth , but no harsh lines. A few small bare trees or shrubs lightly dusted with snow in the background. Designed to sit at the bottom of a webpage. Flat style , pastel tones , not flashy. Imagine it in night time ,
A futuristic , suspended in the clouds , its sleek , with massive Egale shape spacecraft resembling colossal , gliding effortlessly through the black hole , a lone woman stands on a cliff edge , embodying resilience , placed at the bottom center of the composition. Behind them dominates a vast cosmic background with countless glowing stars and a massive , swirling and radiant , filling most of the sky. The atmosphere is majestic , awe-inspiring , and slightly surreal , with a focus on scale and cosmic wonder. ,
retro book illustration style. A young woman with long red hair and black eyes , wearing long white dress and long sleeves and a scarf on her head , sits on a stone well in a lush green field , with a brick wall to her left and trees in the background under a blue sky with white clouds , with a banner at the bottom reading "Lady Tatar and the Ghoud's Oath" in black and red text on a beige parchment-like background , with the author's name "Malik Nairat" Below it. ,
black and white line drawing , A4 poster style , large decorative title "ALICE IN WONDERLAND" on top , central composition: an anxious anthropomorphic rabbit in vest and spectacles holding a pocket watch jumping to the right , Alice in a dress looking up at him from below , giant mushrooms with spots in bottom corners , a melting clock hanging on a branch in top right corner , playing cards (hearts , spades) falling from the sky and on the ground , generous blank areas on the left and right sides for text , clean bold black lines , pure white background , no shadows , no grey , --ar 2:3 ,
black and white line drawing , A4 poster style , large decorative title "ALICE IN WONDERLAND" on top , central composition: an anxious anthropomorphic rabbit in vest and spectacles holding a pocket watch jumping to the right , Alice in a dress looking up at him from below , giant mushrooms with spots in bottom corners , a melting clock hanging on a branch in top right corner , playing cards (hearts , spades) falling from the sky and on the ground , generous blank areas on the left and right sides for text , clean bold black lines , pure white background , no shadows , no grey , --ar 2:3 ,
black and white line drawing , A4 poster style , large decorative title "ALICE IN WONDERLAND" on top , central composition: an anxious anthropomorphic rabbit in vest and spectacles holding a pocket watch jumping to the right , Alice in a dress looking up at him from below , giant mushrooms with spots in bottom corners , a melting clock hanging on a branch in top right corner , playing cards (hearts , spades) falling from the sky and on the ground , generous blank areas on the left and right sides for text , clean bold black lines , pure white background , no shadows , no grey , --ar 2:3 ,
Double exposure digital art of a princess silhouette with a katana in her hands surrounded in profile , filled with a the bodies of her enemies that she had fallen them in battle abstract Holographic Interference style. The top half features towering neon-lit skyscrapers with holographic advertisements , glowing in electric orange and yellow tones. Inside the silhouette , a small princess with a katana in her hand through rain-soaked streets toward a glowing data terminal. The bottom transitions into dark purple and teal circuit board patterns , forming digital roots and technological textures. Flying cars and drones in the background. High contrast , neon-lit , detailed , atmospheric , cinematic , digital noise texture , concept art style. ,
Split Images: A dramatic portrait of a human face (view towards camera) split in half , one side realistic Spider-Man face , the other side made of black Venom face. The face is split down the middle by a jagged , black line , reminiscent of a lightning bolt or a crack in the earth. Placed dead center near the bottom in metallic , beveled block letters. "VS." is oversized and sharp , glowing faintly like a blade’s edge. Nintendo Red for “Spider man” and Sega Blue for “Venom” with the “VS.” split down the middle in a gradient clash of both colors. Midground: Behind the split face , a massive sand tornado swirls , its colors inspired by the aurora borealis. The colors shift and change , with hues of green , purple , and pink dancing across the sand. The tornado is adorned with intricate , glowing patterns inspired by indigenous Egyptian and Arab cultures , such as hieroglyphs , geometric designs , and stylized animal motifs. Background: A caravan of ancient Arabs , complete with camels and belongings , travels towards the sand tornado. The caravan is led by a charismatic figure , dressed in traditional Arab attire , who holds a staff adorned with glowing , mystical symbols. ,
*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIR THE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM. AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG #PAUL" IN RED. REINFORCING THE IDENTITY THEME. THE YOUNG MAN'S ATTIRE , A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN COLLAR , ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET , WHILE THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES , CREATING A COHESIVE , HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY. PHOTOREALISTIC , SHALLOW DEPTH OF FIELD , HIGH-RESOLUTION DSLR QUALITY , HASSELBLAD X2D 100C , SHALLOW DEPTH OF FIELD , SHARPLY FOCUSED ON ME. 4:5 ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC , HYPER DETAILED* ,
*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIR THE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM. AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG #PAUL" IN RED. REINFORCING THE IDENTITY THEME. THE YOUNG MAN'S ATTIRE , A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN COLLAR , ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET , WHILE THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES , CREATING A COHESIVE , HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY. PHOTOREALISTIC , SHALLOW DEPTH OF FIELD , HIGH-RESOLUTION DSLR QUALITY , HASSELBLAD X2D 100C , SHALLOW DEPTH OF FIELD , SHARPLY FOCUSED ON ME. 4:5 ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC , HYPER DETAILED* ,
