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low six-wheeled platform with 3 wheels on each side , armored body , segmented into four parts. Four turrets in the form of machine guns , which have a belt with cartridges instead of a magazine. The first turret is directed forward to the right and up , the second turret is directed forward to the left and the horizon , the third turret is directed back slightly to the right and up , the fourth turret is directed back to the left and slightly up. Increased detail of the mechanisms Miniature video cameras with protective glazing are located on each turret There are guidance mechanisms Environment (forest-steppe) Multi-level grass Individual trees and small groves Compressed grass under equipment , natural shadows Technical details: Soft daylight Shadows from equipment Light glare on metal Perspective Top-down view at an angle Foreground detailing Additional elements Wheel tracks Small landscape details ,
Six-wheeled platform with 3 wheels on each side , armored hullFour turrets in the form of belt machine guns , directed in different directionsRealistic armor textureDetailing of mechanismsMiniature video cameras with protective glass on each turretGuidance mechanismsEnvironment (forest-steppe)Grass of different levelsIndividual trees and small grovesCompressed grass under equipment , natural shadowsTechnical details:Soft daylightShadows from equipmentLight glare on metalPerspectiveTop-down view at an angleDetailing of the foregroundAdditional elementsTreads from wheelsSmall landscape details ,
Six-wheeled platform with 3 wheels on each side , armored hull Four turrets in the form of belt machine guns , directed in different directions Realistic armor texture Detailing of mechanisms Miniature video cameras with protective glass on each turret Guidance mechanisms Environment (forest-steppe) Grass of different levels Individual trees and small groves Compressed grass under equipment , natural shadows Technical details: Soft daylight Shadows from equipment Light glare on metal Perspective Top-down view at an angle Detailing of the foreground Additional elements Treads from wheels Small landscape details ,
I teach in a secondary school. A few years ago I was called to a meeting together with some of my female colleagues and we were told that some pupils were being kept out of class because they had been caught using phone cameras to look up teachers' skirts.They'd been working as a team - one pupil would call the teacher over to ask a question , and while she was leaning over the table or otherwise engaged in answering that question somebody else would kick the phone across the floor while it was filming up her dress ,
I teach in a secondary school. A few years ago I was called to a meeting together with some of my female colleagues and we were told that some pupils were being kept out of class because they had been caught using phone cameras to look up teachers' skirts.They'd been working as a team - one pupil would call the teacher over to ask a question , and while she was leaning over the table or otherwise engaged in answering that question somebody else would kick the phone across the floor while it was filming up her seethru sundress ,
I teach in a secondary school. A few years ago I was called to a meeting together with some of my female colleagues and we were told that some pupils were being kept out of class because they had been caught using phone cameras to look up teachers' skirts.They'd been working as a team - one pupil would call the teacher over to ask a question , and while she was leaning over the table or otherwise engaged in answering that question somebody else would kick the phone across the floor while it was filming her seethru pantys ,
I teach in a secondary school. A few years ago I was called to a meeting together with some of my female colleagues and we were told that some pupils were being kept out of class because they had been caught using phone cameras to look up teachers' skirts. They'd been working as a team - one pupil would call the teacher over to ask a question , and while she was leaning over the table or otherwise engaged in answering that question somebody else would kick the phone across the floor while it was filming - then they were taking stills from the film and uploading them on the internet. ,
The moment the towering , hyper-muscular blondes strike their jaw-dropping flex in front of the growing crowd , dozens of phones and high-end cameras capture it from every angle. The larger woman , holding the freshly bent 2-inch steel bar like a trophy , raises one arm into a slow , confident bicep flex. Her rival mirrors the pose beside her , both women smiling — proud , radiant , colossal. Within hours , the footage hits social media: a 12-second slow-motion clip captioned , *“WHO ARE THESE WOMEN?!”* goes viral across every platform. News outlets pick it up , splashing the image across screens with headlines like: **“SUPERHUMAN MUSCLE GODDESSES SHOCK RESORT GUESTS”** **“IS THIS REAL? Experts Analyze Viral Muscle Giants”** **“GENETIC MIRACLE? OR SOMETHING ELSE?”** In the background , beachgoers freeze mid-step. Some scream. Some cheer. One man is seen dropping his drink in awe as the taller woman’s muscles visibly ripple during the flex. Her bikini top creaks audibly under the pressure but holds. Light reflects off her sweat-covered , deeply striated body like polished stone. Her expression: a calm , amused smirk — as if she knew the world would notice eventually. A CNN-style lower third flashes across a photoreal frame: **BREAKING: MASSIVE WOMEN BEND STEEL WITH BARE HANDS — REAL OR CGI?** The screen shows split images: one flexing , the other mid-growth surge. Scientists , influencers , gym fanatics , and talk show hosts begin weighing in. Shot on RED Komodo 6K and Canon EOS R5 , 35mm and 50mm mixed footage , drone overhead cutaways , 8K downscaled to 4K for broadcast. Photorealistic , cinematic depth , news banner overlays , glowing phone screens , HDR skin highlights , social media UI overlays subtly visible in composite frames. --no cartoon , anime , painting , nudity , blur , distortion , over-stylization , uncanny rendering , low detail ,
The two towering , hyper-muscular blonde women now stand side by side on the poolside patio , the steel beam split in half at their feet. Their bodies are beyond belief — skin shimmering under the hot sun , vascularity pulsing like lightning beneath the surface , and every striated muscle group flexed to grotesque perfection. They lock eyes and simultaneously raise their arms into matching front double biceps poses — a full-body power display that causes the very air around them to feel electric. Their arms swell wide enough to cast long shadows behind them , each bicep peak thick with impossible size , triceps flaring outward like slabs of steel. Their shoulders are round and splitting with detail , backs flared massively , and their chests surge forward , tightly contained under barely-there bikinis — gold and silver fabric holding firm despite their exaggerated curves. Their legs are flexed too , quads carved with deep grooves , calves wide and rock-solid. Both women grin proudly , reveling in the moment. The torn remnants of fishnet sleeves dangle from their wrists. Drops of sweat roll down their sculpted bodies. Behind them , the pool sparkles and a palm tree casts a jagged shadow over their titanic forms. The sound of cameras clicking echoes faintly in the background — though they pay no attention. This flex is for them. For dominance. For glory. Shot on Canon EOS R5 , 35mm f/1.4 lens , ISO 100 , f/1.6 , 1/1600 shutter speed. 8K ultra-photorealistic , cinematic depth of field , razor-sharp anatomical detail , skin pores and sweat beads visible , muscle striations hyper-defined , rich golden hour HDR lighting. --no cartoon , anime , illustration , stylization , blur , nudity , distortions , smoothing , uncanny rendering ,
A BB model walking down a fashion runway , surrounded by flashing cameras and enthusiastic fans. She wears an elegant haute couture dress with intricate lace details , and her pose is graceful and confident. The artwork is done in an art deco style with sleek lines and geometric patterns. There are no blurred images or cluttered composition. Art by Tamara de Lempicka , Paul Iribe , and Erté. Mood: Glamorous , sophisticated. Medium: Illustration. Removed Elements: Avoid too many colors or patterns. --ar 9:16 --v 5. ,
Create a visually appealing ad for the sale of mobile phones inspired by Grand Theft Auto V. Highlight multiple models of phones (such as XYZ2000 , ABC3000) , showcase the key features of the phones (like sleek designs , high-resolution cameras , long battery life) , and include any special promotions or discounts if applicable (e.g. , 20% off for a limited time). Additionally , incorporate the seller's contact information , such as the website , phone number , or store address , using the iconic style of Grand Theft Auto V as inspiration. ,