AI Image Prompts for Grey
Explore AI generated designs, images, art and prompts by top community artists and designers.
Orcinus Megalsaurus is a colossal marine hybrid stretching between 40 to 60 feet in length , weighing an imposing 50 to 75 tons. Its body is a streamlined fusion of powerful marine predators and ancient reptiles , designed for both speed and durability. Head & Jaws: Massive and robust jaws reminiscent of Mosasaurus Hoffmannii , lined with dozens of large , serrated teeth capable of slicing through the toughest prey. The jaw muscles are reinforced for crushing power , with an agile , flexible skull allowing it to swallow large creatures whole. Body: Covered in overlapping , bony , and tough Arapaima-inspired scales that provide formidable protection while maintaining flexibility for swift movement. The coloration is a gradient of deep oceanic blues and dark greys , with subtle mottled patterns for camouflage in deep waters. Spines & Armor: Sprouting venomous , long , sharp spines along its dorsal ridge , inspired by the Crown-of-Thorns starfish , these spines serve as both defense and offense , delivering painful , venomous wounds to predators or prey. Flippers & Tail: Enormous paddle-like front flippers derived from Archelon Ischyros , granting powerful swimming strokes. Its tail is flattened and ends in a strong fluke like the Mosasaurus , enabling bursts of speed up to 82 mph , matching the fastest sea animals. The tail's blubber and flexible musculature provide a springlike propulsion effect. Skin & Blubber: Beneath the scales lies a thick layer of dolphin-like blubber , providing insulation , buoyancy , and rapid healing properties. This blubber contains antimicrobial compounds that prevent infection from wounds and smooth the skin for hydrodynamic efficiency. Sensory & Communication: Equipped with the acute echolocation and vocalization abilities of Bigg’s Killer Whales , Orcinus Megalsaurus uses short-range , stealthy communication to coordinate ambush attacks. Its hearing and sonar are highly advanced , allowing it to detect prey at great distances. Mucus Secretion: When threatened , it can release a thick mucus cloud inspired by the Atlantic hagfish , confusing predators and protecting its skin from abrasion and parasites. Locomotion on Land: Although primarily aquatic , it can scoot or slide on land for short distances , using its powerful flippers akin to a leopard seal , allowing it to traverse beaches or shallow coasts. Regeneration: Thanks to the axolotl gene integration , Orcinus Megalsaurus can regenerate lost limbs , spines , and even parts of its internal organs , making it extraordinarily resilient. Abilities: Speed & Agility: Capable of reaching speeds of 45 to 82 mph in short bursts , making it one of the fastest marine predators ever. Its rigid pectoral fins can be tilted back like a black marlin to reduce drag during high-speed chases. Venomous Defense: Venomous spines deter attackers and can incapacitate prey or enemies with painful wounds. Stealth & Teamwork: Utilizes orca-like stealth and coordinated hunting tactics , ambushing prey with precision and communication that avoids detection. Healing & Immunity: Blubber layer accelerates wound healing and provides antimicrobial defense , ensuring survival from injuries sustained during hunts or fights. Mucus Defense: Can deploy mucus clouds to escape or confuse predators and parasites. Environmental Adaptability: Tolerates a wide range of salinity , from freshwater estuaries to deep oceanic waters , allowing it to exploit diverse hunting grounds. ,
Orcinus Megalsaurus is a colossal marine hybrid stretching between 40 to 60 feet in length , weighing an imposing 50 to 75 tons. Its body is a streamlined fusion of powerful marine predators and ancient reptiles , designed for both speed and durability. Head & Jaws: Massive and robust jaws reminiscent of Mosasaurus Hoffmannii , lined with dozens of large , serrated teeth capable of slicing through the toughest prey. The jaw muscles are reinforced for crushing power , with an agile , flexible skull allowing it to swallow large creatures whole. Body: Covered in overlapping , bony , and tough Arapaima-inspired scales that provide formidable protection while maintaining flexibility for swift movement. The coloration is a gradient of deep oceanic blues and dark greys , with subtle mottled patterns for camouflage in deep waters. Spines & Armor: Sprouting venomous , long , sharp spines along its dorsal ridge , inspired by the Crown-of-Thorns starfish , these spines serve as both defense and offense , delivering painful , venomous wounds to predators or prey. Flippers & Tail: Enormous paddle-like front flippers derived from Archelon Ischyros , granting powerful swimming strokes. Its tail is flattened and ends in a strong fluke like the Mosasaurus , enabling bursts of speed up to 82 mph , matching the fastest sea animals. The tail's blubber and flexible musculature provide a springlike propulsion effect. Skin & Blubber: Beneath the scales lies a thick layer of dolphin-like blubber , providing insulation , buoyancy , and rapid healing properties. This blubber contains antimicrobial compounds that prevent infection from wounds and smooth the skin for hydrodynamic efficiency. Sensory & Communication: Equipped with the acute echolocation and vocalization abilities of Bigg’s Killer Whales , Orcinus Megalsaurus uses short-range , stealthy communication to coordinate ambush attacks. Its hearing and sonar are highly advanced , allowing it to detect prey at great distances. Mucus Secretion: When threatened , it can release a thick mucus cloud inspired by the Atlantic hagfish , confusing predators and protecting its skin from abrasion and parasites. Locomotion on Land: Although primarily aquatic , it can scoot or slide on land for short distances , using its powerful flippers akin to a leopard seal , allowing it to traverse beaches or shallow coasts. Regeneration: Thanks to the axolotl gene integration , Orcinus Megalsaurus can regenerate lost limbs , spines , and even parts of its internal organs , making it extraordinarily resilient. Abilities: Speed & Agility: Capable of reaching speeds of 45 to 82 mph in short bursts , making it one of the fastest marine predators ever. Its rigid pectoral fins can be tilted back like a black marlin to reduce drag during high-speed chases. Venomous Defense: Venomous spines deter attackers and can incapacitate prey or enemies with painful wounds. Stealth & Teamwork: Utilizes orca-like stealth and coordinated hunting tactics , ambushing prey with precision and communication that avoids detection. Healing & Immunity: Blubber layer accelerates wound healing and provides antimicrobial defense , ensuring survival from injuries sustained during hunts or fights. Mucus Defense: Can deploy mucus clouds to escape or confuse predators and parasites. Environmental Adaptability: Tolerates a wide range of salinity , from freshwater estuaries to deep oceanic waters , allowing it to exploit diverse hunting grounds. ,
Orcinus Megalsaurus is a colossal marine hybrid stretching between 40 to 60 feet in length , weighing an imposing 50 to 75 tons. Its body is a streamlined fusion of powerful marine predators and ancient reptiles , designed for both speed and durability. Head & Jaws: Massive and robust jaws reminiscent of Mosasaurus Hoffmannii , lined with dozens of large , serrated teeth capable of slicing through the toughest prey. The jaw muscles are reinforced for crushing power , with an agile , flexible skull allowing it to swallow large creatures whole. Body: Covered in overlapping , bony , and tough Arapaima-inspired scales that provide formidable protection while maintaining flexibility for swift movement. The coloration is a gradient of deep oceanic blues and dark greys , with subtle mottled patterns for camouflage in deep waters. Spines & Armor: Sprouting venomous , long , sharp spines along its dorsal ridge , inspired by the Crown-of-Thorns starfish , these spines serve as both defense and offense , delivering painful , venomous wounds to predators or prey. Flippers & Tail: Enormous paddle-like front flippers derived from Archelon Ischyros , granting powerful swimming strokes. Its tail is flattened and ends in a strong fluke like the Mosasaurus , enabling bursts of speed up to 82 mph , matching the fastest sea animals. The tail's blubber and flexible musculature provide a springlike propulsion effect. Skin & Blubber: Beneath the scales lies a thick layer of dolphin-like blubber , providing insulation , buoyancy , and rapid healing properties. This blubber contains antimicrobial compounds that prevent infection from wounds and smooth the skin for hydrodynamic efficiency. Sensory & Communication: Equipped with the acute echolocation and vocalization abilities of Bigg’s Killer Whales , Orcinus Megalsaurus uses short-range , stealthy communication to coordinate ambush attacks. Its hearing and sonar are highly advanced , allowing it to detect prey at great distances. Mucus Secretion: When threatened , it can release a thick mucus cloud inspired by the Atlantic hagfish , confusing predators and protecting its skin from abrasion and parasites. Locomotion on Land: Although primarily aquatic , it can scoot or slide on land for short distances , using its powerful flippers akin to a leopard seal , allowing it to traverse beaches or shallow coasts. Regeneration: Thanks to the axolotl gene integration , Orcinus Megalsaurus can regenerate lost limbs , spines , and even parts of its internal organs , making it extraordinarily resilient. Abilities: Speed & Agility: Capable of reaching speeds of 45 to 82 mph in short bursts , making it one of the fastest marine predators ever. Its rigid pectoral fins can be tilted back like a black marlin to reduce drag during high-speed chases. Venomous Defense: Venomous spines deter attackers and can incapacitate prey or enemies with painful wounds. Stealth & Teamwork: Utilizes orca-like stealth and coordinated hunting tactics , ambushing prey with precision and communication that avoids detection. Healing & Immunity: Blubber layer accelerates wound healing and provides antimicrobial defense , ensuring survival from injuries sustained during hunts or fights. Mucus Defense: Can deploy mucus clouds to escape or confuse predators and parasites. Environmental Adaptability: Tolerates a wide range of salinity , from freshwater estuaries to deep oceanic waters , allowing it to exploit diverse hunting grounds. ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
NSFW , trashy , older woman , full body shot , (UHD Image)) , breeder , (long thin legs , round belly , messy grey and blonde hair , up in an 60's style , she is wearing colourful , short , low cut , 60's style mini dress , with knee high boots , smoking a cig in her trailer home , ((her eyes are both open)) , she has long skinny legs and a big belly , saggy , (high quality) , (detailed) , (masterpiece) , (best quality) , (life like) , (highres) , (8k) , (3D) , photo realistic , ,
Highly detailed black and grey drawing , hyper-realistic and artistic. Composition for outer bicep and shoulder flow. Central figure: traditional Thai Buddha seated in the “Thinking pose” — head gently resting in his hand , elbow on a raised knee , eyes closed , compassionate and peaceful expression. Feminine and graceful features , spiral hair curls , long earlobes , soft flowing silk robe with subtle shading and elegant folds. Around and behind him , a majestic Thai Naga serpent in flowing motion. The Naga has a sacred presence: long sinuous body , divine dragon head with a triple flame-shaped crown , arched flame eyebrows , large mystical eyes , fin-shaped ears , and long whiskers floating in the air. Its body coils protectively in an “S” shape around the Buddha , textured with finely detailed overlapping scales , flowing naturally with the curves of the composition. Background: subtle 3-level Thai pagoda with elegant architectural detail , placed in the top corner , softly shadowed to suggest depth. Floating throughout: drifting Japanese cherry blossom petals , soft and ethereal , adding spiritual motion. Drawing style: clean pencil or black ink , soft shadows , ultra-defined textures (silk , scale , wood , stone). No tattoo effect , no color , no skin texture. Pure linework and shading. Artistic , harmonious , balanced , anatomical logic respected. Light feminine touch and sacred calm atmosphere. ,
Intricate black and grey drawing , highly detailed and semi-realistic , designed as an advanced preparatory sketch for a tattoo. Full composition for outer bicep and shoulder. Central figure: traditional Thai Buddha , seated with one knee raised , head gently tilted to the side , serene and enlightened expression. Elegant drapery on his robe , with soft fabric folds and subtle shadows. Behind him , a majestic Thai Naga: a serpentine dragon with multiple ornate horns , sharp fangs , long finned whiskers , richly detailed scales and textured coils. The Naga winds behind the Buddha in an S-curve , dynamic and flowing , with sense of spiritual protection. Background: a delicate , elegant three-tier Thai pagoda , visible over the Buddha’s shoulder , with ornate roof details , curved tips , and shaded wood textures. Floating throughout the composition: soft , drifting Japanese cherry blossom petals , bringing poetic movement and lightness. The composition is harmonious , flowing with anatomical curves of the bicep and shoulder. Clear visual hierarchy , deep contrast , strong shading to emphasize volumes and textures. Drawing style: black and grey ink sketch , with high-definition pencil-like linework , bold outlines mixed with soft shading. No color. Not a tattoo render — pure art drawing with anatomical logic , atmospheric depth and rich symbolic detail. --- 🐉 Bonus — description précise du Naga thaïlandais : > The Thai Naga is a mythical serpent-dragon hybrid. It has a long , sinuous body like a snake , but with a fierce dragon face , a crown-like horned crest , flame-like eyebrows , and flowing fin-like ears. Its body is covered in symmetrical , overlapping scales , often detailed like fish or dragon scales. It exudes motion and power , and often coils with flowing elegance. Unlike Chinese dragons , it has a more divine and protective presence , often associated with water and temple guardianship. ,
> Black and grey high-resolution drawing , highly detailed and semi-realistic — not a tattoo render but a clean , refined artwork for preparatory tattoo design. No color , pure pencil or ink style. Scene composed for outer bicep and shoulder , flowing naturally with muscle curvature. Central figure: traditional Thai Buddha sitting in a relaxed pose , head leaning into his hand , one knee raised , calm and compassionate expression. Classic Thai features: elongated earlobes , stylized spiral hair curls , soft smile , gentle downcast eyes. His robe drapes in realistic folds with soft shading , suggesting silk texture and weight. Behind and around the Buddha , a majestic Thai Naga coils in a dynamic upward S-shape. The Naga is a serpentine mythical creature from Thai Buddhist tradition , combining the grace of a snake with the divine power of a dragon. Its head is large , with a wide open mouth revealing sharp fangs , and flaming , arched eyebrows above intense eyes. It wears a multi-pointed crown or crest , adorned like a deity , with multiple ornate horns rising symmetrically. Two long , fin-like ears flow backwards from the sides of the head , resembling river currents. Its whiskers extend in thin , flowing arcs , adding sacred elegance. The body is long and muscular , covered in highly detailed , overlapping fish-like scales , shaded for volume and realism. As it coils behind the Buddha , its movement suggests both protection and spiritual energy , never overpowering the scene. In the background , above and to the shoulder side , a refined three-tier Thai pagoda or temple rises with gently curved rooflines and fine architectural details. The temple is small in scale to respect depth and balance , like a sacred silhouette above the scene. Floating across the composition: delicate Japanese cherry blossom petals , drifting through the air , adding spiritual poetry and motion. Style: hand-drawn ink or pencil illustration , black and grey only. Clean composition with anatomical logic , deep texture , and light atmospheric background. Emphasis on texture and balance: Buddha’s face: soft stone or skin-like texture Naga’s body: dense , glossy scaled pattern with high contrast Pagoda: wood and stone shading Cherry petals: soft , semi-translucent Composition must remain readable , elegant , and harmonious — suitable as a sacred and artistic foundation for a future tattoo design. ,
Highly detailed black and grey drawing , semi-realistic and elegant. Not a tattoo render — clean illustration , refined and atmospheric. Scene designed for outer bicep/shoulder flow. Center: a graceful Thai Buddha seated with his head resting gently in his hand , elbow on his raised knee. Feminine , benevolent expression , Thai facial features , spiral curls , elongated ears , and flowing robe with realistic silk folds. Coiling protectively around him: a majestic Thai Naga in fluid serpentine motion. The Naga has a divine dragon-serpent body , adorned with a triple crown , flame-shaped eyebrows , large sacred eyes , long floating whiskers , and fin-like ears. Its body flows in elegant S-curves , with finely detailed overlapping scales , coiling beneath the Buddha and arcing behind his back toward the shoulder. Background: a subtle 3-level Thai pagoda with wood and stone detail , partially veiled by mist or distance , adding depth. Throughout the air: drifting Japanese cherry blossom petals , adding movement , softness , and poetic flow. Style: black and grey pencil/ink illustration , soft shading , fine texture , volume and realism. High definition , feminine energy , harmonious balance , no color , no hard lines. Clean background. ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tin secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tin secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tin secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (( dmokingbfigsrett) (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
((70 year old woman)) , ((curvy)) , ((big udders)) ((saggy)) , messy grey and black hair , up in an untidy bun , ((homeless)) , wearing only shorts ((standing alone)) , (in front of her tent) in secluded park , ((n , o other random people)) , ((only one tent)) , she faces the camera , (high quality) , (detailed) , (masterpiece) , (best quality) ,
