Explore AI generated designs, images, art and prompts by top community artists and designers.
A dark , realistic sci-fi scene on the Moon , under a pitch-black sky with no atmosphere , showing a humanoid robot with a worn metallic body in pale gray tones , stumbling forward and gripping lunar rocks for support. The terrain is a desolate lunar valley , covered in gray dust and jagged rocks. The robot’s face is hidden behind a black visor , with glowing cyan-blue LED eyes shining through , casting a faint reflection on its metallic armor. Half-buried in the lunar soil in front of the robot is a human skull , partially exposed among the dust and stones , adding an eerie and mysterious atmosphere. Highly detailed , cinematic lighting , realistic textures , somber and serious tone. ,
A high-tech industrial robotic media production station with multiple articulated arms mounted on a stable mechanical base platform , inspired by advanced industrial manipulators and spider-drone engineering. No humanoid legs or head — instead , a central cylindrical module houses an array of optical sensors , precision lenses , LED light indicators , and integrated holographic projectors. The robot is designed for creative media work , not combat — smooth aerodynamic contours with reduced sharp edges , and numerous embedded holographic and light-based UI elements showing AI interfaces , media timelines , live video feeds , and floating icons of Instagram and YouTube. Each arm has integrated tools: a built-in 8K camera module , a ring light embedded in the arm structure , directional microphones , a fold-out tablet screen , and holographic control panels — all seamlessly part of the mechanical design , not handheld. Premium materials: glossy aviation-grade bright red paint (#FF1C1C) with asphalt-dark gray (#2B2B2B) structural panels , anodized metal joints , carbon fiber inserts , and fine blue-turquoise seam lighting. Ultra-detailed photorealistic textures with bolts , seams , micro-scratches , and realistic reflections. Cinematic lighting with clean white highlights , subtle shadows , and product showcase style — isolated on a transparent background with a soft gradient light spot beneath , as if presented at an Apple/DJI launch. High-poly model , no cartoonish simplification , no text or logos. ,
A high-tech industrial robotic assembly machine with multiple articulated arms in a dynamic crouching pose , inspired by futuristic mecha design. The main robotic body is glossy red with black mechanical segments and orange glowing elements , showing sparks and energy trails from welding or high-speed motion. The surface is clean , high-poly , and ultra-detailed with realistic reflections and subtle wear. The robot is multitasking as a content creator: one arm holds a professional DSLR camera with a lens , another arm operates a glowing holographic keyboard , another arm holds a circular ring light , and one more interacts with floating holograms of Instagram and YouTube icons. Realistic sparks and energy trails emphasize high-speed motion and creativity. No background , transparent background , isolated on transparency. Photorealistic textures , cinematic lighting , ultra-detailed , clean white highlights on robot surfaces , no text or logos. ,
A close-up shot of a Chernobyl liquidator's gas mask , filling the frame with gritty , realistic detail. The mask is worn and authentic , modeled after Soviet-era designs with rounded lenses , thick rubber seals , and heavy straps , covered in ash and grime from the reactor’s fallout. The lenses are the focal point , each glass surface slightly warped and scratched , reflecting the fierce glow of distant fires within the reactor. Flames dance across the curved lenses in shades of red , orange , and intense yellow , creating a haunting , distorted view of the fiery chaos within. Lighting and Shadow Play: The overall lighting is low and moody , with harsh shadows defining the rugged texture of the mask and highlighting its worn , weathered surface. Dim light from a flickering source to the left illuminates the mask partially , casting deep shadows across the rubber surface , creating an ominous , high-contrast look. Hazy backlighting subtly outlines the mask’s contours , adding depth and a sense of foreboding. Atmospheric Details: The air is thick with smoke and radioactive dust , faintly illuminated by the fiery reflection in the lenses. Tiny , glowing particles float through the air , adding to the toxic , dangerous atmosphere. Thin wisps of smoke drift around the mask , softening the edges and giving the scene a ghostly quality. Surface Texture and Wear: The rubber of the mask is cracked and stained , showing the toll of exposure to radiation and extreme heat. Ash and small flecks of debris cling to its surface , adding realism and a gritty feel. Around the edges , faint condensation gathers on the rubber , hinting at the liquidator’s breath inside the suit. Reflection Details in the Lenses: In the mask's lenses , we see reflections of distant fires raging inside the reactor , with structures burning and twisted metal faintly visible in the intense glow. The reflections are slightly distorted , warped by the rounded glass , as if the fires themselves are bending reality. Occasional flickers of light pulse in the reflection , conveying the flickering intensity of the flames. Mood and Composition: The close-up shot emphasizes the isolation , courage , and silent determination of the liquidator. The composition is hauntingly intimate , placing the viewer face-to-face with the mask , capturing the intensity of the task and the immense , invisible danger surrounding them. Every detail contributes to a heavy , foreboding atmosphere , evoking a sense of dread and silent resilience. ,
14-year-old white-skinned girl , young female acrobat performing on an aerial hoop , flexible body , elegant dynamic pose , arched backward with one leg extended , holding the hoop with both hands and one foot , joyful and focused facial expression , smiling , wearing a full-body tight-fitting concert costume that covers arms and legs , decorated with vivid yellow and red feather-like patterns , highly stylized vector art with clean and accurate shapes , harmonious and vivid color palette , well-balanced composition , bold and clean outlines , smooth gradient shading , dynamic exaggerated comic composition , digital illustration in modern Marvel comic book style , energetic and expressive , inspired by superhero aesthetics , crisp vector linework , Webtoon influence , high-detail visual storytelling , solid chroma key green background (#00FF00) , no background elements , optimized for subject isolation and post-processing ,
Meeting representatives of five different alien races gathered in a Futuristic architectural structure of a massive bio-mechanical Crab composed of rigid bones and metallic mechanisms , standing dominant in a desolate. plasma streaming up from the ground. Each race had its own unique features: one is covered in scales. the second has soft skin. the third looks like a living crystal , reflecting light. aliens close-up , the fourth is made of plasma , the fifth is made of ice ,
“Dicen que en ciertos foros escondidos puedes encontrar las reglas del Juego del Niño de Ceniza. Aparecen por unas horas , luego se borran solas. La gente cree que es solo una creepypasta… hasta que el olor a humo aparece en su casa. Y ya es tarde.” --- 📜 Las Reglas: 1. Juega a las 2:44 a. m. , solo. 2. Dibuja un círculo de ceniza frente a un espejo. 3. Coloca dentro un diente humano (puede ser tuyo… o de alguien más). 4. Cierra los ojos y repite tres veces: > “Niño de ceniza , yo juego por ti. Que lo que no tengo , me sea dado… y lo que me sobre , sea llevado.” --- > Cuando abres los ojos , el espejo ya no te refleja. Y en el fondo , ves una figura encorvada. Pequeña. Con la piel oscura como carbón y los ojos blancos como leche cortada. No se mueve. Aún. Ahí empieza el juego. Tienes una hora para cumplir tres tareas que aparecerán escritas en sangre sobre el cristal. Tareas simples… al principio: > – Rompe un reloj. – Quema una fotografía tuya. – Di tu nombre completo al revés. > *Pero si fallas una… ,
A Dieselpunk generic 36-year-old woman , wearing gas mask with protective suit , steel-toe boots , holding garbage bag , tool belt , standing on menthol , holding a broom in one hand , digging in a desolate industrial landfill , neon light , dark lighting , volumetric lighting , dust particles , cinematographic lighting , dramatic shadows , angled over the shoulder , ,
A shadowy , atmospheric scene illuminated solely by the eerie glow of the moon. Deep darkness surrounds , with only the moon’s pale light casting long , haunting shadows across the landscape , creating a sense of isolation and mystery. A vampire can be seen near his castle on the hill. The castle is shining light. The vampire is a tall figure , but skinny. His hands are long and so are his nails. His face is old like a corpse ,
full body portrait , young man (age 20-23) , dark fantasy aesthetic , cinematic lighting , intricate details , ultra-detailed , 8k , sharp focus , dramatic angle , depth of field , masterpiece , art by Ilya Kuvshinov and Ayami Kojima , ((heterochromia: left eye vibrant crimson red , right eye deep cold sapphire blue)) , intense , excited , slightly insane gaze , piercing stare , long , straight , jet-black hair , well-groomed , (glowing crimson tips:1.3) , hair emitting faint red light at ends , smooth , pale , slightly dry skin , no facial hair , visible thin white scars on left cheek , (burn scar edge visible near mask:1.2) , wearing a (broken ceramic mask:1.4) covering right half of face , intricate pulsating crimson pattern on mask focused around right eye , tattered clothing , ripped dark grey shirt revealing large dark red/black tattoo on back (broken wings , barbed wire , ouroboros) , ripped sleeves revealing tattoo sleeves: left arm (gears and thorns) , right arm (broken chains) , asthenic build , tall and slender (185cm) , narrow shoulders , slightly hunched posture , chaotic energy , standing in a desolate urban ruin or dimly lit alleyway , backlight emphasizing hair glow , smoldering hatred in expression , cold madness , dynamic pose , sharp movement , looking directly at viewer , challenging stare , color palette: black , crimson , dark grey , deep blue , desaturated tones , high contrast , --ar 16:9 --style raw --no empathy , smile , kindness , full face reveal , intact clothing , modern fashion , happiness , warm colors ,
quiero que me hagas una imagen para niños de quinto de primaria donde pueda explicarse el siguiente ejemplo: Situación: Los niños de 3 años hacen psicomotricidad cada 6 días y los de 4 años cada 8 días. Pregunta: ¿Cada cuántos días coincidirán en la sala de psicomotricidad? Cálculo: Múltiplos de 6: 6 , 12 , 18 , 24 , 30 , 36 , 42 , 48.... Múltiplos de 8: 8 , 16 , 24 , 32 , 40 , 48... ➡️ m.c.m.(6 , 8) = 24 Interpretación: Cada 24 días coinciden en la sala de psicomotricidad. Saber esto facilita la organización y evita que haya solapamientos de horarios. ,
quiero que me hagas una imagen para niños de quinto de primaria donde pueda explicarse el siguiente ejemplo: Situación: Los niños de 3 años hacen psicomotricidad cada 6 días y los de 4 años cada 8 días. Pregunta: ¿Cada cuántos días coincidirán en la sala de psicomotricidad? Cálculo: Múltiplos de 6: 6 , 12 , 18 , 24 , 30 , 36 , 42 , 48.... Múltiplos de 8: 8 , 16 , 24 , 32 , 40 , 48... ➡️ m.c.m.(6 , 8) = 24 Interpretación: Cada 24 días coinciden en la sala de psicomotricidad. Saber esto facilita la organización y evita que haya solapamientos de horarios. ,
A nostalgic Naturalism style , a desolate dark fantasy , ((Aerial view)) , a colossal flying fort , UFO flying in air , its surface etched with intricate , Egyptians-inspired carvings. In ufo's surface are densely populated with a sprawling , featuring countless tiny houses , mansions , and fortifications , all connected by a network of elaborate , curved bridges and platforms that spiral upwards towards the summit , in the style of intricate over skyscrapers , flowing fabrics , navy blue and gold , light sky-blue and bronze , realistic hyper-detail , engraved line-work ,