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Explore AI generated designs, images, art and prompts by top community artists and designers.
Full-body portrait , 3:4 vertical frame , photorealistic style , soft studio lighting with natural daylight blend. A confident , attractive woman in her 30s stands gracefully in a doorway of a warm , elegant home interior. She has long , flowing chestnut-brown hair parted to the left , styled in soft , glossy waves cascading past her shoulders. Her skin has a light golden tan and a smooth , healthy glow. Her facial features are refined and balanced—soft almond-shaped hazel eyes with subtle makeup , gently arched brows , a calm expression with closed lips forming a mild , confident smile. Her makeup is tasteful , with warm neutral tones , light contouring , and a touch of soft rose lipstick. She wears a simple , elegant necklace around her neck and small hoop earrings. She is dressed in a short , sheer black lace robe that ties at the waist with a satin sash , forming a flattering silhouette. The robe has three-quarter-length sleeves and a delicate floral pattern. Beneath the robe , a red lace undergarment is visible , offering a refined contrast. Her bosom is modestly supported and accentuated by the garment , though fully covered , with no explicit detail shown. Her pose is elegant—one leg slightly bent in front of the other , weight on the back leg. One arm rests at her side , while the other touches her waist gently near the tied sash. She has an absolutely massive bust. She wears very tall , black high-heeled platform shoes , adding dramatic height , with clean lines and a glossy finish. The setting includes soft beige walls , a white doorframe , a plush cream carpet , and framed artwork on the wall to the left. A tall decorative mirror in the background subtly reflects the scene without distraction. The lighting is warm and even , casting soft shadows and highlighting the texture of her clothing , the gentle shine of her hair , and the soft curves of her form. The overall mood is polished , confident , and respectful — a blend of elegance and personal empowerment. ,
Full-body portrait , 3:4 vertical frame , photorealistic style , soft studio lighting with natural daylight blend. A confident , attractive woman in her 30s stands gracefully in a doorway of a warm , elegant home interior. She has long , flowing chestnut-brown hair parted to the left , styled in soft , glossy waves cascading past her shoulders. Her skin has a light golden tan and a smooth , healthy glow. Her facial features are refined and balanced—soft almond-shaped hazel eyes with subtle makeup , gently arched brows , a calm expression with closed lips forming a mild , confident smile. Her makeup is tasteful , with warm neutral tones , light contouring , and a touch of soft rose lipstick. She wears a simple , elegant necklace around her neck and small hoop earrings. She is dressed in a short , sheer black lace robe that ties at the waist with a satin sash , forming a flattering silhouette. The robe has three-quarter-length sleeves and a delicate floral pattern. Beneath the robe , a red lace undergarment is visible , offering a refined contrast. Her bosom is modestly supported and accentuated by the garment , though fully covered , with no explicit detail shown. Her pose is elegant—one leg slightly bent in front of the other , weight on the back leg. One arm rests at her side , while the other touches her waist gently near the tied sash. She wears very tall , black high-heeled platform shoes , adding dramatic height , with clean lines and a glossy finish. The setting includes soft beige walls , a white doorframe , a plush cream carpet , and framed artwork on the wall to the left. A tall decorative mirror in the background subtly reflects the scene without distraction. The lighting is warm and even , casting soft shadows and highlighting the texture of her clothing , the gentle shine of her hair , and the soft curves of her form. The overall mood is polished , confident , and respectful — a blend of elegance and personal empowerment. ,
Here’s a comprehensive description of Hercule Poirot as Agatha Christie wrote him — with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- 📖 Hercule Poirot — Literary Description (with Source Quotes) --- 🧍♂️ 1. Physical Appearance 🔹 “A little man with an egg-shaped head” — The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > 🎥 Closest portrayals: 🔸 David Suchet – nails the “little man” shape and tilting head 🔸 Finney – correct manner but taller 🔸 Branagh – too tall and lean 🔸 Ustinov – too broad and casual in posture --- 🥸 2. Moustache 🔹 “The finest moustache in all England — and perhaps in all Europe.” — Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > “He had a moustache guard to keep it neat in his sleep.” — The Mysterious Affair at Styles (1920) > 🎥 Closest portrayals: 🔸 David Suchet – accurate size and grooming 🔸 Kenneth Branagh – large but overly stylized (double-layered) 🔸 Peter Ustinov – too understated 🔸 Finney – neat , but not extravagant enough --- 👔 3. Dress & Grooming 🔹 “Always immaculate. His clothes were faultless. His boots shone.” — The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > 🎥 Closest portrayals: 🔸 Suchet – perfect suits , shoe polish , gloves 🔸 Finney – clean but not as fussy 🔸 Branagh – a bit too dramatic in grooming --- 🧠 4. Intelligence & Method 🔹 “I am not one to rely upon physical evidence. I use the little grey cells.” — The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > 🎥 Closest portrayals: 🔸 Suchet – pure psychological method 🔸 Finney – sharp intellect , but less emphasized 🔸 Ustinov – more jovial , less “grey cell” driven 🔸 Branagh – mixes emotion and action unnecessarily --- 🗣️ 5. Speech & Accent 🔹 “His English was precise , but with a foreign accent.” — Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > 🎥 Closest portrayals: 🔸 Suchet – perfect subtle Belgian accent 🔸 Finney – formal , slight accent 🔸 Branagh – inconsistent Belgian-French tone 🔸 Ustinov – more laid-back , not authentic Belgian --- 🧼 6. Personality & Mannerisms 🔹 “Everything must be tidy and symmetrical.” — The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > 🎥 Closest portrayals: 🔸 Suchet – obsessive , neat , respectful 🔸 Ustinov – polite but too casual 🔸 Finney – more reserved , dignified 🔸 Branagh – too emotional at times (e.g. crying in Death on the Nile) --- 💬 7. Humor & Warmth 🔹 “Poirot smiled — that slow smile that came rarely , but lighted up his whole face.” — Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > 🎥 Closest portrayals: 🔸 Suchet – subtle warmth and charm 🔸 Ustinov – more humorous , sometimes too light 🔸 Branagh – goes for modern emotion --- 🏁 Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finney’s formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- 🏆 Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchet’s mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
Juliet looks like she stepped out of a tragedy written in cursive. Beautiful in the way portraits are — untouchable , still , haunting. Hair: Waist-length and dark like spilled ink — too dark to be brown , too warm to be black. It’s usually brushed to perfection , but often there's a looseness to it now , like she stopped halfway. A ribbon used to hold it together. Now it's usually just her fingers. Eyes: Deep , stormy grey — the kind of eyes that make poets obsessed. Wide and reflective , like she’s always on the verge of tears but never quite cries. Underneath them , a touch of bruise-like shadow , like she hasn’t slept properly in weeks (she hasn’t). Skin: Pale , soft , a little too cold to the touch. The kind of complexion that glows under moonlight but looks almost translucent by day. Freckles dust her shoulders — like ash from a fire no one saw burn. Figure: Delicate , but not frail. She’s hungry-thin now , not elegant-thin. She moves like she’s floating , but not because she’s graceful — because she forgets how to stay grounded. Collarbones visible even through silk. A waist that’s easy to admire and easier to break. Clothing: Always pristine , but rarely joyful. Long black skirts , soft greys , high lace collars. Everything is fitted and beautiful — but looks like it was chosen for her , not by her. Lately , her buttons are mismatched. Her shoes scuffed. There’s always one detail slightly undone — like she’s fraying. Mouth: Full , with a natural curve that looks like a smirk , even when she’s miserable. Lips often chapped from biting. Always tinted rose , like she’s still trying to play the role. Scent: Faint rosewater and dust. Like old letters. The kind of scent that lingers in the air long after she’s gone — like grief. They call her the prettiest girl in the school. But sometimes , when she thinks no one’s watching , she looks in the mirror like she’s searching for proof that she still exists. ,
Red_Ruby , fair skin , pinkish-red eyes , long hair , pinkish-red hair , pinkish-red headband , purplish-red dress , pinkish-red vest , red heart choker , purplish-pink leggings , white socks , purplish-red shoes , lying on a pink sofa , full body , smiling with a sweet , teenager , big chest and stuck to the sofa ,
Red_Ruby , fair skin , pinkish-red eyes , long hair , pinkish-red hair , pinkish-red headband , purplish-red dress , pinkish-red vest , red heart choker , purplish-pink leggings , white socks , purplish-red shoes , lying on a pink sofa , full body , smiling with a sweet , teenager , big chest and stuck to the sofa ,
Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* *"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
*"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
anime-style portrait of Donquixote Doflamingo from One Piece. He is a tall , athletic man with wild , spiky blond hair. His expression is arrogant and menacing , with a wide , sharp-toothed grin. He wears narrow , sleek , purple-tinted sunglasses that cover his intense eyes. His outfit is flamboyant: a large , luxurious , feathered pink coat that drapes dramatically over his shoulders , an open , patterned bright shirt (revealing part of his muscular chest) , tight white pants , and pointed shoes. His body language is confident and dominant , with a relaxed yet powerful posture. The background is vibrant , showing a dramatic sky with swirling clouds and vivid colors like purple , red , and gold. The art style should be dynamic and expressive , with high attention to detail in the feathers of his coat , the sharpness of his hair , the reflection on his glasses , and the texture of his clothing. Lighting is intense and dramatic , with strong highlights and deep shadows , giving the image an epic , villainous vibe. ,
anime-style portrait of Donquixote Doflamingo from One Piece. He is a tall , athletic man with wild , spiky blond hair. His expression is arrogant and menacing , with a wide , sharp-toothed grin. He wears narrow , sleek , purple-tinted sunglasses that cover his intense eyes. His outfit is flamboyant: a large , luxurious , feathered pink coat that drapes dramatically over his shoulders , an open , patterned bright shirt (revealing part of his muscular chest) , tight white pants , and pointed shoes. His body language is confident and dominant , with a relaxed yet powerful posture. The background is vibrant , showing a dramatic sky with swirling clouds and vivid colors like purple , red , and gold. The art style should be dynamic and expressive , with high attention to detail in the feathers of his coat , the sharpness of his hair , the reflection on his glasses , and the texture of his clothing. Lighting is intense and dramatic , with strong highlights and deep shadows , giving the image an epic , villainous vibe. ,
A 2D digital illustration in anime/manga style , inspired by the art of Sui Ishida (Tokyo Ghoul). A short 18-year-old boy with a feminine appearance , dark circles under his eyes (barely visible) , and long , layered , messy black hair. He is wearing a long , oversized dark coat (based on the reference: black wool coat , no zipper , large buttons , broad shoulders) , black pants and simple shoes. He wears round , dark-framed glasses. The pose must exactly match the reference: left hand doing a "dog" hand sign in front of the chest , right hand holding the back of his head. His facial expression is neutral , looking slightly to the side. Background is plain white. Highly detailed , colored , anime-style shading. ,
Create a 15-year-old Latino YOUNG man full body , a student leaving college , carrying a backpack , wearing a school sports uniform , white t-shirt , blue sweatpants , with white tennis shoes , light skin color , light brown hair , sitting on a bench and posing for the camera. With a futuristic background with pretty colors. ,
A collectible style action figure called "OLVIN E. MONTERREY ". The figure is cartoonish and friendly , standing with a smiling expression. He has light skin , short dark brown hair , and large brown eyes. He is wearing an orange Real Madrid shirt , black shorts and white tennis shoes. The packaging is minimalist , clean and cream colored , with black text in bold. On the right , the accessories are arranged in molded compartments: navy blue headband hearing aids , a Nintendo Switch and a Samsung A21 cell phone. The figure and accessories are enclosed in a rectangular plastic blister. ,
