Search Results for panel
Explore AI generated designs, images, art and prompts by top community artists and designers.
A hyper-detailed , photo-realistic futuristic metropolis at night , bathed in an eerie , pulsating crimson glow that casts long , jagged shadows across the cyberpunk skyline. The **Empire State Building** dominates the foreground , its art deco spire crackling with energy as a **colossal , jagged red lightning bolt** slams into its peak , illuminating the surrounding skyscrapers in a fiery , neon-reflective haze. The lightning’s electric tendrils snake down the building’s facade , fracturing into glitch-like distortions that warp the architecture into a surreal , digital nightmare—half-real , half-corrupted data stream. In the distance , a **secondary forked red lightning strike** tears through the horizon , hitting a towering , blade-like skyscraper , its impact rippling through the atmosphere like a visual echo. The city below is a labyrinth of **holographic billboards , flickering neon signs in Cyrillic and Kanji , and floating drone traffic** , all glitching intermittently as if caught in a malfunctioning simulation. Rain streaks the air , refracting the red light into bloody , pixelated smears , while **floating debris—shards of glass , fractured metal panels , and shattered holograms—drift lazily in the wind** , adding to the chaotic , dystopian aesthetic. The **glitch art** effect is pronounced: sections of the cityscape **flicker , stutter , and dissolve** into RGB noise , with **scan lines , datamoshing artifacts , and VHS-style distortion** warping the edges of buildings and streets. The lightning itself seems to **corrupt the air** , leaving behind trails of **digital static and fragmented code** that briefly overlay the scene like a broken HUD. The atmosphere is **oppressive yet hypnotic**—a fusion of **cyberpunk grit and digital decay** , where reality feels unstable , as if the city is on the verge of collapsing into a **black hole of glitching data**. The composition is **cinematic and immersive** , with a **deep depth of field** that draws the eye from the lightning-struck Empire State Building to the storm-wracked horizon , where the second strike pulses like a dying heartbeat. **Ultra-HD , 8K resolution , hyper-realistic textures , volumetric lighting , and atmospheric haze** enhance the surreal , dystopian grandeur. ,
A breathtaking cyberpunk cityscape at night , illuminated by neon lights and glowing holographic billboards. The city is a sprawling metropolis filled with towering skyscrapers , their surfaces adorned with intricate digital circuits and floating data streams. Holographic projections of various shapes and sizes float in the air , displaying advertisements , news feeds , and abstract art. The streets below are bustling with activity , yet everything is bathed in the eerie glow of the neon lights , creating a dark yet vibrant atmosphere. High-tech devices like AR glasses and virtual control panels are scattered throughout the scene , adding to the futuristic feel. The entire city is connected by a vast network of glowing grids and pathways , symbolizing the interconnectedness of this digital world. ,
A high-tech industrial robotic media production station with multiple articulated arms mounted on a stable mechanical base platform , inspired by advanced industrial manipulators and spider-drone engineering. No humanoid legs or head — instead , a central cylindrical module houses an array of optical sensors , precision lenses , LED light indicators , and integrated holographic projectors. The robot is designed for creative media work , not combat — smooth aerodynamic contours with reduced sharp edges , and numerous embedded holographic and light-based UI elements showing AI interfaces , media timelines , live video feeds , and floating icons of Instagram and YouTube. Each arm has integrated tools: a built-in 8K camera module , a ring light embedded in the arm structure , directional microphones , a fold-out tablet screen , and holographic control panels — all seamlessly part of the mechanical design , not handheld. Premium materials: glossy aviation-grade bright red paint (#FF1C1C) with asphalt-dark gray (#2B2B2B) structural panels , anodized metal joints , carbon fiber inserts , and fine blue-turquoise seam lighting. Ultra-detailed photorealistic textures with bolts , seams , micro-scratches , and realistic reflections. Cinematic lighting with clean white highlights , subtle shadows , and product showcase style — isolated on a transparent background with a soft gradient light spot beneath , as if presented at an Apple/DJI launch. High-poly model , no cartoonish simplification , no text or logos. ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
A large oil on canvas tryptich , render of name "KAY" featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,
four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
Stylized pixel art propaganda cutscene panel showing heroic orc workers raising a red flag , capitalist elf oppressors in the background , dramatic poses , exaggerated expressions , heavy shadows , with retro pixel caption at the bottom — like NES era story cutscenes , vintage Soviet aesthetic , bold silhouettes , low color palette ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
A large oil on canvas tryptich , featuring in cente paneli is a large multi colored Butterfly , with very vivid neon multicolured wings face etc , the side panels contain stylised green grass blades at bottom , with remaining space filled with beautiful Australian native flowers , the artwork is titled "For Kay" ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,
Interior of a war command bunker in grim pixel art , desks with maps , communist propaganda posters on the walls , dim yellow lighting from flickering lamps , the orc commissar standing next to a war table , red banners , radio equipment , control panels with blinking red lights , atmosphere of tension and decay — 32-bit pixel art , dirty textures , muted colors , cold war bunker aesthetic ,