Search Results for names
Explore AI generated designs, images, art and prompts by top community artists and designers.
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , the painter has rendered two names side by side , (( One name is spelled 'KAY' the other name is spelled 'WADE' )) , written in.heart image as 'Kay ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. ((Within the space of the heart itself , the painter has rendered two names side by side , (( One name is spelled 'KAY' the other name is spelled 'WADE' )) , written in.heart image as 'Kay ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , the painter has rendered two names side by side , (( One name is spelled 'KAY' the other name is spelled 'WADE' )) , written in.heart image as 'Kay ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , the painter has written a pair of lovers names together as follows.. ' KAY & WADE ' . THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is . The painter has used a bold script to spell KAY , script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through Kay eartmany stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , islands , cascading waterfalls , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary Worl. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , the painter has rendered two names side by side , (( One name is spelled 'KAY' the other name is spelled 'WADE' )) , written in.heart image as 'Kay & Wade' , THE NAMCES MUST BE RENDERED ACURATELY AND SPELT EXACTLY AS WRITTEN IN THESE PROMPTS of 'KAY & WADE' BEFORE any OTHER creative urge from this artificial intelligence , IS ACCEPTABLE! , NO MORE AI SPELLING mistakes. The painter has used a bold script to spell KAY , script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through Kay eartmany stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , islands , cascading waterfalls , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary Worl. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) ,
traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam , especially in the Mekong Delta. Often worn as a top and bottom set , the áo bà ba is typically a long-sleeved , button-down silk shirt with a scooped neck , paired with silk pants. The shirt is long and split at the waist sides , forming two flaps , and customarily features two pockets. ,
traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam , especially in the Mekong Delta. Often worn as a top and bottom set , the áo bà ba is typically a long-sleeved , button-down silk shirt with a scooped neck , paired with silk pants. The shirt is long and split at the waist sides , forming two flaps , and customarily features two pockets. ,
four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,
four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,
The Ao Tu Than is a traditional four-part Vietnamese dress , primarily worn by women in the northern region of Vietnam. It's considered one of Vietnam's enduring relics , predating the more widely known Ao Dai. The "four-part" refers to the tunic-jacket , which is open at the front and split into two flaps at the waist , combined with a full back flap. It's traditionally paired with a long skirt and a diamond-shaped bodice called a yếm , often worn in white , black , or bright pink ,
