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Explore AI generated designs, images, art and prompts by top community artists and designers.
QuickFixSA is a cross-platform Progressive Web App (PWA) built to empower South African citizens to report and track municipal issues — The goal is to empower residents to report and track municipal service delivery issues (e.g. , infrastructure faults , utility disruptions , public safety concerns , potholes , broken streetlights , illegal dumping , sewer blockages and water leaks). Designed to function seamlessly on low-bandwidth connections and across devices , QuickFixSA aims to improve civic responsiveness and transparency. ,
So-yeon at "Peach Blossom" café: "He waited for you... then his light went out." Key to Min-jae's room. Frozen relics: sketches of Yun-ho , a pier model , physics books. Discovery: Yun-ho's old sweater metallic shard with circuits. Min-jae's diary: "The pattern is broken..." Yun-ho inhales the sweater's scent — only dust. ,
So-yeon at "Peach Blossom" café: "He waited for you... then his light went out." Key to Min-jae's room. Frozen relics: sketches of Yun-ho , a pier model , physics books. Discovery: Yun-ho's old sweater + metallic shard with circuits. Min-jae's diary: "The pattern is broken..." Yun-ho inhales the sweater's scent — only dust. ,
“Post-apocalyptic aerial view of Tel Aviv , Israel — captured by a cinematic drone camera — cityscape in ruins , collapsed buildings , cracked highways , abandoned skyscrapers — thick smoke rising from broken districts — coastline littered with debris — sun breaking through toxic clouds — eerie silence over urban devastation — hyper-realistic , 4K aerial drone perspective , dramatic lighting , desaturated tones , photojournalism style.” ,
The poolside is cracked and broken — two deep , jagged craters punched straight through the stone patio , still steaming slightly from the force. Each impossibly muscular blonde stands beside one of the holes , arms relaxed now , hands dusted with crumbled concrete. The raw power of their final feat — simultaneously punching through solid reinforced stone — still lingers in the air. Now , silence. The women , impossibly tall and massive , wind down from their growth-fueled display. Their bodies remain staggeringly overdeveloped — every curve , muscle , and line pushed to extreme fantasy proportions — but their postures are casual , at ease. One sits gently at the edge of the pool , her massive calves stretched out , toes dipped into the water , her silver bikini barely managing to contain her form. The other leans back against a palm tree , arms folded across her chest , still glistening with sweat , her golden micro bikini stretched tight across her curvaceous , vein-laced frame. They smile at each other — competitive energy replaced by shared pride. The late-day sun casts long shadows across the stone , illuminating the cracks , the bent steel nearby , and the reflections of their towering figures on the pool's surface. Their expressions are soft now: powerful , proud , and peaceful. Shot on Canon EOS R5 , 35mm f/1.4 lens , ISO 100 , f/2.0 , 1/800 sec , golden hour natural light. 8K ultra-photorealistic , cinematic HDR lighting , precise shadow detailing , realistic sweat and skin tone , muscle texture defined but relaxed , warm color grading. --no cartoon , anime , painting , stylized rendering , nudity , blur , smoothing , distortions , uncanny elements ,
A cinematic , moody dark closeup , dramatic lighting , a detail shot , photographed at floor level , . A barefoot woman is walking away from the camera through a pile of spilled cherries that are broken on a cold marble floor with rich cinematic lighting , she is leaving vague red footprints behind on the floor , intentional , elegant , dominant. deep burgundy Velvet fabric trails across the floor behind her. The moment should feel indulgent , powerful , and precise--like a scene from a luxury art film. No faces. No extra limbs. ,
A cinematic , moody dark closeup , dramatic lighting , a detail shot , photographed at floor level , . A barefoot woman is walking away from the camera through a pile of spilled cherries that are broken on a cold marble floor with rich cinematic lighting , she is leaving vague red footprints behind on the floor , intentional , elegant , dominant. deep burgundy Velvet fabric trails across the floor behind her. The moment should feel indulgent , powerful , and precise--like a scene from a luxury art film. No faces. No extra limbs. ,
A humanoid stray bichon frise puppy character , small-sized , slightly underweight but agile and quick-witted. His curly white coat is no longer pristine — it’s matted , dusty , and tangled in places , with some patches of missing or knotted fur. The coat has taken on a greyish tint from the streets. His big round eyes are greenish-brown , tired but intelligent , reflecting both hardship and quiet determination. A faint scar runs above one eye , and one ear has a slight tear — signs of a rough past. He wears a worn , stretched white T-shirt , stained and slightly torn , loosely hanging over his fluffy body. Despite the ragged appearance , he carries himself with alertness and quiet dignity. His expression is observant , slightly guarded , but not without warmth. Some of his whiskers are broken or bent. A mix of scrappy charm and survival instinct. No background. Full-body , high-detail , photorealistic anthropomorphic bichon frise puppy character with cinematic lighting. In the restaurant kitchen , where everything is perfectly clean , a hand from off-camera gives a puppy a $1 coin. The puppy happily takes it. ,
An anthropomorphic stray bichon frise puppy character , small-sized , slightly underweight but agile and quick-witted , with a matted , dusty , tangled , and grayish-white curly coat , some patches of missing or knotted fur. His big round greenish-brown eyes are tired but intelligent , reflecting both hardship and quiet determination. A faint scar runs above one eye , and one ear has a slight tear. He wears a worn , stretched , stained , and slightly torn white T-shirt , loosely hanging over his fluffy body. Despite the ragged appearance , he carries himself with alertness and quiet dignity. His expression is observant , slightly guarded , but not without warmth. Some of his whiskers are broken or bent. A mix of scrappy charm and survival instinct. This character is standing on a stool in front of a kitchen sink , washing a white plate. It's a restaurant kitchen , with beige tiles and some pots and pans hanging on the wall. The sink is filled with soapy water , and there are dirty dishes stacked next to it. Cinematic lighting. Photorealistic. High detail. Full body. ,
A found-object sculpture of tiny-Dinosaur created from up-cycled materials like gear scraps , plastic parts , broken glass , and wires. Emphasize rough textures , mismatched components , and punk-influenced , take selfie with beautiful girl , landscape. going up around to the top and branches up to the summit of the gigantic skull with intricate carved wooden platforms for countless ,
Ultimate Sanctions Infographic Prompt Style: "Geopolitical editorial illustration blended with data visualization , in the style of The Economist meets protest art – sophisticated yet confrontational" Core Elements: Title Treatment "GLOBAL SANCTIONS vs RUSSIA (2023-2024)" in fractured bold font (like "Bebas Neue" with cracks) Subtitle: "Economic Countermeasures to the Ukraine Invasion" in white on red ribbon Structural Layout 5 interconnected hexagons (honeycomb pattern) representing sanction categories Flowing red "impact waves" radiating from a stylized Russian map outline Category Visuals (per section) FINANCE: 3D golden vault with "$300B" padlock Falling SWIFT logo shattering like glass TECH TRADE: Broken semiconductor wafer forming stop sign Airbus/Boeing parts with "BANNED" stamps ELITE TARGETS: Flat-design oligarch portraits with red "X" overlays Pixelating superyacht sinking into money waves Data Highlights Animated-style percentage badges: "90%" (EU oil reduction) burning like fuel "$60" (price cap) as barrel-shaped neon sign Mini-timeline showing sanction escalation phases Technical Parameters: Resolution: 8K (7680x4320 for print/presentation) Color Profile: CMYK for professional printing Layers: Separate text/background layers (for easy editing) Format Options: ,
Create a minimalist illustration depicting the risks of project implementation. Use a clean , simple design with a muted color palette (e.g. , grayscale , soft blues , or beige tones). Include abstract symbols or icons representing risks such as uncertainty (a question mark) , delays (a clock or hourglass) , budget overruns (a broken coin or dollar sign) , and communication breakdowns (a tangled line or broken speech bubble). Arrange the elements in a balanced , uncluttered composition , with ample negative space to emphasize simplicity. Avoid detailed figures or complex backgrounds , focusing on geometric shapes and bold outlines to convey the concept clearly. ,
Create a minimalist illustration depicting the risks of project implementation. Use a clean , simple design with a muted color palette (e.g. , grayscale , soft blues , or beige tones). Include abstract symbols or icons representing risks such as uncertainty (a question mark) , delays (a clock or hourglass) , budget overruns (a broken coin or dollar sign) , and communication breakdowns (a tangled line or broken speech bubble). Arrange the elements in a balanced , uncluttered composition , with ample negative space to emphasize simplicity. Avoid detailed figures or complex backgrounds , focusing on geometric shapes and bold outlines to convey the concept clearly. ,
Create a minimalist illustration depicting the risks of project implementation. Use a clean , simple design with a muted color palette (e.g. , grayscale , soft blues , or beige tones). Include abstract symbols or icons representing risks such as uncertainty (a question mark) , delays (a clock or hourglass) , budget overruns (a broken coin or dollar sign) , and communication breakdowns (a tangled line or broken speech bubble). Arrange the elements in a balanced , uncluttered composition , with ample negative space to emphasize simplicity. Avoid detailed figures or complex backgrounds , focusing on geometric shapes and bold outlines to convey the concept clearly. ,
night elf female , glowing eyes , tribal war paint , blue long hair , fantasy leather armor , fur shoulder armor , epic fantasy style , muscular athletic build , sharp ears , pale bluish skin , warcraft style , standing pose , mystical warrior , fantasy video game character , detailed texture , high quality , game render style , powerful female character , night time lighting , no blurry , no low quality , no bad anatomy , no missing fingers , no extra limbs , no poorly drawn face , no mutated hands , no text , no watermark , no signature , no disfigured features , no wrong proportions , no extra arms , no extra legs , no broken armor , no lowres , no jpeg artifacts , no cross-eyed , no loli , no child , no underage , no nudity , no open mouth , no bad hands , no extra ears ,
Two groups facing each other: one side in suits and ties holding money and property , the other side with workers , farmers , and students holding signs saying "Direitos" , "Justiça" and "União". A broken chain between them. Style: political poster style , high contrast , bold colors , inspired by revolutionary art. ,
Two groups facing each other: one side in suits and ties holding money and property , the other side with workers , farmers , and students holding signs saying "Direitos" , "Justiça" and "União". A broken chain between them. Style: political poster style , high contrast , bold colors , inspired by revolutionary art. ,
"Big large King Kong with muscular body , rough dark fur , massive arms and fists , slamming his fist powerfully on the ground , smashing multiple cars around him , debris and dust flying , broken road cracks under impact , city buildings around , dramatic lighting , ultra realistic , cinematic destruction scene , high detail , real-world textures" ,
Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* *"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
*"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
1. Ruins of St. Stanislaus Church , Chortkiv , Ukraine , present day , broken walls , overgrown , abandoned , realistic photo style --v 6 --ar 4:5 2. Reconstructed St. Stanislaus Church , Chortkiv , Ukraine , neo-gothic architecture , fully restored , vibrant colors , sunny weather , historical accuracy --v 6 --ar 4:5 ,
I want the images of a storyboard from a short script I have. Here is the Script: In a desolate place , at a time we couldn`t tell due to the erosion of years of decay , where nature had overgrown any type of human civilization , there is a boy , about 14 years of age running. He`s running from something that produces a huge cloud of dust while it throttles. It`s not sure if it`s organic or mechanical; it is completely shrouded of dust and mayhem , and its only visible feature are a couple of lights in its very core. It is not inmensely big but it certainly looks at least twice as big as the boy , but it is not agile , not like the boy , that looks quite useded to doing things like fleeing on a daily base. You can tell the boy is not as scared as he looks excited. The boy is jumping over leftovers of barren buildings , hips of garbage , sliding under tumbled things , makeshift tunnels , broken windows , etc , tracing a line that is blindly followed by its chaser. All the way guiding it to an intersection of two collapsed buildings upon each other , leaving enough space for a slim figure to squeeze itself through , knowing that the chaser will follow through the boy slid in , and right behind him the chaser came forcefully , but it got stucked. I`d like this in the first panel: Panel 1: Wide Shot – The Desolate Landscape Prompt : "A desolate , overgrown wasteland at dusk , filled with crumbling buildings overtaken by vines and debris. A boy , about 14 years old , runs in the distance , pursued by a massive cloud of dust. The scene is rendered in minimalistic line art style , with clean lines and muted tones. Wide shot from low angle , emphasizing scale and atmosphere. Stylized , semi-realistic , cinematic composition." ,
Create a dramatic and tragic conceptual sculpture of a woman named Arezoo , embodying the essence of an impossible wish , a longing that consumes the soul with unfulfilled desire and despair. The sculpture should be a bust carved from black marble , with golden cracks running through it in the style of kintsugi , symbolizing the beauty in her broken dreams. Her face should reflect the human struggle for unattainable dreams through a mournful expression , with crimson streaks carved into the stone to represent a bloodstained visage , carrying the weight of lost hopes. Her hair and flowing robes should be intricately detailed , capturing a classical , historical aesthetic. The setting must be melancholic , with a deep red atmosphere surrounding the sculpture , heavy shadows , and a sense of sorrow , placed on a reflective black surface to enhance the dramatic effect. The background should feature subtle , storytelling elements like a fading star or a cracked pedestal , symbolizing shattered dreams. The overall style should be cinematic , with a fantasy and historical feel , highly detailed , 8K resolution , soft lighting , and an emotional tone. ,
A highly detailed and photorealistic image of three specific world leaders: Vladimir Putin (a man in his 70s with short grey hair , sharp facial features , and a serious expression) , Donald Trump (a man in his 70s with bright orange-tinted hair , a confident posture , and a distinctive smirk) , and Benjamin Netanyahu (a man in his 70s with grey hair , glasses , and a focused expression). They are standing around a large , illuminated 3D map of Poland , which is placed on a wooden table. The map shows Poland's regions with clear signs of destruction: burning factories , collapsing power plants , broken banks , and abandoned infrastructure. The three leaders are arguing intensely , gesturing with their hands and pointing at different parts of the map as they try to claim regions for themselves. Their facial expressions are tense , with visible anger and frustration. Surrounding them is a devastated environment reflecting the aftermath of both conventional and economic warfare: smoke-filled skies , destroyed tanks , crumbling buildings , and abandoned streets. The lighting is cinematic , emphasizing the grim atmosphere and highlighting the tension between the leaders. Ultra-realistic textures , high-quality details , and a dramatic composition. ,