Explore AI generated designs, images, art and prompts by top community artists and designers.
The hybrid was created by modifying the genome of a Tyrannosaurus rex , with the DNA of three other theropods. Known species that were included were Utahraptor , Saurophaganax , and Giganotosaurus. There was also the DNA of Quadrupes like Triceratops , and Scelidosaurus. DNA of modern animals such as Greater blue-ringed octopus , Inland Taipan , Northern Short-tailed Shrew , Komodo Dragon , Opossum , Mongoose , Ape , Whiptail Lizard , Cuttlefish , and Tardigrades. The genome of Tyrannosaurus rex , Triceratops and Giganotosaurus was used as the base genome for the hybrid. Including the shape of the head in some parts from Giganotosaurus and Triceratops. It also gave the Indominus rex an incredibly strong bite that could crush bulletproof glass. Utahraptor DNA was added for high levels of intelligence and the ability to make plans , decisions and pack hunting. Reduced hind legs and Ape DNA added Knuckle-walking Quadruped. Triceratops , and Scelidosaurus were added to act as a biological form of armor that absorbed most of the incoming attacks. Northern short-tailed shrew , the Inland taipan's retractable fangs and the Komodo Dragon DNA was used to form the teeth of the Indominus that were used to tear through the flesh and armor of opponents. Saurophaganax and Ape DNA added the presence of long strong arms with slashing hook claws and the use of tools. A swipe of the hybrid's claws would take down bigger opponents. While using tools for smaller elusive prey. Cuttlefish genes were intended to help the Venenosus withstand an accelerated growth , but it also added chromatophore cells in the skin so it could change the shape , color , and texture of its skin like a cuttlefish. Opossum , Mongoose and Tardigrades DNA was added for the Venenosus to be more resistant to climate changes , harmful toxins or bacterial infections , while tardigrades also added survival of extreme conditions such as exposure to extreme temperatures , extreme pressures , air deprivation , radiation , dehydration , and starvation. They have several defense mechanisms , including: A metabolic rate that gets as low as 0.01 percent of the normal rate. Organs protected by a sugary gel called trehalose. A protein that shields their DNA from radiation harm. Synthesis of cryoprotectant in chilly temperatures to prevent the development of ice crystals.Northern short-tailed shrew , the Inland Taipan , Greater blue-ringed octopus and the Komodo Dragon's DNA also added special cavities and glands in the skull that gave her infrared vision , and highly toxic saliva. Said DNA also gave her the ability to open her mandibles and jaws as wide as a snake , specifically at around 90 degrees.Lastly , DNA from a whiptail lizard was added for reproduction purposes. ,
The hybrid was created by modifying the genome of a Tyrannosaurus rex , with the DNA of three other theropods. Known species that were included were Utahraptor , Saurophaganax , and Giganotosaurus. There was also the DNA of Quadrupes like Triceratops , and Scelidosaurus. DNA of modern animals such as Greater blue-ringed octopus , Inland Taipan , Northern Short-tailed Shrew , Komodo Dragon , Opossum , Mongoose , Ape , Whiptail Lizard , Cuttlefish , and Tardigrades. The genome of Tyrannosaurus rex , Triceratops and Giganotosaurus was used as the base genome for the hybrid. Including the shape of the head in some parts from Giganotosaurus and Triceratops. It also gave the Indominus rex an incredibly strong bite that could crush bulletproof glass. Utahraptor DNA was added for high levels of intelligence and the ability to make plans , decisions and pack hunting. Reduced hind legs and Ape DNA added Knuckle-walking Quadruped. Triceratops , and Scelidosaurus were added to act as a biological form of armor that absorbed most of the incoming attacks. Northern short-tailed shrew , the Inland taipan's retractable fangs and the Komodo Dragon DNA was used to form the teeth of the Indominus that were used to tear through the flesh and armor of opponents. Saurophaganax and Ape DNA added the presence of long strong arms with slashing hook claws and the use of tools. A swipe of the hybrid's claws would take down bigger opponents. While using tools for smaller elusive prey. Cuttlefish genes were intended to help the Venenosus withstand an accelerated growth , but it also added chromatophore cells in the skin so it could change the shape , color , and texture of its skin like a cuttlefish. Opossum , Mongoose and Tardigrades DNA was added for the Venenosus to be more resistant to climate changes , harmful toxins or bacterial infections , while tardigrades also added survival of extreme conditions such as exposure to extreme temperatures , extreme pressures , air deprivation , radiation , dehydration , and starvation. They have several defense mechanisms , including: A metabolic rate that gets as low as 0.01 percent of the normal rate. Organs protected by a sugary gel called trehalose. A protein that shields their DNA from radiation harm. Synthesis of cryoprotectant in chilly temperatures to prevent the development of ice crystals.Northern short-tailed shrew , the Inland Taipan , Greater blue-ringed octopus and the Komodo Dragon's DNA also added special cavities and glands in the skull that gave her infrared vision , and highly toxic saliva. Said DNA also gave her the ability to open her mandibles and jaws as wide as a snake , specifically at around 90 degrees.Lastly , DNA from a whiptail lizard was added for reproduction purposes. ,
The hybrid was created by modifying the genome of a Tyrannosaurus rex , with the DNA of three other theropods. Known species that were included were Utahraptor , Saurophaganax , and Giganotosaurus. There was also the DNA of Quadrupes like Triceratops , and Scelidosaurus. DNA of modern animals such as Greater blue-ringed octopus , Inland Taipan , Northern Short-tailed Shrew , Komodo Dragon , Opossum , Mongoose , Ape , Whiptail Lizard , Cuttlefish , and Tardigrades. The genome of Tyrannosaurus rex , Triceratops and Giganotosaurus was used as the base genome for the hybrid. Including the shape of the head in some parts from Giganotosaurus and Triceratops. It also gave the Indominus rex an incredibly strong bite that could crush bulletproof glass. Utahraptor DNA was added for high levels of intelligence and the ability to make plans , decisions and pack hunting. Reduced hind legs and Ape DNA added Knuckle-walking Quadruped. Triceratops , and Scelidosaurus were added to act as a biological form of armor that absorbed most of the incoming attacks. Northern short-tailed shrew , the Inland taipan's retractable fangs and the Komodo Dragon DNA was used to form the teeth of the Indominus that were used to tear through the flesh and armor of opponents. Saurophaganax and Ape DNA added the presence of long strong arms with slashing hook claws and the use of tools. A swipe of the hybrid's claws would take down bigger opponents. While using tools for smaller elusive prey. Cuttlefish genes were intended to help the Venenosus withstand an accelerated growth , but it also added chromatophore cells in the skin so it could change the shape , color , and texture of its skin like a cuttlefish. Opossum , Mongoose and Tardigrades DNA was added for the Venenosus to be more resistant to climate changes , harmful toxins or bacterial infections , while tardigrades also added survival of extreme conditions such as exposure to extreme temperatures , extreme pressures , air deprivation , radiation , dehydration , and starvation. They have several defense mechanisms , including: A metabolic rate that gets as low as 0.01 percent of the normal rate. Organs protected by a sugary gel called trehalose. A protein that shields their DNA from radiation harm. Synthesis of cryoprotectant in chilly temperatures to prevent the development of ice crystals.Northern short-tailed shrew , the Inland Taipan , Greater blue-ringed octopus and the Komodo Dragon's DNA also added special cavities and glands in the skull that gave her infrared vision , and highly toxic saliva. Said DNA also gave her the ability to open her mandibles and jaws as wide as a snake , specifically at around 90 degrees.Lastly , DNA from a whiptail lizard was added for reproduction purposes. ,
The hybrid was created by modifying the genome of a Tyrannosaurus rex , with the DNA of three other theropods. Known species that were included were Utahraptor , Saurophaganax , and Giganotosaurus. There was also the DNA of Quadrupes like Triceratops , and Scelidosaurus. DNA of modern animals such as Greater blue-ringed octopus , Inland Taipan , Northern Short-tailed Shrew , Komodo Dragon , Opossum , Mongoose , Ape , Whiptail Lizard , Cuttlefish , and Tardigrades. The genome of Tyrannosaurus rex , Triceratops and Giganotosaurus was used as the base genome for the hybrid. Including the shape of the head in some parts from Giganotosaurus and Triceratops. It also gave the Indominus rex an incredibly strong bite that could crush bulletproof glass. Utahraptor DNA was added for high levels of intelligence and the ability to make plans , decisions and pack hunting. Reduced hind legs and Ape DNA added Knuckle-walking Quadruped. Triceratops , and Scelidosaurus were added to act as a biological form of armor that absorbed most of the incoming attacks. Northern short-tailed shrew , the Inland taipan's retractable fangs and the Komodo Dragon DNA was used to form the teeth of the Indominus that were used to tear through the flesh and armor of opponents. Saurophaganax and Ape DNA added the presence of long strong arms with slashing hook claws and the use of tools. A swipe of the hybrid's claws would take down bigger opponents. While using tools for smaller elusive prey. Cuttlefish genes were intended to help the Venenosus withstand an accelerated growth , but it also added chromatophore cells in the skin so it could change the shape , color , and texture of its skin like a cuttlefish. Opossum , Mongoose and Tardigrades DNA was added for the Venenosus to be more resistant to climate changes , harmful toxins or bacterial infections , while tardigrades also added survival of extreme conditions such as exposure to extreme temperatures , extreme pressures , air deprivation , radiation , dehydration , and starvation. They have several defense mechanisms , including: A metabolic rate that gets as low as 0.01 percent of the normal rate. Organs protected by a sugary gel called trehalose. A protein that shields their DNA from radiation harm. Synthesis of cryoprotectant in chilly temperatures to prevent the development of ice crystals.Northern short-tailed shrew , the Inland Taipan , Greater blue-ringed octopus and the Komodo Dragon's DNA also added special cavities and glands in the skull that gave her infrared vision , and highly toxic saliva. Said DNA also gave her the ability to open her mandibles and jaws as wide as a snake , specifically at around 90 degrees.Lastly , DNA from a whiptail lizard was added for reproduction purposes. ,
The hybrid was created by modifying the genome of a Tyrannosaurus rex , with the DNA of three other theropods. Known species that were included were Utahraptor , Saurophaganax , and Giganotosaurus. There was also the DNA of Quadrupes like Triceratops , and Scelidosaurus. DNA of modern animals such as Greater blue-ringed octopus , Inland Taipan , Northern Short-tailed Shrew , Komodo Dragon , Opossum , Mongoose , Ape , Whiptail Lizard , Cuttlefish , and Tardigrades. The genome of Tyrannosaurus rex , Triceratops and Giganotosaurus was used as the base genome for the hybrid. Including the shape of the head in some parts from Giganotosaurus and Triceratops. It also gave the Indominus rex an incredibly strong bite that could crush bulletproof glass. Utahraptor DNA was added for high levels of intelligence and the ability to make plans , decisions and pack hunting. Reduced hind legs and Ape DNA added Knuckle-walking Quadruped. Triceratops , and Scelidosaurus were added to act as a biological form of armor that absorbed most of the incoming attacks. Northern short-tailed shrew , the Inland taipan's retractable fangs and the Komodo Dragon DNA was used to form the teeth of the Indominus that were used to tear through the flesh and armor of opponents. Saurophaganax and Ape DNA added the presence of long strong arms with slashing hook claws and the use of tools. A swipe of the hybrid's claws would take down bigger opponents. While using tools for smaller elusive prey. Cuttlefish genes were intended to help the Venenosus withstand an accelerated growth , but it also added chromatophore cells in the skin so it could change the shape , color , and texture of its skin like a cuttlefish. Opossum , Mongoose and Tardigrades DNA was added for the Venenosus to be more resistant to climate changes , harmful toxins or bacterial infections , while tardigrades also added survival of extreme conditions such as exposure to extreme temperatures , extreme pressures , air deprivation , radiation , dehydration , and starvation. They have several defense mechanisms , including: A metabolic rate that gets as low as 0.01 percent of the normal rate. Organs protected by a sugary gel called trehalose. A protein that shields their DNA from radiation harm. Synthesis of cryoprotectant in chilly temperatures to prevent the development of ice crystals.Northern short-tailed shrew , the Inland Taipan , Greater blue-ringed octopus and the Komodo Dragon's DNA also added special cavities and glands in the skull that gave her infrared vision , and highly toxic saliva. Said DNA also gave her the ability to open her mandibles and jaws as wide as a snake , specifically at around 90 degrees.Lastly , DNA from a whiptail lizard was added for reproduction purposes. ,
a stunning interpretation of a glamour portrait of young Enid Blyton looking like a witchy supermodel Maleficent , in the style of Marcin Nagreba and Tim Flach , wearing haute coture clothing , magic-based jewellery and lightning fascinator , outside a magical faraway tree as background , royal blue and cyan tones and dramatic light , no text , sharp focus , editorial portrait- ar 9:16 ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe An impossibly tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , and gargantuan , inhumanly large augmented bosom , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , along with the massively augmented implant containing bosom , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than humanly possible , massive in every single way—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe An impossibly tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , and huge augmented bosom , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than a basketball—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose turquoise water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe A tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than a basketball—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,
El Guardián Lumínico (Imagen Principal) Prompt para IA: Una majestuosa silueta humanoide hecha completamente de icebergs fractales y cristalinos. Desde su interior emana un poderoso núcleo de luz azul neón y destellos dorados , iluminando las grietas del hielo. La paleta de colores se centra en blancos diamantinos , azules profundos y púrpuras de aurora austral. El fondo es un mapa estelar cósmico superpuesto sobre una desolada Antártida. Un sutil haz de luz conecta el Polo Sur con dos puntos brillantes en el horizonte. Partículas de nieve flotan a su alrededor; algunas , al observarlas de cerca , forman coordenadas geográficas y códices antiguos. Estilo épico , renderizado 3D fotorrealista , iluminación cinematográfica , hiperdetallado , 4K. Justificación Conceptual: Es la imagen "héroe" del proyecto. Presenta el NFT base en todo su esplendor , comunicando inmediatamente los elementos clave: Antártida , luz ancestral y el misterio por descubrir. Ideal para la página principal del sitio web y el anuncio principal. ,
Creating a cover (covers) for YouTube / VKontakte / Zen videos It is necessary to create an attractive , clickable cover for a video that will be used on YouTube , VKontakte and Yandex.Zen. It is important that the cover visually appears on the feed , arouses interest and motivates the user to click on the video.YouTube will use a cover selection function (voting from three options) , so it is advisable to make 2-3 different options in a single style to test which one will get more views. What is required: Clickable , bright , emotional cover (or several). Format: 1280×720 px , 16:9. Consideration of platform features: YouTube , VK and Yandex.Zen.Working with visual composition (background , title , face , emotions , colors , etc.). If possible , a short consultation on choosing the final version and recommendations. From the performer: Experience in creating covers for YouTube or blogs. Portfolio (required). Ability to quickly and understandingly approach the task of promotion. Willingness to make 1-2 edits based on the results ,
Creating a cover (covers) for YouTube / VKontakte / Zen videos It is necessary to create an attractive , clickable cover for a video that will be used on YouTube , VKontakte and Yandex.Zen. It is important that the cover visually appears on the feed , arouses interest and motivates the user to click on the video.YouTube will use a cover selection function (voting from three options) , so it is advisable to make 2-3 different options in a single style to test which one will get more views. What is required: Clickable , bright , emotional cover (or several). Format: 1280×720 px , 16:9. Consideration of platform features: YouTube , VK and Yandex.Zen.Working with visual composition (background , title , face , emotions , colors , etc.). If possible , a short consultation on choosing the final version and recommendations. From the performer: Experience in creating covers for YouTube or blogs. Portfolio (required). Ability to quickly and understandingly approach the task of promotion. Willingness to make 1-2 edits based on the results ,
Here’s a comprehensive description of Hercule Poirot as Agatha Christie wrote him — with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- 📖 Hercule Poirot — Literary Description (with Source Quotes) --- 🧍♂️ 1. Physical Appearance 🔹 “A little man with an egg-shaped head” — The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > 🎥 Closest portrayals: 🔸 David Suchet – nails the “little man” shape and tilting head 🔸 Finney – correct manner but taller 🔸 Branagh – too tall and lean 🔸 Ustinov – too broad and casual in posture --- 🥸 2. Moustache 🔹 “The finest moustache in all England — and perhaps in all Europe.” — Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > “He had a moustache guard to keep it neat in his sleep.” — The Mysterious Affair at Styles (1920) > 🎥 Closest portrayals: 🔸 David Suchet – accurate size and grooming 🔸 Kenneth Branagh – large but overly stylized (double-layered) 🔸 Peter Ustinov – too understated 🔸 Finney – neat , but not extravagant enough --- 👔 3. Dress & Grooming 🔹 “Always immaculate. His clothes were faultless. His boots shone.” — The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > 🎥 Closest portrayals: 🔸 Suchet – perfect suits , shoe polish , gloves 🔸 Finney – clean but not as fussy 🔸 Branagh – a bit too dramatic in grooming --- 🧠 4. Intelligence & Method 🔹 “I am not one to rely upon physical evidence. I use the little grey cells.” — The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > 🎥 Closest portrayals: 🔸 Suchet – pure psychological method 🔸 Finney – sharp intellect , but less emphasized 🔸 Ustinov – more jovial , less “grey cell” driven 🔸 Branagh – mixes emotion and action unnecessarily --- 🗣️ 5. Speech & Accent 🔹 “His English was precise , but with a foreign accent.” — Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > 🎥 Closest portrayals: 🔸 Suchet – perfect subtle Belgian accent 🔸 Finney – formal , slight accent 🔸 Branagh – inconsistent Belgian-French tone 🔸 Ustinov – more laid-back , not authentic Belgian --- 🧼 6. Personality & Mannerisms 🔹 “Everything must be tidy and symmetrical.” — The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > 🎥 Closest portrayals: 🔸 Suchet – obsessive , neat , respectful 🔸 Ustinov – polite but too casual 🔸 Finney – more reserved , dignified 🔸 Branagh – too emotional at times (e.g. crying in Death on the Nile) --- 💬 7. Humor & Warmth 🔹 “Poirot smiled — that slow smile that came rarely , but lighted up his whole face.” — Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > 🎥 Closest portrayals: 🔸 Suchet – subtle warmth and charm 🔸 Ustinov – more humorous , sometimes too light 🔸 Branagh – goes for modern emotion --- 🏁 Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finney’s formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- 🏆 Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchet’s mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,
Render a realistic spherical planet that fills the frame , with fictional , non-Earth landmasses. The landmasses should be textured and colored based on the provided example images. Instead of oceans , leave all non-land areas as clean alpha transparency. The result should be a full 3D planet — not a flat map — with only the continents visible , and the rest of the globe fading into alpha where water would be. No stars , no space , no atmosphere , no background — just the planet on alpha ,