Search Results for active
Explore AI generated designs, images, art and prompts by top community artists and designers.
Full body character lineup of the fantasy party standing side-by-side for scale comparison: 1. Bran (Short Stout Dwarf , holding Massive Rectangular Tower Shield) far left. 2. Elisa (Curvy Human Cleric , fitted half-plate , Heater Shield) middle left. 3. Aidan (Tall Black Commander , Broadsword on hip , NO shield) center. 4. Gerath (Tiefling Warlock , horns , Glaive-staff) middle right. 5. Lea (Slender Elf Scout , tight leather , Bow) far right. Plain grey background. Style: Angular Gothic Cartoon style , thick expressive black ink outlines , sharp geometric shapes , hard-edged cel-shading , flat colors , stylish dark fantasy comic book vibe , eye-catching attractive heroic art style , fantasy pin-up aesthetic , fantasy anatomy , Mike Mignola style mixed with Castlevania animation style , vector-like clarity , high contrast. --ar 16:9 ,
extreme close-up half-portrait of a young woman. Razor-sharp focus on her deeply contemplative eye. and long , wavey hair forming dramatic , harsh , volumetric window-light shadows (suggesting palm leaves or blinds) across her face. Her lips are parted slightly , soft , and natural. Her eyes are bright , cool blue with a hint of grey , slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip , clearly adorned with a small silver nose ring piercing on her left nostril , catching the light with a subtle metallic reflection. Her lips are full with natural fine lines , warm rose-brown in color , subtly highlighted by the flash. Her skin has a warm , sun-kissed bronze tone with visible freckles , natural pores , faint veins , and a subtle sheen that reflects the flash realistically. Her hair is deep brunette , long and wavy with curtain bangs , a few realistic flyaways framing her face , humidity-reactive strands catching light. The entire right side of the image , background and all , falls off into deep , creamy , dreamy bokeh blur , with extremely shallow depth of field and subject isolation. Arthouse movie-like , minimalist , profoundly melancholic , haunting atmosphere with subtle film grain and minimal vignette. ar-3:4 ,
A hyperrealistic 8K ultra-high-definition cinematic photograph of a vast , bustling , and highly efficient modern logistics center. The scene is alive with dynamic activity: numerous forklifts and automated guided vehicles (AGVs) smoothly navigate across the polished concrete floor , transporting pallets stacked high with a diverse range of goods. Long , intricate conveyor belts run overhead and at floor level , moving packages rapidly through various sorting and packing stations. Towering , multi-tiered shelving units extend majestically towards the high ceiling , neatly organized with inventory , creating an imposing sense of scale. In the mid-ground , workers in bright safety vests are actively engaged in their tasks: some meticulously sorting packages , others scanning barcodes with handheld devices , and operating control panels. Automated robotic arms precisely pick and place items from shelves , demonstrating technological prowess. Overhead , drones might be seen performing inventory scans , adding a subtle futuristic touch to the advanced warehouse operation. The lighting is a sophisticated mix of bright industrial LED lights illuminating the vast space and natural daylight streaming in through large skylights and expansive windows , creating areas of sharp focus , realistic reflections on the floor , and subtle , dramatic shadows. Dust motes are faintly visible dancing in the strong beams of light , adding to the gritty realism and active atmosphere. The overall composition conveys organized chaos , precision , and continuous motion , vividly capturing the essence of modern supply chain operations at its peak efficiency. ,
extreme close-up half-portrait of a young woman. Razor-sharp focus on her deeply contemplative eye. and long , wavey hair forming dramatic , harsh , volumetric window-light shadows (suggesting palm leaves or blinds) across her face. Her lips are parted slightly , soft , and natural. Her eyes are bright , cool blue with a hint of grey , slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip , clearly adorned with a small silver nose ring piercing on her left nostril , catching the light with a subtle metallic reflection. Her lips are full with natural fine lines , warm rose-brown in color , subtly highlighted by the flash. Her skin has a warm , sun-kissed bronze tone with visible freckles , natural pores , faint veins , and a subtle sheen that reflects the flash realistically. Her hair is deep brunette , long and wavy with curtain bangs , a few realistic flyaways framing her face , humidity-reactive strands catching light. The entire right side of the image , background and all , falls off into deep , creamy , dreamy bokeh blur , with extremely shallow depth of field and subject isolation. Arthouse movie-like , minimalist , profoundly melancholic , haunting atmosphere with subtle film grain and minimal vignette. ar-3:4 ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
8k resolution , Masterpiece , top masterpiece , silk orange gradient skirt , aestheticism , carp girl , fluffy blue hair , luminescence , beads , hair ribbon , peach , longeyelashes , cute , nose blush , ultra-high definition , dreamlike , gorgeous , gentle , small , attractive , delicious , crystal clear , crystal , sweet , movie light , fishing net , tulle , butterfly , aestheticism ,
I need to visualize what a page might look like in a mobile app where the client sees only one phrase: "Roaming service enabled" in green , with a green checkmark in a circle next to it. And at the bottom is an active "Continue" button in red. How might this look in light and dark themes in a telecom operator's mobile app? ,
A dark fantasy style image of a strong , attractive fallen dark angel under a large bright full moon. He wears black ripped jeans and his bare muscular chest is covered in tattoos. He has vivid blue eyes. He sits on a swing hanging from a large tree over a dark tranquil lake. He has long , straight dark hair that falls down his shoulders and his large black feathery wings are outstretched wide.The dark night sky above twinkles with stars and a purple and green aurora borealis that reflects off the surface of the dark water below ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A bulky Indian muscular woman taking a mirror selfie in a gym , flexing her biceps of one arm , wearing a black bikini , wrist wraps , hair tied up in a bun , realistic lighting , gym equipment in the background , confident expression , detailed muscles , realistic skin tone , full body visible , high-resolution , dynamic pose , painted black toenails and nails , showing her full body , sweaty body , very big implants , attractive barefoot. ,
A bulky Indian muscular woman taking a mirror selfie in a gym , flexing her biceps of one arm , wearing a black bikini , wrist wraps , hair tied up in a bun , realistic lighting , gym equipment in the background , confident expression , detailed muscles , realistic skin tone , full body visible , high-resolution , dynamic pose , painted black toenails and nails , showing her full body , sweaty body , very big implants , attractive barefoot. ,
A bulky Indian muscular woman taking a mirror selfie in a gym , flexing her biceps of one arm , wearing a black bikini , wrist wraps , hair tied up in a bun , realistic lighting , gym equipment in the background , confident expression , detailed muscles , realistic skin tone , full body visible , high-resolution , dynamic pose , painted black toenails and nails , showing her full body , sweaty body , very big implants , attractive barefoot. ,
A bulky Indian muscular woman taking a mirror selfie in a gym , flexing her biceps of one arm , wearing a black bikini , wrist wraps , hair tied up in a bun , realistic lighting , gym equipment in the background , confident expression , detailed muscles , realistic skin tone , full body visible , high-resolution , dynamic pose , painted black toenails and nails , showing her full body , sweaty body , very big implants , attractive barefoot. ,
A bulky Indian muscular woman taking a mirror selfie in a gym , flexing her biceps of one arm , wearing a black bikini , wrist wraps , hair tied up in a bun , realistic lighting , gym equipment in the background , confident expression , detailed muscles , realistic skin tone , full body visible , high-resolution , dynamic pose , painted black toenails and nails , showing her full body , sweaty body , very big implants , attractive barefoot. ,
A premium 3D product mockup of a supplement box for "Brahmanand’s KAAMRAJ Capsules". - Box shape: rectangular , standing upright , viewed at a slight angle (front face clearly visible). - Background: clean white studio backdrop with soft shadows. - Design style: minimal and premium. - Brand name: “Brahmanand’s” in small , elegant font at the top. - Product name: **KAAMRAJ** in bold , modern golden lettering (metallic effect). - Subline: “Men’s Power Booster” below the product name in clean , smaller font. - Colors: cream/white background with gold and black accents. - Minimal Ayurvedic feel without clutter — no busy patterns , no extra graphics. - Include only 1–2 small authenticity seals neatly placed in the top corner. - Look: professional , premium , consumer-friendly , clean , attractive. ,
A candid street photo of an attractive 한국여성 sitting at the table in front , with her head turned to look out from behind and towards another man walking by on new york city sidewalk , outside cafe window , shot through glass reflection , natural lighting , natural colors , Fujifilm X100V camera , detail hands --ar 16:9 --raw --p cz2pqao ,
Her face isn’t a face—it’s a Nova fractal bloom—grown entirely from feedback-fed disco light. No skin , no bone—only recursive brilliance: #escape gradients surge through Nova-wave cheek hollows; #orbit radiant L-System spirals entwine her jawline like sacred ivy in club-light bloom. Lips = glowing IFS lace—mirror-structured and endlessly folding , tinted with angle-reactive #iridescence. Her eyes are not orbs but Buddhabrot cores—each iris a spiritual echo , blooming with recursive soulfire and mirrorworld math-memory. Her entire visage shines as #distance estimator shells spiral through overlapping attractor planes—layered sacred hologlyphs pulsing to Studio 54 rhythm logic. Hair erupts like spectral vinework: branching L-System toroids twist with recursive Fibonacci bloom , interlaced with spectral fractal roots and Julia firelace—all trailing #bokeh gleamtrails of radiant iteration static. ,