Explore AI generated designs, images, art and prompts by top community artists and designers.

((High Res photograph)) , 8k , ((70 year old homeless woman)) , semi profile image , womans eyes looking back at viewer , (( big belly)) , ((dressed in tight short singlet)) , ((low cut)) , saggy , ((skinny legs)) , ((white flat shoes)) , ((average looking)) , ((black hair)) with ((grey streak)) , ((standing in front of tent)) ((beer in hand)) ,

((High Res photograph)) , 8k , ((70 year old homeless woman)) , semi profile image , womans eyes looking back at viewer , (( big belly)) , ((dressed in tight short singlet)) , ((low cut)) , saggy , ((skinny legs)) , ((white flat shoes)) , ((average looking)) , ((black hair)) with ((grey streak)) , ((standing in front of tent)) ((beer in hand)) ,


((70 year old woman)) , wrinkles , white skin black hair with grey streaks((homeless)) , (wearing dirty low cut dress)) , ((sexy)) , ((standing alone)) (in front if her tent) in secluded park , she faces the camera , ((cigarette in her fingers)) , (high quality) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , ((no people in background)) ((empty wine bottleson ground)) ,

((70 year old woman)) , wrinkles , white skin black hair with grey streaks((homeless)) , (wearing dirty low cut dress)) , ((sexy)) , ((standing alone)) in secluded park , she faces the camera , she has a smoke in her fingers , (high quality) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , ((no people in background)) ,

((70 year old woman)) , wrinkles , white skin black hair with grey streaks((homeless)) , (wearing dirty low cut dress)) , ((sexy)) , standing in secluded park , she faces the camera , she has a smoke in her fingers , (high quality) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , ,

A sleek , silver sports car with glowing neon blue accents , hurtling across the dusty lunar surface. The car's tires leave deep tracks in the fine , grey regolith. The Earth hangs large and blue in the distant sky , a stark contrast to the black , cratered landscape. The car's headlights illuminate the surrounding dust , creating a hazy , ethereal glow. The vehicle's design is aerodynamic and angular , with sharp lines and a low profile. The scene is captured in a dynamic , action-packed style with a sense of speed and motion. ,


Boa Hancock from One Piece , with long hair , glasses , gold earrings , and a bracelet. She is wearing a tight black leather dress , a see-through sheer mesh-sleeve top , and gold high heels. The scene features her elegantly leaning on a vintage , ornate black leather sofa with gold carvings , set against a simple , solid grey wall. The style is realistic , blending fashion photography with the texture of an exquisite portrait. The main color palette is black and gold with a light grey background , creating a noble and cool-glam atmosphere. The composition is a front-oblique angle , showcasing her posture and leg lines. Emphasize 4K HD quality and an original AIGC wallpaper texture , highlighting the gloss of the leather dress , the transparency of the sheer sleeves , the metallic luster of the accessories , and the character's exquisite makeup to create an overall fashionable , refined , and light luxury visual effect. ,

full body portrait , young man (age 20-23) , dark fantasy aesthetic , cinematic lighting , intricate details , ultra-detailed , 8k , sharp focus , dramatic angle , depth of field , masterpiece , art by Ilya Kuvshinov and Ayami Kojima , ((heterochromia: left eye vibrant crimson red , right eye deep cold sapphire blue)) , intense , excited , slightly insane gaze , piercing stare , long , straight , jet-black hair , well-groomed , (glowing crimson tips:1.3) , hair emitting faint red light at ends , smooth , pale , slightly dry skin , no facial hair , visible thin white scars on left cheek , (burn scar edge visible near mask:1.2) , wearing a (broken ceramic mask:1.4) covering right half of face , intricate pulsating crimson pattern on mask focused around right eye , tattered clothing , ripped dark grey shirt revealing large dark red/black tattoo on back (broken wings , barbed wire , ouroboros) , ripped sleeves revealing tattoo sleeves: left arm (gears and thorns) , right arm (broken chains) , asthenic build , tall and slender (185cm) , narrow shoulders , slightly hunched posture , chaotic energy , standing in a desolate urban ruin or dimly lit alleyway , backlight emphasizing hair glow , smoldering hatred in expression , cold madness , dynamic pose , sharp movement , looking directly at viewer , challenging stare , color palette: black , crimson , dark grey , deep blue , desaturated tones , high contrast , --ar 16:9 --style raw --no empathy , smile , kindness , full face reveal , intact clothing , modern fashion , happiness , warm colors ,

A 15-year-old Black girl with warm , rich brown skin and longer , naturally curly hair. Her curls are soft and well-kept , framing her face gently. Sometimes she wears her hair in neat braids , but never in pigtails. She has mature facial features and wears simple rectangular glasses that give her a calm , thoughtful expression. Her body is slim and petite , with a C cup breast size and delicate proportions. She has the natural grace of someone still growing into herself , with a quiet confidence in her posture. Her style is casual yet cuteβshe wears a crop top grey sweater paired with jeans. She presents as feminine in a relaxed , approachable wayβnot flashy or overly mature. She looks like someone who enjoys expressing herself through subtle details , like how she parts her hair or chooses the texture of her sweater. Her expression is kind , maybe a little shy , and quietly observant. ,

*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIRTHE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM.AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG ,

an epic fantasy comic book style portrait painting of a young dark haired girl with a pixie cut wearing a grey retro space uniform , standing in front of a computer library , intelligent face , sci - fi , intricate , elegant , highly detailed , digital painting , symmetry , beauty , artstation , concept art , matte , sharp focus , illustration , art by sally mann and greg rutkowski and jim burns and alan lee ,

*CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A YOUNG MAN WITH THE SAME FACE AS UPLOADED] WITH A CONFIDENT DEMEANOUR. HIS HEAD IS ADORNED WITH VOLUMINOUS , ADDING TEXTURE AND DEPTH TO THE COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE STYLE , STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS CALM YET DETERMINED , WITH ONE EYE PARTIALLY OBSCURED BY A BOLD RED RECTANGULAR OVERLAY THAT ADDS A MODERN , ARTISTIC FLAIR THE BACKGROUND IS A SMOOTH , TEXTURED GREY CANVAS , SERVING AS A NEUTRAL BACKDROP THAT ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE IMAGE , THE WORD "PAUL SOMENDRA IS REPEATED IN LARGE , BOLD BLACK LETTERS WITH A SLIGHT TRANSPARENCY EFFECT , CREATING A LAYERED , DYNAMIC LOOK INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE LOGO IN RED NEAR THE TOP , A STYLIZED RED "S" LOWER DOWN , AND A VERTICAL RED LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT , A RED GEOMETRIC FRAME SURROUNDS THE OBSCURED EYE , DRAWING ATTENTION TO THE INTERPLAY OF COLOUR AND FORM. AT THE BOTTOM RIGHT , THE PHRASE "WORK SMART NOT HARD" IS WRITTEN IN BOLD RED CAPITAL LETTERS , WITH "SMART" IN A SMALLER , ELEGANT CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH "GRAPHICS" IN A MATCHING STYLE , SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER FEATURES THE HASHTAG #PAUL" IN RED. REINFORCING THE IDENTITY THEME. THE YOUNG MAN'S ATTIRE , A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN COLLAR , ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET , WHILE THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES , CREATING A COHESIVE , HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY. PHOTOREALISTIC , SHALLOW DEPTH OF FIELD , HIGH-RESOLUTION DSLR QUALITY , HASSELBLAD X2D 100C , SHALLOW DEPTH OF FIELD , SHARPLY FOCUSED ON ME. 4:5 ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC , HYPER DETAILED* ,

Hereβs a comprehensive description of Hercule Poirot as Agatha Christie wrote him β with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- π Hercule Poirot β Literary Description (with Source Quotes) --- π§ββοΈ 1. Physical Appearance πΉ βA little man with an egg-shaped headβ β The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > π₯ Closest portrayals: πΈ David Suchet β nails the βlittle manβ shape and tilting head πΈ Finney β correct manner but taller πΈ Branagh β too tall and lean πΈ Ustinov β too broad and casual in posture --- π₯Έ 2. Moustache πΉ βThe finest moustache in all England β and perhaps in all Europe.β β Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > βHe had a moustache guard to keep it neat in his sleep.β β The Mysterious Affair at Styles (1920) > π₯ Closest portrayals: πΈ David Suchet β accurate size and grooming πΈ Kenneth Branagh β large but overly stylized (double-layered) πΈ Peter Ustinov β too understated πΈ Finney β neat , but not extravagant enough --- π 3. Dress & Grooming πΉ βAlways immaculate. His clothes were faultless. His boots shone.β β The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > π₯ Closest portrayals: πΈ Suchet β perfect suits , shoe polish , gloves πΈ Finney β clean but not as fussy πΈ Branagh β a bit too dramatic in grooming --- π§ 4. Intelligence & Method πΉ βI am not one to rely upon physical evidence. I use the little grey cells.β β The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > π₯ Closest portrayals: πΈ Suchet β pure psychological method πΈ Finney β sharp intellect , but less emphasized πΈ Ustinov β more jovial , less βgrey cellβ driven πΈ Branagh β mixes emotion and action unnecessarily --- π£οΈ 5. Speech & Accent πΉ βHis English was precise , but with a foreign accent.β β Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > π₯ Closest portrayals: πΈ Suchet β perfect subtle Belgian accent πΈ Finney β formal , slight accent πΈ Branagh β inconsistent Belgian-French tone πΈ Ustinov β more laid-back , not authentic Belgian --- π§Ό 6. Personality & Mannerisms πΉ βEverything must be tidy and symmetrical.β β The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > π₯ Closest portrayals: πΈ Suchet β obsessive , neat , respectful πΈ Ustinov β polite but too casual πΈ Finney β more reserved , dignified πΈ Branagh β too emotional at times (e.g. crying in Death on the Nile) --- π¬ 7. Humor & Warmth πΉ βPoirot smiled β that slow smile that came rarely , but lighted up his whole face.β β Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > π₯ Closest portrayals: πΈ Suchet β subtle warmth and charm πΈ Ustinov β more humorous , sometimes too light πΈ Branagh β goes for modern emotion --- π Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finneyβs formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- π Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchetβs mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,