Explore AI generated designs, images, art and prompts by top community artists and designers.

Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,

A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment.A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery.The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them.Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene.The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. ,

A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment.A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery.The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them.Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene.The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. ,

A futuristic space travel ticket , clearly indicating a trip to the future , with the destination year "2035" prominently displayed and emphasized in a vibrant neon blue holographic font. The ticket boasts a sleek , modern design with holographic elements and futuristic fonts , adorned with intricate patterns evocative of constellations and nebulae. The background features a gradient of deep blues and purples , resembling a starry expanse , with a shimmering , ethereal texture. The ticket's surface exhibits a subtle holographic animation , showcasing the journey through hyperspace with a dynamic , futuristic aesthetic. The ticket also includes the traveler's name and a unique boarding pass number for a seamless and organized journey into the future. ,

do a family photo of me and my family in the park wearing all white: Mum - 1970 , short , bushy little curly shortish hair , tongan , abit more on the bigger side but not too big Dad - 1970 , moustache and ab6ft he has a bit of a beer belly but has chicken legs , also tongan Sister.1 - 1997 , skinny , long black hair holding a chubby 1 year old boy. both tongan Sister.2 - 1998 , chubby but not too chubby , long black hair. tongan Brother.1 - 1999 , long beard and tall vut not like 6ft tall. tongan. like typical islander size not too big not too small but big calves , long hair vut not too long also wearing a hat Sister .3 - 2000 , skinny , long black hair w blonde streaks , holding a 4 year old tongan girl w a birthmark on her right cheek. curly hair brother.2 - 2003 , tall , 6ft1 , muscular skinny fit w a beard and tongan w shirt hair sister.4 - 2006 , skinny w straight long black hair also tongan brother.3 - 6ft tall and skinny stomach but thighs and calves are big. Short hair neice - curly hair girl about 10 years old also tongan hispanic brother in law- 1995 , bald headed tall guy. have him hugging sister.1 sister in law - 1999 , long black hair and a bit more bigger but not like fat like still skinny. have her hugging brother.1 ,


The drawing style is as minimalistic as possible , without unnecessary shadows or details , just a puzzle.You have a 7-piece jigsaw puzzle. They are arranged so that the largest piece of the puzzle lies in the center , and the rest of the puzzle pieces are attached to it in such a way that a square is formed as a result. Keep in mind that you can use not only the basic shapes of the puzzle pieces , but also those that you come up with yourself , only with one prerequisite - the puzzle must be assembled into a square. The puzzle is white , the background is blue ,

The drawing style is as minimalistic as possible , without unnecessary shadows or details , just a puzzle.You have a 7-piece jigsaw puzzle. They are arranged so that the largest piece of the puzzle lies in the center , and the rest of the puzzle pieces are attached to it in such a way that a square is formed as a result. Keep in mind that you can use not only the basic shapes of the puzzle pieces , but also those that you come up with yourself , only with one prerequisite - the puzzle must be assembled into a square. The puzzle is white , the background is blue ,

A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment. A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery. The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them. Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene. The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. , ,

"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff that is taller than she is in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots. ,

"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots ,

"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a heavy AWP rifle strapped to her waist. Her long , sleek dark brown hair is tied into a stylish ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet with a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , balanced at 0.5 , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly figure in this post-apocalyptic world." ,

In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,

“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,

“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,

Setting: A dark and mystical forest , with tall trees and leaves filtering the moonlight. The atmosphere is mysterious and slightly surreal , with mist floating between the trees. Figure of a Man: In the center of the image , a man stands with a powerful and energetic posture. He wears a leather jacket with hard rock band patches , ripped jeans , and boots. His long hair blows in the wind , and in his hands , he holds an electric guitar. Guitar: The guitar is the central element. It has a striking design , with flaming details and a metallic finish. On the body of the guitar , in large , stylized letters , it says "Joel." The guitar appears to be vibrating with energy , as if about to break into an epic solo. Dorian Mode: In the background , among the trees , musical notes are seen floating in the air , forming the Dorian scale. The notes glow with a golden hue , giving a magical and musical touch to the scene. Hard rock details: On the ground near the man is a guitar amp with flashing lights and a pair of studded gloves. There's also a worn sign on the ground that says "Dorian Mode , " as if it were a legendary place in the woods. Atmosphere: The image has a dark yet vibrant tone , with colors like black , red , gold , and electric blue , evoking the essence of hard rock. ,

Setting: A dark and mystical forest , with tall trees and leaves filtering the moonlight. The atmosphere is mysterious and slightly surreal , with mist floating between the trees. Figure of a Man: In the center of the image , a man stands with a powerful and energetic posture. He wears a leather jacket with hard rock band patches , ripped jeans , and boots. His long hair blows in the wind , and in his hands , he holds an electric guitar. Guitar: The guitar is the central element. It has a striking design , with flaming details and a metallic finish. On the body of the guitar , in large , stylized letters , it says "Joel." The guitar appears to be vibrating with energy , as if about to break into an epic solo. Dorian Mode: In the background , among the trees , musical notes are seen floating in the air , forming the Dorian scale. The notes glow with a golden hue , giving a magical and musical touch to the scene. Hard rock details: On the ground near the man is a guitar amp with flashing lights and a pair of studded gloves. There's also a worn sign on the ground that says "Dorian Mode , " as if it were a legendary place in the woods. Atmosphere: The image has a dark yet vibrant tone , with colors like black , red , gold , and electric blue , evoking the essence of hard rock. ,

Setting: A dark and mystical forest , with tall trees and leaves filtering the moonlight. The atmosphere is mysterious and slightly surreal , with mist floating between the trees. Figure of a Man: In the center of the image , a man stands with a powerful and energetic posture. He wears a leather jacket with hard rock band patches , ripped jeans , and boots. His long hair blows in the wind , and in his hands , he holds an electric guitar. Guitar: The guitar is the central element. It has a striking design , with flaming details and a metallic finish. On the body of the guitar , in large , stylized letters , it says "Joel." The guitar appears to be vibrating with energy , as if about to break into an epic solo. Dorian Mode: In the background , among the trees , musical notes are seen floating in the air , forming the Dorian scale. The notes glow with a golden hue , giving a magical and musical touch to the scene. Hard rock details: On the ground near the man is a guitar amp with flashing lights and a pair of studded gloves. There's also a worn sign on the ground that says "Dorian Mode , " as if it were a legendary place in the woods. Atmosphere: The image has a dark yet vibrant tone , with colors like black , red , gold , and electric blue , evoking the essence of hard rock. ,

I want to generate an app game to make the interface of the building group in the snow look more "tall" , which can be optimized from the aspects of light and shadow , details and atmosphere: Enhance the effect of light and shadow: add soft global lighting , simulate the effect of snow reflecting sunlight , make the picture more bright and transparent; Add shadows to the building to enhance the three-dimensional sense , and at night you can also add warm colors of light to create a warm atmosphere. Detailed scene elements: rich snow details , such as different density of snow , snow piles; Add texture to the building , like the wear marks of wood , rust of metal; Add falling snow particles to make the scene more vivid. Adjust color matching: fine-tune the overall tone , increase contrast , and make the building and background more distinct; Add some bright colors , such as colored logos on buildings , to add vitality to the picture. Improve the texture of the picture: add fog or depth of field effect to create a sense of spatial hierarchy; Optimize the design of ICONS and UI elements so that they are consistent with the style of the scene and more refined. ,

The theme is Qingming Festival , and the main colors of the picture are light green and white , creating a fresh , solemn , and slightly melancholic atmosphere. The entire scene , through the combination of natural scenery and cultural elements , vividly portrays the connotation of the traditional festival of Qingming Festival , triggering viewers' profound thoughts on life and death , while also conveying their remembrance and respect for the deceased. ,

Summer vacation discounts banner. The background should include a vibrant image of a paradise beach with golden sand , turquoise waters , and a clear sky with the sun shining. Elements such as palm trees and a suitcase next to a sun lounger may also appear. The text should be large and attractive , with a bold title that says Summer of discounts! Below it , a subtitle with the offer: 'Take advantage of up to 50% OFFSummer vacation discounts banner. The background should include a vibrant image of a paradise beach with golden sand , turquoise waters , and a clear sky with the sun shining. Elements such as palm trees and a suitcase next to a sun lounger may also appear. The text should be large and attractive , with a bold title that says Summer of discounts! Below it , a subtitle with the offer: 'Take advantage of up to 50% OFF ,

In South Korea , beauty standards are influenced by traditional ideals , K-pop culture , and modern aesthetics. The general perception of beauty is often associated with youthful , delicate , and refined features. Here are some key characteristics:1. Facial FeaturesV-Shaped Jawline – A slim and well-defined jawline is considered attractive. Many people undergo cosmetic procedures to achieve this look.Big , Bright Eyes – Large eyes with double eyelids are preferred , often enhanced with makeup , eyelid surgery , or contact lenses.Small and High Nose – A straight or slightly upturned nose with a defined bridge is desirable.Clear and Flawless Skin – Pale , smooth , and blemish-free skin is a major beauty standard , often associated with skincare routines and treatments.2. Body FeaturesSlim Figure – A slender body with a small waist and long legs is highly valued. The "S-line" (curvy yet slim) and "11-line abs" (visible vertical abdominal lines) are often seen as ideal.Height Preference – Taller women are generally considered more attractive , though petite figures are also appreciated.3. Makeup I'd like to see her in the dress. ,

In South Korea , beauty standards are influenced by traditional ideals , K-pop culture , and modern aesthetics. The general perception of beauty is often associated with youthful , delicate , and refined features. Here are some key characteristics: 1. Facial Features V-Shaped Jawline – A slim and well-defined jawline is considered attractive. Many people undergo cosmetic procedures to achieve this look. Big , Bright Eyes – Large eyes with double eyelids are preferred , often enhanced with makeup , eyelid surgery , or contact lenses. Small and High Nose – A straight or slightly upturned nose with a defined bridge is desirable. Clear and Flawless Skin – Pale , smooth , and blemish-free skin is a major beauty standard , often associated with skincare routines and treatments. 2. Body Features Slim Figure – A slender body with a small waist and long legs is highly valued. The "S-line" (curvy yet slim) and "11-line abs" (visible vertical abdominal lines) are often seen as ideal. Height Preference – Taller women are generally considered more attractive , though petite figures are also appreciated. 3. Makeup & Fashion Natural Makeup Look – A fresh and youthful "no-makeup" makeup style is common , emphasizing soft colors , dewy skin , and gradient lips. Trendy & Feminine Fashion – Korean beauty is often complemented by stylish and elegant clothing , with a focus on pastel colors and minimalistic designs. 4. Influence of K-pop & Media The popularity of K-pop idols and actresses has a strong influence on beauty trends. Celebrities such as IU , Suzy , and Jennie from BLACKPINK set the standard for modern beauty in Korea , leading many to adopt similar styles. While these beauty standards are widely recognized , there is a growing movement toward self-love and diversity , encouraging people to embrace their unique features. please make a short movie with this conditions , please. ,

This is a high-resolution photograph capturing a close-up of a domestic cat lying on a rough , dirt ground. The cat , with a light brown coat and a slightly darker face , appears to be sleeping or unconscious. Its eyes are closed , and its ears are pointed upwards , indicating a relaxed state. The cat's fur is slightly wet , possibly from recent rain or dew , giving it a glossy texture. The most striking feature is a large , deep gash on the cat's neck , indicating a severe injury. Blood has pooled around the wound , which is dark and viscous , suggesting the injury is fresh. The cat's front left paw is also slightly bloody , adding to the sense of distress and urgency. The background is blurred but suggests a natural , outdoor setting with dark green foliage and the hint of sunlight filtering through the trees , casting a soft , warm glow over the scene. The ground is uneven and covered in small pebbles and dirt , adding to the rustic and somewhat desolate atmosphere. The overall mood of the image is somber and poignant , highlighting themes of vulnerability and the fragility of life. The text "Rabbit's Journey" is subtly overlaid at the bottom center of the image , indicating a narrative or story associated with this photograph. ,

Fairness means ensuring your analysis doesn't create or reinforce bias. This can be challenging , but if the analysis is not objective , the conclusions can be misleading and even harmful. In this reading , you’re going to explore some best practices you can use to guide your work toward a more fair analysis! Consider fairness Following are some strategies that support fair analysis: Best practice Explanation Example Consider all of the available data Part of your job as a data analyst is to determine what data is going to be useful for your analysis. Often there will be data that isn’t relevant to what you’re focusing on or doesn’t seem to align with your expectations. But you can’t just ignore it; it’s critical to consider all of the available data so that your analysis reflects the truth and not just your own expectations. A state’s Department of Transportation is interested in measuring traffic patterns on holidays. At first , they only include metrics related to traffic volumes and the fact that the days are holidays. But the data team realizes they failed to consider how weather on these holidays might also affect traffic volumes. Considering this additional data helps them gain more complete insights. Identify surrounding factors As you’ll learn throughout these courses , context is key for you and your stakeholders to understand the final conclusions of any analysis. Similar to considering all of the data , you also must understand surrounding factors that could influence the insights you’re gaining. A human resources department wants to better plan for employee vacation time in order to anticipate staffing needs. HR uses a list of national bank holidays as a key part of the data-gathering process. But they fail to consider important holidays that aren’t on the bank calendar , which introduces bias against employees who celebrate them. It also gives HR less useful results because bank holidays may not necessarily apply to their actual employee population. Include self-reported data Self-reporting is a data collection technique where participants provide information about themselves. Self-reported data can be a great way to introduce fairness in your data collection process. People bring conscious and unconscious bias to their observations about the world , including about other people. Using self-reporting methods to collect data can help avoid these observer biases. Additionally , separating self-reported data from other data you collect provides important context to your conclusions! A data analyst is working on a project for a brick-and-mortar retailer. Their goal is to learn more about their customer base. This data analyst knows they need to consider fairness when they collect data; they decide to create a survey so that customers can self-report information about themselves. By doing that , they avoid bias that might be introduced with other demographic data collection methods. For example , if they had sales associates report their observations about customers , they might introduce any unconscious bias the employees had to the data. Use oversampling effectively When collecting data about a population , it’s important to be aware of the actual makeup of that population. Sometimes , oversampling can help you represent groups in that population that otherwise wouldn’t be represented fairly. Oversampling is the process of increasing the sample size of nondominant groups in a population. This can help you better represent them and address imbalanced datasets. A fitness company is releasing new digital content for users of their equipment. They are interested in designing content that appeals to different users , knowing that different people may interact with their equipment in different ways. For example , part of their user-base is age 70 or older. In order to represent these users , they oversample them in their data. That way , decisions they make about their fitness content will be more inclusive. Think about fairness from beginning to end To ensure that your analysis and final conclusions are fair , be sure to consider fairness from the earliest stages of a project to when you act on the data insights. This means that data collection , cleaning , processing , and analysis are all performed with fairness in mind. A data team kicks off a project by including fairness measures in their data-collection process. These measures include oversampling their population and using self-reported data. However , they fail to inform stakeholders about these measures during the presentation. As a result , stakeholders leave with skewed understandings of the data. Learning from this experience , they add key information about fairness considerations to future stakeholder presentations. ,