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Explore AI generated designs, images, art and prompts by top community artists and designers.
A young , athletic woman stands against a plain gray wall under a spotlight. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are massive hyper-muscular and extremely exaggerated in size— 3 times larger than any real human’s—creating a comic book or fantasy bodybuilder effect. She wears a light string bikini top , with fishnet sleeves. She also wears light blue high-waisted bikini bottom. Her hair is blonde , tied back loosely with some strands framing her face. The lighting is bright , casting shadows that emphasize her massively exaggerated muscle mass , definition and the contours of her body. The image should have an extreme level of detail , photorealistic skin texture and fabric. The focus is on her massive muscles , and powerful presence. No background distractions , just the plain wall and a single small lamp or spotlight above her head. Make sure the overall mood is bold , striking , and visually impressive. hyper-muscular female fantasy strength photorealistic comic book hybrid style dramatic lighting bikini outfit , fishnet sleeves , bikini bottoms , strong , confident pose focused , smiling facial expression ,
A young , athletic woman stands against a plain gray wall under a spotlight. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are hyper-muscular and extremely exaggerated in size—vastly larger than any real human’s—creating a comic book or fantasy bodybuilder effect. She wears a light blue denim button-up shirt , with the sleeves cut off and frayed at the edges , the shirt tied in a knot above her waist to reveal her midriff. She also wears light blue high-waisted denim shorts that are distressed and ripped at the edges. Her hair is brown , tied back loosely with some strands framing her face. The lighting is dramatic , casting soft shadows that emphasize her exaggerated muscle mass and the contours of her body. The image should have a high level of detail , photorealistic skin texture and fabric , but with a slightly stylized , fantasy-video-game aesthetic—think a blend of realism and comic book exaggeration. The focus is on her upper body strength and powerful presence. No background distractions , just the plain wall and a single small lamp or spotlight above her head. Make sure the overall mood is bold , striking , and visually impressive. hypermuscular female fantasy strength photorealistic comic book hybrid style dramatic lighting , confident pose focused , serious facial expression huge bust , bikini ,
A young , athletic woman stands against a plain gray wall under a spotlight. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are hyper-muscular and extremely exaggerated in size—vastly larger than any real human’s—creating a comic book or fantasy bodybuilder effect. She wears a light blue denim button-up shirt , with the sleeves cut off and frayed at the edges , the shirt tied in a knot above her waist to reveal her midriff. She also wears light blue high-waisted denim shorts that are distressed and ripped at the edges. Her hair is brown , tied back loosely with some strands framing her face. The lighting is dramatic , casting soft shadows that emphasize her exaggerated muscle mass and the contours of her body. The image should have a high level of detail , photorealistic skin texture and fabric , but with a slightly stylized , fantasy-video-game aesthetic—think a blend of realism and comic book exaggeration. The focus is on her extreme upper body strength and powerful presence. No background distractions , just the plain wall and a single small lamp or spotlight above her head. Make sure the overall mood is bold , striking , and visually impressive. ultra huge hypermuscular female , fantasy strength , photorealistic comic book hybrid style , dramatic lighting denim outfit , frayed sleeves , ripped shorts strong , confident pose focused , serious facial expression ,
A young , athletic woman stands against a plain gray wall under a spotlight. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are hyper-muscular and extremely exaggerated in size—vastly larger than any real human’s—creating a comic book or fantasy bodybuilder effect. She wears a light blue denim button-up shirt , with the sleeves cut off and frayed at the edges , the shirt tied in a knot above her waist to reveal her midriff. She also wears light blue high-waisted denim shorts that are distressed and ripped at the edges. Her hair is brown , tied back loosely with some strands framing her face. The lighting is dramatic , casting soft shadows that emphasize her exaggerated muscle mass and the contours of her body. The image should have a high level of detail , photorealistic skin texture and fabric , but with a slightly stylized , fantasy-video-game aesthetic—think a blend of realism and comic book exaggeration. The focus is on her upper body strength and powerful presence. No background distractions , just the plain wall and a single small lamp or spotlight above her head. Make sure the overall mood is bold , striking , and visually impressive. hypermuscular female fantasy strength photorealistic + comic book hybrid style dramatic lighting denim outfit , frayed sleeves , ripped shorts strong , confident pose focused , serious facial expression ,
Interior 3D rendering of a modern living room with built-in full-height storage cabinets , stretching from the wall on the left to the side wall on the right. The cabinet should look like a single , integrated built-in furniture block with visible shadow gaps and realistic carpentry , completely flat with the wall. Use realistic cabinet depth , panel details , soft indirect lighting and premium materials (for example , matte varnish or MDF with satin coloring). The color of the wardrobe is beige. The entire cabinet , shelf style , material tone and placement of the object must exactly follow the reference image , except for adjusted proportions. The final design should seem clean , minimalistic , high-quality. There is a large gray sofa in front of the wardrobe. Made of premium fabric , it also has several pillows that can be put under the back , made of the same fabric as the sofa. There is a small coffee table made of dark gray concrete in front of the sofa. There is a white ceramic vase with twigs on the table. There is a white cotton woven carpet on the floor. The floor itself is of natural wood color , made of boards. Curtains in the color of the sofa. There is a soft warm light coming from the window. Artificial lighting is made with spot ceiling lamps. ,
Design a modern and visually attractive logo for a mobile app for sale of artisanal products from Ayacucho , known as "The city of the 33 churches." The logo must include the name "ñawi" , Quechua word that means "eye" or "vision" , and also represents traditional Andean tissue patterns. The design must integrate cultural symbols such as colonial churches , Ayacuchan flowers , Andean looms or artisanal ceramics , with an aesthetic , clean and professional approach. Use a warm palette (red , terracotta , beige , gold) , artisanal or pictographic seal style , combining tradition with modernity. The logo should be readable in small size , ideal for apps icons , with typography inspired by Andean manuscripts or textile crafts. Clear or neutral background , square or rounded format. It transmits fair trade values , living culture and handmade art. ,
I currently have eight Caladium plants , one Dioscorea elephantipes , one orchid , one wild pepper plant , one small money tree (Pachira aquatica) , two mounted staghorn ferns (Platycerium) , and two Begonia maculata. I also have several cuttings in a propagation box (which doesn't need attention for now). The windowsill measures 3 meters by 0.6 meters , with a north-facing window that is 1.8 meters wide and centered on the wall. Most of the plants are placed on the right side (east side) of the windowsill , where there's a shelf for arranging grow lights. The only small window that opens is also located on this side. ,
I currently have eight Caladium plants , one Dioscorea elephantipes , one orchid , one wild pepper plant , one small money tree (Pachira aquatica) , two mounted staghorn ferns (Platycerium) , and two Begonia maculata. I also have several cuttings in a propagation box (which doesn't need attention for now). The windowsill measures 3 meters by 0.6 meters , with a north-facing window that is 1.8 meters wide and centered on the wall. Most of the plants are placed on the right side (east side) of the windowsill , where there's a shelf for arranging grow lights. The only small window that opens is also located on this side. ,
mach eine spiel karte mit abgerundeten ecken sie sollte im hintergrund von unten rot sein und oben orange also ein schöber verlauf , unten bei der karte steht Karte aufdecken in weisserschrifft oben drüber dan ein pfeil der nach oben zeigt nicht zu gross dan sit da noch ein charakter in pixar art style der fängt bei der brust an und geht fas tbis ganz oben von der karte baer nur fasst oben ist noch genug platz frei ,
A female character , resembling Fiona Gallagher , with long hair , wearing a black t-shirt , skinny blue jeans , and a long black apron. Her face shows intense excitement and anticipation , with bright , energetic eyes and a lively expression. Crucially , her face is slightly flushed or reddened , indicating strong emotion. She is also gently biting her lower lip , adding a visual cue of concentration , anticipation , or a touch of nervous energy to her excited state. The lighting should focus on her face to highlight these subtle details and her overall expression. ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Design a modern and minimalist logo for a streetwear clothing brand named ‘Trident’. The logo should feature an abstract , sharp-edged symbol inspired by a trident — not a literal trident , but something stylized and powerful , evoking strength and attitude. The design must be bold and clean , suitable for large prints on clothing and also for smaller placements like chest logos. Use a monochrome or limited color palette (black , white , or dark tones). The overall vibe should feel sleek , edgy , and wearable as part of a modern fashion brand ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment.A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery.The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them.Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene.The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. ,
A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment.A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery.The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them.Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene.The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. ,
A futuristic space travel ticket , clearly indicating a trip to the future , with the destination year "2035" prominently displayed and emphasized in a vibrant neon blue holographic font. The ticket boasts a sleek , modern design with holographic elements and futuristic fonts , adorned with intricate patterns evocative of constellations and nebulae. The background features a gradient of deep blues and purples , resembling a starry expanse , with a shimmering , ethereal texture. The ticket's surface exhibits a subtle holographic animation , showcasing the journey through hyperspace with a dynamic , futuristic aesthetic. The ticket also includes the traveler's name and a unique boarding pass number for a seamless and organized journey into the future. ,
do a family photo of me and my family in the park wearing all white: Mum - 1970 , short , bushy little curly shortish hair , tongan , abit more on the bigger side but not too big Dad - 1970 , moustache and ab6ft he has a bit of a beer belly but has chicken legs , also tongan Sister.1 - 1997 , skinny , long black hair holding a chubby 1 year old boy. both tongan Sister.2 - 1998 , chubby but not too chubby , long black hair. tongan Brother.1 - 1999 , long beard and tall vut not like 6ft tall. tongan. like typical islander size not too big not too small but big calves , long hair vut not too long also wearing a hat Sister .3 - 2000 , skinny , long black hair w blonde streaks , holding a 4 year old tongan girl w a birthmark on her right cheek. curly hair brother.2 - 2003 , tall , 6ft1 , muscular skinny fit w a beard and tongan w shirt hair sister.4 - 2006 , skinny w straight long black hair also tongan brother.3 - 6ft tall and skinny stomach but thighs and calves are big. Short hair neice - curly hair girl about 10 years old also tongan hispanic brother in law- 1995 , bald headed tall guy. have him hugging sister.1 sister in law - 1999 , long black hair and a bit more bigger but not like fat like still skinny. have her hugging brother.1 ,
The drawing style is as minimalistic as possible , without unnecessary shadows or details , just a puzzle.You have a 7-piece jigsaw puzzle. They are arranged so that the largest piece of the puzzle lies in the center , and the rest of the puzzle pieces are attached to it in such a way that a square is formed as a result. Keep in mind that you can use not only the basic shapes of the puzzle pieces , but also those that you come up with yourself , only with one prerequisite - the puzzle must be assembled into a square. The puzzle is white , the background is blue ,
The drawing style is as minimalistic as possible , without unnecessary shadows or details , just a puzzle.You have a 7-piece jigsaw puzzle. They are arranged so that the largest piece of the puzzle lies in the center , and the rest of the puzzle pieces are attached to it in such a way that a square is formed as a result. Keep in mind that you can use not only the basic shapes of the puzzle pieces , but also those that you come up with yourself , only with one prerequisite - the puzzle must be assembled into a square. The puzzle is white , the background is blue ,
A scene set outside a modern house in the forest , shortly after sunset. The sky is dark , with only a few dim stars peeking through the deepening twilight. The atmosphere is heavy with mystery , and the entire scene exudes an unsettling , yet captivating energy. The lighting is dim and moody , casting long shadows and illuminating the characters in a soft , eerie glow that adds to the intrigue of the moment. A tall man with an athletic build stands near the center of the scene. His short brown hair is casually styled , and his arms and neck are covered in intricate tattoos. He wears tight black jeans and a fitted white t-shirt , emphasizing his muscular physique. His expression is intense , as he looks across at the woman , a smirk playing on his lips , exuding confidence and mystery. The woman , much shorter than the man , stands across from him. Her long , wavy brown hair flows down her back , and her posture is poised yet tense. She wears a fitted white silk blouse , a black pencil skirt , and high heels , her figure illuminated by the faint light. She holds his gaze , but her eyes also occasionally flicker towards the motorcycle , as if considering the unspoken tension between them. Beside them is a sleek MotoGP-style motorcycle , primarily white , its polished surface reflecting the little light that remains. The bike stands as a symbol of power and adrenaline in the midst of the dark , forested backdrop. Its presence amplifies the mysterious aura of the scene. The entire atmosphere is charged with tension. The dark forest looms behind them , creating a sense of isolation and anticipation , while the couple and the motorcycle stand as silent symbols of connection and unease. The scene should be highly realistic , with detailed shadows and lighting that intensify the uneasiness of the moment. , ,
"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff that is taller than she is in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots. ,
"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots ,
"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a heavy AWP rifle strapped to her waist. Her long , sleek dark brown hair is tied into a stylish ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet with a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , balanced at 0.5 , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly figure in this post-apocalyptic world." ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,